scholarly journals EXPLICIT AND IMPLICIT MEANS OF IMPLEMENTING THE VOLUNTATIVE FUNCTION OF A LANGUAGE IN GERMAN AND OSSETIAN LINGUOCULTURES: TO THE PROBLEM OF THE NATIONAL PICTURE OF THE WORLD

2021 ◽  
pp. 99-106
Author(s):  
Д.М. ДРЕЕВА ◽  
Д.В. ТОЛПАРОВА
Keyword(s):  
Dominant Form ◽  
Language And Culture ◽  
The World ◽  
Close Relationship ◽  
Poetic Text ◽  
Functional Features ◽  
Characteristic Features ◽  
Poetic Texts ◽  
Relationship Of ◽  
Empirical Material

Настоящее исследование посвящено выявлению структурно-семантических и функциональных особенностей средств выражения категории побуждения на примере анализа употребления эксплицитных и имплицитных форм реализации волюнтативной функции языка в поэтических произведениях австрийской поэтессы Ингеборг Бахман и осетинского поэта Нафи Джусойты. Способы реализации категории побуждения в поэтическом тексте рассматриваются сквозь призму немецкоязычной и осетинской лингвокультур. Выбор лингвокультурологического подхода к изучению прямых и косвенных форм вербализации волюнтативной функции в стихотворных текстах объясняется тесной взаимосвязью языка и культуры, носителем которых является поэт. Картина мира, включающая в себя определенные представления об окружающей действительности, обусловливает характерные особенности идиостиля автора, детерминируя выбор тех или иных художественных средств. Анализ средств выражения волеизъявления позволил сделать вывод о высокой плотности употребления форм повелительного наклонения в поэтических произведениях И. Бахман и Н. Джусойты. В частности, отмечается более широкое использование грамматически маркированной формы – императива – в текстах обоих авторов. По результатам проведенного исследования императив может быть квалифицирован как доминантная (эталонная) форма выражения категории побуждения как в немецком, так и в осетинском языках. Дальнейшее изучение стихотворных произведений указанных авторов выявило преобладание прямых средств репрезентации волюнтативной семантики в текстах Бахман и индиректных форм – в стихотворных произведениях Джусойты. Данное наблюдение позволяет в рамках нашего исследования сделать предварительный вывод о различиях в немецкоязычной и осетинской лингвокультурах, который, безусловно, нуждается в подтверждении на основе анализа более обширного эмпирического материала. Следовательно, на основании проведенного исследования можно заключить, что для наиболее полного и корректного изучения национальной картины мира необходим анализ идиостиля поэта на разных языковых уровнях – прагматики, семантики и грамматики. The present study is devoted to the identification of structural, semantic and functional features of the expression’s means of the motivation’s category by the example of the analysis of the using explicit and implicit forms of the implementation of the voluntative function of a language in the poetic works of the Austrian poetess Ingeborg Bachman and the Ossetian poet Nafi Dzhusoity. The ways of implementing the category of motivation in a poetic text are considered through the prism of German- and Ossetian-speaking linguocultures. The choice of a linguoculturological approach to the study of direct and indirect forms of verbalization of the voluntative function in poetic texts is explained by the close relationship of language and culture. The picture of the world, which includes certain ideas about the surrounding reality, determines the characteristic features of the author's idiostyle, determining the choice of certain artistic means. The analysis of the means of will’s expression allowed us to conclude about the high density of the use of imperative forms in the poetic works of I. Bakhman and N. Dzhusoity. In particular, there is a wider use of the grammatically marked form – imperative – in the texts of both authors. According to the results of the study, the imperative can be qualified as the dominant form of expression of the motivation’s category in both German and Ossetian languages. Further study of the poetic works of these authors revealed the predominance of direct means of representation of voluntary semantics in the texts of I. Bakhman and indirect forms – in the poetic works of N. Dzhusoity. This observation allows us to make a preliminary conclusion about the differences in the German- and Ossetian-speaking linguocultures, which, of course, needs confirmation based on the analysis of more extensive empirical material. Therefore, basing on the conducted research, we can conclude that for the most complete and correct study of the national picture of the world, an analysis of the poet's idiostyle at different language levels – pragmatics, semantics and grammar – is necessary.

scholarly journals REGULATORY POTENTIAL OF POETIC TEXTS BY O. E. MANDELSTAM OF DIFFERENT YEARS (ACCORDING TO THE EXPERIMENT)

2021 ◽  
pp. 73-79
Author(s):  
Алена Владимировна Шутова
Keyword(s):  
Research Data ◽  
Point Scale ◽  
Maximum Score ◽  
Study Materials ◽  
The World ◽  
Poetic Text ◽  
Regulatory Potential ◽  
Poetic Texts ◽  
Communication Material

Введение. Изучение особенностей восприятия поэтических текстов читателями является одной из актуальных проблем современной стилистики. Теория регулятивности как одно из направлений коммуникативной стилистики текста позволяет выявлять средства и способы воздействия текста на адресата. На основе анализа регулятивных средств и структур разных типов в лирике О. Э. Мандельштама можно исследовать характер возникающих в сознании читателя ярких образов в поэтическом тексте как форме коммуникации. Материал и методы. Гипотеза о том, что об особенностях регулятивных возможностей текста можно судить по реакции информантов, воспринимающих текст и его элементы, проверяется на основе проведенного рецептивного эксперимента, основанного на показаниях языкового сознания участников. Материалом исследования послужили поэтические тексты О. Э. Мандельштама разных лет: «На темном небе, как узор» (1909), «Из омута злого и вязкого» (1910), «Как люб мне натугой живущий...» (1930), «Мы живем, под собою не чуя страны» (1933). Выбор данных поэтических текстов обусловлен их идейной значимостью и временем создания (два первых стихотворения относятся к ранней лирике автора, два других – к позднему творчеству). Перечисленные факторы позволяют проследить характер их восприятия информантами с учетом отражения эволюции поэтической картины мира О. Э. Мандельштама. Результаты и обсуждение. Согласно условно взятой пятибалльной шкале воздействия, максимальным баллом респондентами были оценены стихотворения, относящиеся к гражданской лирике автора. Это связано с тематикой данных поэтических текстов (для большинства информантов она показалась знакомой и злободневной), их идейным своеобразием и большим количеством использованных в текстах регулятивных средств и структур, а также их спецификой (в стихотворении «Мы живем, под собою не чуя страны…» – яркие метафоры и эпитеты; в стихотворении «Как люб мне натугой живущий…» – ряд эпитетов). Заключение. Получены данные о факторах, определяющих регулятивный потенциал текста и характер интерпретационной деятельности адресата. Среди них можно отметить тематическое и идейное своеобразие поэтических текстов О. Э. Мандельштама, количество и разнообразие использованных автором лексических регулятивных средств и структур. Introduction. The studying of the peculiarities of readers’ perception of poetic texts is one of the relevant problems of modern stylistic. The theory of regulativity as one of the text`s stylistic communicative directions, allows identifying of means and methods of text influence on the addressee. Based on analysis of regulatory tools and various types of structures, in O. E. Mandelstam`s lyrics the nature of vivid images that appear in reader`s mind in a poetic text can be explored as a form of communication. Material and methods. The hypothesis that the features of the regulatory capabilities can be judged by the reaction of informants who perceive the text and its parts, is tested on the basis on the receptive experiment based on the indications of the participants’ language consciousness. O. E. Mandelstam’s poetic texts of different years were the study materials: «In the dark sky, like a pattern» (1909); «Up out of an evil clinging pool» (1910); «How do I love the strain of living» (1930); «We are living, but can’t feel the land where we stay» (1933). The choice of these poetic texts is caused by its ideological significance and time of creation (the first and the second poem belongs to author`s early lyrics, the last two – his latest works). All these factors allow us to follow the nature of their perception by informants, taking into account the reflection of the evolution O. E. Mandelstam’s poetic picture of the world. Results and discussion. According to conventional five-point scale of impact, respondents gave the maximum score to poems related to the author’s civil lyrics. It is connected with the theme of these poetic texts (for most informants it seemed urgent and familiar), its ideological originality and its large number of regulatory methods that was used in text, srtuctures and its specific (in the poem «We are living, but can’t feel the land where we stay...» – vivid metaphors and epithets; in the poem «How I love the strain of living...» – a number of epithets). Conclusion. As a result of this research, data about factors that determine regulatory potential of the text and the nature of the interpretative activity of addressee were obtained. Among them, we can note thematic and ideological originality of O. E. Mandelstam`s poetic texts, the number and variety of lexical regulatory tools and structures used by author.

scholarly journals Directing of the contemporary French avant-garde theater Nanter-Amandier: stylistic and conceptual innovations

2021 ◽  
pp. 245-250
Author(s):  
Maryna Tatarenko
Keyword(s):  
Art History ◽  
Modern Human ◽  
Avant Garde ◽  
Functional Methods ◽  
Creative Solutions ◽  
Historical Processes ◽  
The World ◽  
Close Relationship ◽  
Relationship Of ◽  
First Time

The purpose of the article is consideration of stylistic and conceptual innovative ideas directed by the modern French avant-garde theater Nanter-Amandier. The methodology consists of the application of empirical, art history, analytical, axiomatic, functional methods of researching the concept of ideas of avant-garde directing of Nanterre-Amandier theater, its innovations, and search for radical reforms of stage skills, phenomenal artistic techniques of theatrical forms. Scientific Novelty. For the first time, empirical analysis and substantiation of the concept of ideas of avant-garde directing of the Nanterre-Amandier Theater, its innovations in the search for original artistic and creative solutions of stage forms. Conclusions. Directors of the modern French avant-garde theater J.-P. Vincent, J.-L. Martinelli and F. Ken successfully embodied innovative artistic techniques by transforming the reality surrounding the modern human and transmitting it to the viewer - this breaks the close relationship of artistic intentions with the socio-cultural environment. The depiction of the world by modern directors of the French avant-garde theater is characterized by a deep and holistic rethinking of it in accordance with the specifics of socio-historical processes, the development of scientific and technological progress, the general philosophical and aesthetic picture of the world, and others.

scholarly journals ФОРМА ЯК ЗАСІБ СТВОРЕННЯ ХУДОЖНЬОГО ОБРАЗУ В АРТ-ДИЗАЙНІ

2019 ◽  
pp. 40-47
Author(s):  
Н. Л. Базелюк
Keyword(s):  
Design Theory ◽  
Theory And Practice ◽  
Practical Significance ◽  
Art Object ◽  
Art Form ◽  
Close Relationship ◽  
Functional Features ◽  
Characteristic Features ◽  
Object Form ◽  
Artistic Image

Purpose. Disclosure of decorative and functional features of forms of art object and analysis of their creative and aesthetic content. Methodology. In the course of the research, the purpose of field surveys and generally scientific methods of analysis, synthesis and analogies were used. Results. As a result of a theoretical study, the primary stages of art-form object formation are determined; its characteristic features and peculiarities of ideological and ideological ideas and creative language are revealed. The close relationship between form and content, which forms an imaginative, symbolic, spiritual and aesthetic art object with the emotional power of influence and impression, is considered. Scientific novelty. The article analyses and explores the peculiarities of creating an art object form to convey an artistic image and an author's idea. The features and stages of forming an art object form as a complex, multifaceted phenomenon are presented, which allows becoming more aware of its functional, material and artistic features. Practical significance. Research findings can be used as promising areas for research in design theory and practice. The main defining features and features of building an art object can be applied directly in the creative work of designers.

scholarly journals Obraz Polski i Polaków w przemówieniu D. Trumpa (6 lipca 2017 roku w Warszawie)

2018 ◽  
pp. 391-404
Author(s):  
Władysława Bryła ◽  
Agnieszka Bryła-Cruz
Keyword(s):  
Presidential Address ◽  
Main Body ◽  
World Peace ◽  
Speech Genres ◽  
The World ◽  
Close Relationship ◽  
The Media ◽  
Universal Values ◽  
Rhetorical Value ◽  
Relationship Of

The paper analyses US president Donald Trump’s speech delivered in Warsaw on 6th July 2017. The authors signal various opinions of the media about the visit (framing), discuss the setting of the speech (place, time and listeners) and present the structure and the content of the speech. The presi- dent’s address consisted of three parts: the introduction included an elaborate emotional greeting, the main body was multifaceted and the ending was a set of wishes for Poles with a nal blessing. The speaker emphasized the close relationship of the two nations, praised Poles for their bravery during the Warsaw Uprising and enumerated a set of universal values respected in European coun- tries. He also evoked the notion of the world peace. The president employed a variety of speech genres, such as appeals, wishes, threats, promises and questions. The present authors recognize the rhetorical value of the presidential address.

scholarly journals Tradition of nature and man in the literature (based on the material of comparative analysis of the Russian and English worldviews)

2016 ◽  
Vol 3 (1) ◽  
pp. 15-22 ◽  
Author(s):  
M.A. Ganyushina
Keyword(s):  
Comparative Analysis ◽  
World Language ◽  
Cultural Space ◽  
Language And Culture ◽  
The World ◽  
Linguistic Sign ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

The article focuses on the problem of the symbolic properties of language and linguistic sign within of the world language image (further WLI). Its solution offers the prospect of a deeper understanding of the relationship of language and culture. As a subject of study the metaphorical rethinkings of different concepts in English and Russian languages with the components of ancient symbols, legends left their mark on the world perception of different nations. The study shows the way the linguistic sign begins to express symbolic ideas, influence the semantics of expressions, closely cooperating with the cultural space, a myth and modern associations.

scholarly journals THE STYLISTIC FUNCTIONS OF REPEATED VERB UNITS IN A SEPARATE TEXT

2021 ◽  
pp. 207-214
Author(s):  
O. P. Ohrynchuk
Keyword(s):  
World View ◽  
National Language ◽  
Semiotic System ◽  
Verbal Form ◽  
Linguistic Unit ◽  
Poetic Text ◽  
Important Means ◽  
Functional Features ◽  
Poetic Texts ◽  
Conversational Structure

The article is devoted to the complex study of functional features of verbs and verb lexical-semantic repetitionsin poetic texts M. Bazhan and I. Drach. Advantages of linguopoetic approach, which gives possibility to define, how linguistic unit is included by the author in the process of word-artistic creative work, provides creation of aesthetic effect, structural and semantic integrity of the text is substantiated in the thesis. Linguistic and stylistic approach doesn’t give us comprehensive answers to the question about notional, structural and communicative organization of the text, that is why today they become a prerogative of linguo-poetics and linguistics of text. Taking into account new directions, approaches in modern linguistic science in the last decades, such key concepts as “text”, “poetic text” were specified; advantages of communicative functional approach to its study were specified; constant features of text and text categories were specified; style, idiostyle, idiolect concept was defined. At determining the poetic text, we proceed from the fact that this is a special semiotic system, which has its own laws of formation of self-organization. Decoding the poetic text takes into consideration apertception moments of each word in the works of writer, who, staying within the limits of national-language picture of the world, creates a unique linguistic world according to his world view, his own psychology, philosophy. Let us motivate the use of idiostyle concept, closely connected with the author’s image, which we understand as a “word- conversational structure”, which permeates all work and leads to comprehensive study of literary text. Linguostylistic verb potential as lexicogrammatical word class, which has detailed system of personal-methodical and kindtime morphological forms was analyzed in the work; figurative and expressive features of verbal categories of manner, time, kind and person were tracked in the poetic texts of M. Bazhan and I. Drach; certain writers’ priorities in use of one or another verbal form were revealed. An important means of actualization of poetic content, dynamization of descriptive world, which assists the reader to focus attention on one or another reality, actions, feelings, and provides a link between the parts of the text, is repetition. Decoding of the poetic texts of M. Bazhan and I. Drach provided considering different apperception moments of verbal repetition.

scholarly journals The term «Concept»

2020 ◽  
pp. 236-243
Author(s):  
Zh. M. Kakulya ◽  
D. D. Jantassova
Keyword(s):  
Scientific Knowledge ◽  
Cognitive Linguistics ◽  
Conceptual System ◽  
Language And Culture ◽  
Cultural Phenomenon ◽  
The World ◽  
Universal Definition ◽  
Object Of Study ◽  
Relationship Of ◽  
The Relationship

In recent years in the humanitarian field of scientific knowledge more and more attention has been paid to the relationship of language and culture, language and national mentality, language and national consciousness. In this connection, the object of study, the approaches and methods of describing and studying language are being reinterpreted. Researches pay more and more attention to such a category as a concept. Despite a widespread use of this concept in the field of scientific research, the term «concept» itself has not yet received an unambiguous interpretation. And this is due to the fact that researchers representing various branches of scientific knowledge, single out and consider decisive various features of this object. At present it should be recognized that it is a concept that is the key of cognitive linguistics. However, despite the fact that a concept can be considered established for modern cognitive science, the content of this concept varies significantly in the conceptions of various scientific schools and individual scientists. The fact is that a concept is a category of thinking that is not observable, and this gives a lot of room for its interpretation. Today the category of a concept appears in the studies of philosophers, logicians, psychologists, and cultural scientists, and it bears the traces of all these extra-linguistic interpretations. This term, although firmly established in modern linguistics, does not still have a single definition, although many well-known scholars are fruitfully studying a concept: N. D. Arutyunova, A. P. Babushkin, A. Vezhbitskaya, E. S. Kubryakova, S. E. Nikitina, V. N. Telia, R. M. Frumkin and others. Thus, it can be stated that the term of a concept in linguistics is both old and new at the same time. Back in 1928 famous scientist S. A. Askoldov published the article «Concept and Word», but until the middle of the last century, a concept was not perceived as a term in scientific literature. A concept is a cultural phenomenon of storing, developing and accumulating information, perhaps its universal definition is the shortest logical characteristic: a concept is a constructive concept of storing and accumulating information in the linguistic picture of the world. Thus, concepts represent the world in the head of a person, forming a conceptual system, and the signs of the human language encode the content of this system in a word.

scholarly journals Methodological tools for teaching prospective teachers-philologists to interpret English poetic texts

2021 ◽  
Vol 113 ◽  
pp. 00010
Author(s):  
N.V. Dronyakina ◽  
A.O. Pirozhkova
Keyword(s):  
Graduate Students ◽  
Prospective Teachers ◽  
Real World ◽  
Literary Text ◽  
Cognitive Poetics ◽  
Text Interpretation ◽  
World Picture ◽  
The World ◽  
Poetic Text ◽  
Poetic Texts

The article deals with the results of the work with graduate students of philology. The study provides the methodological tools for interpreting the texts in relation to modern interpretative tendencies. In the context of our study a literary text is a model of reality representing the real world – its material and ideal components. The reconstruction of such components requires the use of certain methodology and contributes to the perception of the world picture of a nation. The research develops a typology of English poetic texts based on the principle of interpretativeness. The article provides methodological tools for acquainting students of philological department with these strategies and tactics. The poetic text interpretation in cognitive poetics was made by four-year students of the philological orientation of training. The study was grounded on a competence-based approach in the training of prospective philologists.

The poetic text: an interdisciplinary interpretation

2018 ◽  
Author(s):  
Лара Синельникова ◽  
Lara Sinel'nikova
Keyword(s):  
Cognitive Science ◽  
Multidisciplinary Approach ◽  
Educational Resource ◽  
Science Discourse ◽  
Wide Range ◽  
Poetic Text ◽  
Discourse Studies ◽  
Poetic Texts ◽  
Empirical Material ◽  
Systematic Knowledge

The monograph presents the author's concept of interpretation of poetic texts. Voluminous typological matrix is formed based on a multidisciplinary approach that combines Philology, cognitive science, discourse studies and some other Humanities. New approaches to the analysis of poetic texts correlate with traditional concepts, with the ideas of linguistic poetics, which United linguists and literary critics on the way to a systematic knowledge of the language of poetry and the structure of the poetic text. The volume of empirical material contributes to objective conclusions about the evolution of poetic language and its means of expression and significantly complements the educational resource necessary for the formation of interdisciplinary educational competencies. The monograph is addressed to philologists, as well as representatives of other Humanities and a wide range of poetry lovers.

SUSTAINABLE DEVELOPMENT OF THE REGION AND GREEN ECONOMY

2021 ◽  
Vol 5 (11) ◽  
pp. 99-102
Author(s):  
Nadezhda N. Zhilina ◽  
◽  
Vladimir G. Ignatiev ◽  
Keyword(s):  
Sustainable Development ◽  
Economic Development ◽  
Scientific Knowledge ◽  
World Economy ◽  
Environmental Problems ◽  
Green Economy ◽  
New Science ◽  
The World ◽  
Close Relationship ◽  
Relationship Of

The problem of increasing the efficiency of the functioning of the world economy and the econ-omy of individual states is inextricably linked with solving the problem of sustainable development based on the widespread use of the principles of the green economy. The greening of economic development eventually created a new science (branch of scientific knowledge) - the green economy, which is based on the close relationship of economic and environmental problems. The article systematizes the results of program measures to achieve sustainable development of regions in the synthesis of concepts of sustainable devel-opment of regions and a vector for the greening of the economy.

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