scholarly journals REGULATORY POTENTIAL OF POETIC TEXTS BY O. E. MANDELSTAM OF DIFFERENT YEARS (ACCORDING TO THE EXPERIMENT)

Author(s):  
Алена Владимировна Шутова

Введение. Изучение особенностей восприятия поэтических текстов читателями является одной из актуальных проблем современной стилистики. Теория регулятивности как одно из направлений коммуникативной стилистики текста позволяет выявлять средства и способы воздействия текста на адресата. На основе анализа регулятивных средств и структур разных типов в лирике О. Э. Мандельштама можно исследовать характер возникающих в сознании читателя ярких образов в поэтическом тексте как форме коммуникации. Материал и методы. Гипотеза о том, что об особенностях регулятивных возможностей текста можно судить по реакции информантов, воспринимающих текст и его элементы, проверяется на основе проведенного рецептивного эксперимента, основанного на показаниях языкового сознания участников. Материалом исследования послужили поэтические тексты О. Э. Мандельштама разных лет: «На темном небе, как узор» (1909), «Из омута злого и вязкого» (1910), «Как люб мне натугой живущий...» (1930), «Мы живем, под собою не чуя страны» (1933). Выбор данных поэтических текстов обусловлен их идейной значимостью и временем создания (два первых стихотворения относятся к ранней лирике автора, два других – к позднему творчеству). Перечисленные факторы позволяют проследить характер их восприятия информантами с учетом отражения эволюции поэтической картины мира О. Э. Мандельштама. Результаты и обсуждение. Согласно условно взятой пятибалльной шкале воздействия, максимальным баллом респондентами были оценены стихотворения, относящиеся к гражданской лирике автора. Это связано с тематикой данных поэтических текстов (для большинства информантов она показалась знакомой и злободневной), их идейным своеобразием и большим количеством использованных в текстах регулятивных средств и структур, а также их спецификой (в стихотворении «Мы живем, под собою не чуя страны…» – яркие метафоры и эпитеты; в стихотворении «Как люб мне натугой живущий…» – ряд эпитетов). Заключение. Получены данные о факторах, определяющих регулятивный потенциал текста и характер интерпретационной деятельности адресата. Среди них можно отметить тематическое и идейное своеобразие поэтических текстов О. Э. Мандельштама, количество и разнообразие использованных автором лексических регулятивных средств и структур. Introduction. The studying of the peculiarities of readers’ perception of poetic texts is one of the relevant problems of modern stylistic. The theory of regulativity as one of the text`s stylistic communicative directions, allows identifying of means and methods of text influence on the addressee. Based on analysis of regulatory tools and various types of structures, in O. E. Mandelstam`s lyrics the nature of vivid images that appear in reader`s mind in a poetic text can be explored as a form of communication. Material and methods. The hypothesis that the features of the regulatory capabilities can be judged by the reaction of informants who perceive the text and its parts, is tested on the basis on the receptive experiment based on the indications of the participants’ language consciousness. O. E. Mandelstam’s poetic texts of different years were the study materials: «In the dark sky, like a pattern» (1909); «Up out of an evil clinging pool» (1910); «How do I love the strain of living» (1930); «We are living, but can’t feel the land where we stay» (1933). The choice of these poetic texts is caused by its ideological significance and time of creation (the first and the second poem belongs to author`s early lyrics, the last two – his latest works). All these factors allow us to follow the nature of their perception by informants, taking into account the reflection of the evolution O. E. Mandelstam’s poetic picture of the world. Results and discussion. According to conventional five-point scale of impact, respondents gave the maximum score to poems related to the author’s civil lyrics. It is connected with the theme of these poetic texts (for most informants it seemed urgent and familiar), its ideological originality and its large number of regulatory methods that was used in text, srtuctures and its specific (in the poem «We are living, but can’t feel the land where we stay...» – vivid metaphors and epithets; in the poem «How I love the strain of living...» – a number of epithets). Conclusion. As a result of this research, data about factors that determine regulatory potential of the text and the nature of the interpretative activity of addressee were obtained. Among them, we can note thematic and ideological originality of O. E. Mandelstam`s poetic texts, the number and variety of lexical regulatory tools and structures used by author.

2021 ◽  
pp. 99-106
Author(s):  
Д.М. ДРЕЕВА ◽  
Д.В. ТОЛПАРОВА

Настоящее исследование посвящено выявлению структурно-семантических и функциональных особенностей средств выражения категории побуждения на примере анализа употребления эксплицитных и имплицитных форм реализации волюнтативной функции языка в поэтических произведениях австрийской поэтессы Ингеборг Бахман и осетинского поэта Нафи Джусойты. Способы реализации категории побуждения в поэтическом тексте рассматриваются сквозь призму немецкоязычной и осетинской лингвокультур. Выбор лингвокультурологического подхода к изучению прямых и косвенных форм вербализации волюнтативной функции в стихотворных текстах объясняется тесной взаимосвязью языка и культуры, носителем которых является поэт. Картина мира, включающая в себя определенные представления об окружающей действительности, обусловливает характерные особенности идиостиля автора, детерминируя выбор тех или иных художественных средств. Анализ средств выражения волеизъявления позволил сделать вывод о высокой плотности употребления форм повелительного наклонения в поэтических произведениях И. Бахман и Н. Джусойты. В частности, отмечается более широкое использование грамматически маркированной формы – императива – в текстах обоих авторов. По результатам проведенного исследования императив может быть квалифицирован как доминантная (эталонная) форма выражения категории побуждения как в немецком, так и в осетинском языках. Дальнейшее изучение стихотворных произведений указанных авторов выявило преобладание прямых средств репрезентации волюнтативной семантики в текстах Бахман и индиректных форм – в стихотворных произведениях Джусойты. Данное наблюдение позволяет в рамках нашего исследования сделать предварительный вывод о различиях в немецкоязычной и осетинской лингвокультурах, который, безусловно, нуждается в подтверждении на основе анализа более обширного эмпирического материала. Следовательно, на основании проведенного исследования можно заключить, что для наиболее полного и корректного изучения национальной картины мира необходим анализ идиостиля поэта на разных языковых уровнях – прагматики, семантики и грамматики. The present study is devoted to the identification of structural, semantic and functional features of the expression’s means of the motivation’s category by the example of the analysis of the using explicit and implicit forms of the implementation of the voluntative function of a language in the poetic works of the Austrian poetess Ingeborg Bachman and the Ossetian poet Nafi Dzhusoity. The ways of implementing the category of motivation in a poetic text are considered through the prism of German- and Ossetian-speaking linguocultures. The choice of a linguoculturological approach to the study of direct and indirect forms of verbalization of the voluntative function in poetic texts is explained by the close relationship of language and culture. The picture of the world, which includes certain ideas about the surrounding reality, determines the characteristic features of the author's idiostyle, determining the choice of certain artistic means. The analysis of the means of will’s expression allowed us to conclude about the high density of the use of imperative forms in the poetic works of I. Bakhman and N. Dzhusoity. In particular, there is a wider use of the grammatically marked form – imperative – in the texts of both authors. According to the results of the study, the imperative can be qualified as the dominant form of expression of the motivation’s category in both German and Ossetian languages. Further study of the poetic works of these authors revealed the predominance of direct means of representation of voluntary semantics in the texts of I. Bakhman and indirect forms – in the poetic works of N. Dzhusoity. This observation allows us to make a preliminary conclusion about the differences in the German- and Ossetian-speaking linguocultures, which, of course, needs confirmation based on the analysis of more extensive empirical material. Therefore, basing on the conducted research, we can conclude that for the most complete and correct study of the national picture of the world, an analysis of the poet's idiostyle at different language levels – pragmatics, semantics and grammar – is necessary.


2021 ◽  
Vol 113 ◽  
pp. 00010
Author(s):  
N.V. Dronyakina ◽  
A.O. Pirozhkova

The article deals with the results of the work with graduate students of philology. The study provides the methodological tools for interpreting the texts in relation to modern interpretative tendencies. In the context of our study a literary text is a model of reality representing the real world – its material and ideal components. The reconstruction of such components requires the use of certain methodology and contributes to the perception of the world picture of a nation. The research develops a typology of English poetic texts based on the principle of interpretativeness. The article provides methodological tools for acquainting students of philological department with these strategies and tactics. The poetic text interpretation in cognitive poetics was made by four-year students of the philological orientation of training. The study was grounded on a competence-based approach in the training of prospective philologists.


2020 ◽  
Vol 7 (2) ◽  
pp. 419-436
Author(s):  
Olga Igorevna Severskaya

The article is devoted to the consideration of a poetic text as a communicative phenomenon with a high impact potential. The author defines the features of poetic communication, which is both mass and interpersonal, and its main goal, which is the poet’s desire to communicate author’s vision of the world and thereby change the picture of the reader’s world, achieving empathy from it. Based on the understanding of the speech strategy as a cognitive communication plan, a program for generating and perceiving speech, the author talks about the fundamental reversibility of text-generating and interpretative strategies and offers own classification of strategies and tactics that are most often used in modern poetry. In this classification, the main communicative strategies of self-presentation and rapprochement with the reader are associated with auxiliary discursive strategies of actualizing, dramatizing and dialogizing the text and programming interpretations by tactics for highlighting objects and situations using sound “gestures”, pointing to the referent, framing, directly introducing the reader into the communicative context, attracting the recipient’s attention through appeals and pragmatic instructions, interrogation, and some others. Particular attention is paid to the multimodality of interactions and its specific manifestations in poetic discourse. The study is based on the material of Russian poetry of the 1980- 2000s using the methods of intent and discourse analysis.


2017 ◽  
Vol 7 (1) ◽  
pp. 40
Author(s):  
Elvira Lumi ◽  
Lediona Lumi

"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden facts from fiction and imagination. Prometheus, gr. Prometheus (/ prəmiθprə-mee-mo means "forethought") is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of humanity and charity of its largest, who stole fire from the mount Olympus and gave it to the mankind. Prophetic texts derive from a range of artifacts and prophetic elements, as the creative magic or the miracle of literary texts, symbolism, musicality, rhythm, images, poetic rhetoric, valence of meaning of the text, code of poetic diction that refers to either a singer in a trance or a person inspired in delirium, who believes he is sent by his God with a message to tell about events and figures that have existed, or the imaginary ancient and modern world. Text Prophetism is a combination of artifacts and platonic idealism. Key words: text Prophetism, holy text, poetic text, law text, vision, image, figure


2019 ◽  
Vol 80 (1) ◽  
pp. 20-25
Author(s):  
Nina S. Bolotnova

This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.


Information ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 137
Author(s):  
Danica Zendulková ◽  
Boris Rysuľa ◽  
Andrea Putalová

In the light of the increasing importance of the societal impact of research, this article attempts to address the question as to how social sciences and humanities (SSH) research outputs from 2019 are represented in Slovak research portfolios in comparison with those of the EU-28 and the world. The data used for the analysis originate from the R&D SK CRIS and bibliographic Central Register of Publication Activities (CREPČ) national databases, and WoS Core Collection/InCites. The research data were appropriate for the analysis at the time they were structured, on the national level; of high quality and consistency; and covering as many components as possible and in mutual relations. The data resources should enable the research outputs to be assigned to research categories. The analysis prompts the conclusion that social sciences and humanities research outputs in Slovakia in 2019 are appropriately represented and in general show an increasing trend. This can be documented by the proportion represented by the SSH research projects and other entities involved in the overall Slovak research outputs, and even the higher ratio of SSH research publications in comparison with the EU-28 and the world. Recommendations of a technical character include research data management, data quality, and the integration of individual systems and available analytical tools.


Author(s):  
Sara De Castro Cândido ◽  
Nàvia Regina Ribeiro da Costa ◽  
Ruzileide Epifânio Nogueira

This article seeks to an approach between the poetry of Carlos Drummond de Andrade, in Feeling of the world (1940), and the philosophy of Albert Camus, in The Myth of Sisyphus - the work of art as adventure of a spiritual destiny (2012), for, to think through by the language praticed by Drummond in two poems – Poem of necessity and Holding hands –, the be in the world and the passing of the man's condition of the being ontic to the be ontological, using also Durand (2012) and another theorists. Making use, as methodology, by the bibliographical research, and theory express of poetic text, concepts and analysis based on the phenomenological critique. Still in an interdisciplinary approach, to reflect the subject and its constitution as speech, will use theories of French line of discourse analysis (DA) and the line Anglo-Saxon (ADC), whose leading exponents are respectively, Michel Pêcheux and Norman Fairclough, relying on the concept of dialectical materialism. O Homem Absurdo na filosofia camusiana e na poesia drummondiana: a linguagem como fonte da (trans)formação Este artigo busca aproximações entre a poesia de Carlos Drummond de Andrade, em Sentimento do Mundo (1940), e a filosofia de Albert Camus, em O mito de Sísifo – a obra de arte como aventura de um destino espiritual (2012), para, por meio da linguagem praticada por Drummond em dois poemas – Poema da necessidade e Mãos dadas –, pensar o estar no mundo e a passagem do homem da condição de ser ôntico para ser ontológico, valendo-se, também, de Durand (2012) e de outros teóricos. Utiliza, como metodologia, a pesquisa bibliográfica e expressa teorias do texto poético, conceitos e análises com base na crítica fenomenológica. Ainda, numa atitude interdisciplinar, para refletir sobre o sujeito e sua constituição como discurso, baseia-se nas teorias da Análise de Discurso de linha francesa (AD) e de linha anglo-saxã (ADC), cujos principais expoentes são, respectivamente, Michel Pêcheux e Norman Fairclough, apoiando-se na concepção do materialismo dialético.


2021 ◽  
Vol 13 (1) ◽  
pp. 54-73
Author(s):  
Muhammad Abrar Parinduri ◽  
◽  
Zuliana Zuliana ◽  

The presence of modernization in the world of Islamic education seems to be a necessity that cannot be avoided. The birth of reformer figures in the Islamic world who came from the Middle East and Indonesia became a separate impetus to accelerate the pace of renewal of Islamic education. This research uses library research type (library research) which is carried out using literature (literature) in the form of books, notes, and research reports from previous research. Sources of data can be obtained from documents or document studies. Document study, namely looking for data about things or variables in the form of notes or transcripts, books, newspapers, magazines, and other documents needed for research data. This research proves that the flow of renewal in Islamic education finds momentum when the Indonesian government is able to synergize with Muslim figures. Likewise, the accommodative and cooperative attitude displayed by some Indonesian Muslim leaders and Islamic community organizations has contributed to the government's belief that advancing Islamic educational institutions is not something that is scary but will add stability to the condition of government and politics in Indonesia. It is at this stage that the reform of Islamic education is ultimately integrated into the national education system.


Author(s):  
Faisal Bin Salih Al Zahrani

ملخص البحث:   يعد الأدب العربي في إقليم الحجاز جزءاً من أدب الأمة العربية الجميل؛ لكن الدراسات الأدبية لا تزال غير كافية على الرغم من بذل بعض الباحثين جهوداً لجمع مادته الأدبية التي لا يزال كثير منها مخطوطاً أو مفقوداً أو مخفياً لأسباب متعددة. يبحث المنهج السيميائي عن المعنى من خلال البحث عن الاختلاف الداخلي للمعاني عبر المنهج السيميائي لتحليل الخطاب الشعري؛ وذلك من منطلق المنهج السيميائي في دراسة النصوص الشعرية والتي تؤكد أنها تتكون من نظام لغوي يعطي مجموعة من المعطيات الخاصة، وهذه الرؤية أسقطها المنهج السيميائي على أغلب النصوص الإبداعية، مع تميز النص الشعري بقدرته على اختزال المعنى، وتسعى هذه الدراسة إلى تتبع الشعر السياسي في الحجاز والوقوف على الدلالات التي يبرزها التحليل السيميائي من خلال المعنى الشعري، وذلك باتباع المنهج الوصفي التحليلي؛ حيث تبدأ بمقدمة تعرف ببعض المصطلحات الهامة مثل: إقليم الحجاز، السيميائية، الشعر السياسي، وستقوم عناصر التحليل لعدة مستوايات: تبدأ الخطاب العام، والمستوى المعجمي، والمستوى التركيبي، ثم المستوى التركيبي. الكلمات المفتاحية: الشعر السياسي - السيميائية - الخطاب العام - المستوى المعجمي- المستوى التركيبي. Abstract Arabic literature in Hijaz area is a part of magnificent Arabic literature. Much of literary works are still missing for many reasons despite the effort of some researchers in collecting and recording them. The semiotic approach looks into meaning by examining its internal differences through semiotic method to analyze poetic discourse. The semiotic approach helps in studying the poetic texts that reveal that it contains a language system that implies certain inputs. This very method helps to reveal such a perception on most of creative texts, with the distinction of the poetic text as having the ability to compress meaning. This paper aims at tracking the political poems in Hijaz and dwell on the meaning revealed by the semiotic analysis through the poetic meaning. The study makes use of the descriptive analysis method. It begins with the definition of some significant terms such as: Hijaz, semiotics, political poems; the analysis is based on certain levels: it begins with the general discourse, lexical and phrasal levels.   Keywords: Political poems, semiotics, general discourse, lexical level, phrasal level.     Abstrak Satera Arab di Hijaz adalah sebahagian daripada kesusasteraan yang gemilang. Namun masih banyak karya-karya yang masih hilang disebabkan banyak faktor walaupun usaha-usaha para pengkaji dalam mengumpul dan merekodkannya. Pendekatan semiotik ini melihat aspek makna dengan melihat perbezaan dalaman melalui metod semiotik untuk menganalisa wacana syair. Pendekatan ini juga menolong menyingkap sistem bahasa tertentu yang menandakan input tertentu. Ia juga menolong menyingkap untuk menyerlahkan persepsi tertentu tentang kebanyakan teks kreatif, terutamanya kelebihan teks puitis untuk memampatkan makna. Kajian ini bertujuan untuk mengesan syair-syair politik di Hijaz dan mengkaji makna yang diserlahkan melalui analisa maksud puitis. Kajian ini menggunakan metod analisa deskriptif. Ia dimulakan dengan definisi beberapa terma penting seperti: Hijaz, semiotic, syair politik; analisa yang dibuat adalah berdasarkan kepada beberapa tahap: ia bermula dengan wacana umum seterusnya tahap-tahap leksikal dan phrasa.    Kata kunci: Syair politik, semiotic, wacana umum, tahap leksikal, tahap frasa


Sign in / Sign up

Export Citation Format

Share Document