scholarly journals GAMELAN SELONDING CHRICAL FUNCTIONS IN TENGANAN PEGRINGSINGAN VILLAGE

Author(s):  
I Wayan Suharta ◽  
I Nyoman Suarka ◽  
I Wayan Cika ◽  
I Ketut Setiawan

This paper aims to study and understand the sacredness of the Salonding gamelan in Tenganan Village in its context with religious rituals and the people of Tenganan Village as protection. Gamelan Selonding in Tenganan Village has its own history, its existence is associated with stories or myths that have been passed down from generation to generation. The approach used is semiotic through interpretive analysis of texts and contexts that support the culture concerned. The research found that, starting with the discovery of three iron plate blades which were declared as Selonding gamelan blades. Believed to be a descent that is not made by ordinary humans, but because of the gift of nature, the people of Tenganan Village are called 'Bhatara Bagus Selonding'. Gamelan Selonding for the people of Tenganan Village is very sacred. In maintaining its sacredness it is adjusted to the concept of the village, kala, and patra, not to be touched by other people, except by members of the selected art group (Gambe) with seven members. Gambel juru has the responsibility to maintain the sanctity of the Selonding gamelan. For the people of Tenganan Village, the sacredness of the Selonding gamelan is not just an outward statement, but a totality that represents the integration of people's thoughts, feelings, speech and attitudes, so that the treatment of Selonding is prostration. So, Selonding for the people of Tenganan village, is not just a medium of artistic expression but a representation of religiosity so that selonding is sacred and sanctified.  Keywords: Gamelan Selonding, representation, art, religiosity

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Ahmad Ubaidillah ◽  
Misbahul Khoir

The objectives of research include; first, to describe what local Islamic working ethos are as the basis for the resilience of songkok, whip and slap handicraft businesses in Serah Panceng Gresik Village. Second, to describe the resilience of the songkok, whip and slap handicraft business in the village of Serah Panceng Gresik. This study is a qualitative-descriptive study with the aim of understanding the phenomena experienced by the subject of research including behavior, perception, motivation, and action holistically by utilizing various scientific methods. Data collection methods include; Observation, In-depth Interview or Focus Group Discussion, Documentation. Data analysis techniques include: processing and preparing data for analysis, reading the entire data, analyzing in more detail by coding data, considering detailed instructions that can help the coding process, giving descriptions that will be presented in the report, interpreting and interpreting data. The results showed that in Serah Village local Islamic working ethos were preserved by the community, such as alms giving, reading dziba', reading tahlil, attending haul akbar, and reading sholawat together every Friday. Although in the tradition it does not involve songkok, whip, and slap directly, there is a good impact to support the resilience of songkok, but not whip, and slap production. Religious rituals by praying together asking Allah to facilitate and carry out business in production songkok, whip, and slap are an expression of gratitude for what God gave to the people of Serah Village. All economic activity done by Serah community is meant to get God’s willing. Keywords: Islamic Working Ethos, Handicraft Businesses


2021 ◽  
Vol 1 (5) ◽  
pp. 666-680
Author(s):  
Fitriatul Hasanah ◽  
Nur Hadi ◽  
Ahmad Arif Widianto

The last decade of 2019, the world was in an uproar with the emergence of the corona virus disease (Covid-19) outbreak which first appeared in the city of Wuhan, China and spread throughout all countries including Indonesia. Covid-19 has had a significant impact in terms of socio-cultural and economic aspects. This study aims to describe the impact of Covid-19 which has contributed to the social transformation of the people of Pancasila Village, Sukoreno in maintaining the stability of government regulations against Covid-19. This research uses qualitative methods by collecting data through interviews and observations. Interviews were conducted with the village government, religious leaders, and the people of Pancasila Village, Sukoreno. The data analysis technique used an interactive model. The results showed that the 'pagebluk' paradigm is still strongly attached to rural communities in responding to the Covid-19 virus. Pagebluk is an assumption that is believed by the community in the form of "balak" or disease. This disease is believed to provide a deterrent effect to the community because they have neglected to carry out the orders and traditions in the Pancasila Village area, Sukoreno. The existence of Pagebluk causes social and cultural transformation in the local community. Various policies, regulations and agreements related to the handling of Covid-19 are relevant to changes in the socio-religious routine in society. The impact of Covid-19 is used as a strengthening of the relationships that are built in the community in dealing with Covid-19 by using the cultural basis and local wisdom of each religion and belief. The cultural-religious basis is the main aspect of carrying out social transformation by collaborating together across religions as a form of integrity in facing Covid-19. In addition, social reality confirms that the village level FKUB (Religious Forum for Religious People) can optimize the value of mutual cooperation in order to respond to the batara times that caused riots in a religious plural society. So that religious leaders have an important role in disciplining the community to carry out religious rituals in Pancasila Village, Sukoreno. social reality confirms that the village level FKUB (Religious Forum for Religious People) can optimize the value of mutual cooperation in order to respond to the batara times that caused riots in a religiously pluralistic society. So that religious leaders have an important role in disciplining the community to carry out religious rituals in Pancasila Village, Sukoreno. Dekade terakhir tahun 2019, dunia di gemparkan dengan munculnya wabah corona virus disease (Covid-19) yang kali pertama muncul di Kota Wuhan, Cina dan menyebar ke seluruh negara termasuk Indonesia. Covid-19 menimbulkan dampak signifikan dalam aspek, sosial-budaya, dan ekonomi. Kajian ini bertujuan untuk mendeskripsikan dampak Covid-19 yang berkontribusi terhadap transformasi sosial masyarakat Desa Pancasila, Sukoreno dalam menjaga kestabilitasan peraturan pemerintahan melawan Covid-19. Penelitian ini menggunakan metode kualitatif dengan mengumpulkan data melalui wawancara dan observasi. Wawancara dilakukan dengan pemerintah desa, tokoh agama, serta masyarakat Desa Pancasila, Sukoreno. Teknik analisis data menggunakan model interaktif. Hasil penelitian menunjukkan bahwa paradigm ‘pagebluk’ masih melekat kuat terhadap masyarakat desa dalam menyikapi virus Covid-19. Pagebluk merupakan suatu asumsi yang diyakini oleh masyarakat yang berupa “balak” atau penyakit. Penyakit ini dipercaya akan memberikan suata efek jera kepada masyarakat karena telah lalai dalam menjalankan perintah dan tradisi di wilayah Desa Pancasila, Sukoreno. Adanya Pagebluk menyebabkan transformasi sosial dan budaya pada masyarakat setempat. Berbagai kebijakan, regulasi dan kesepakatan terkait penanganan Covid-19 berelevansi terhadap perubahan rutinitas sosial keagamaan di masyarakat. Dampak Covid-19 dijadikan sebagai penguat relasi yang terbangun di masyarakat dalam merentas Covid-19 dengan menggunakan basis budaya dan kearifan lokal pada masing-masing agama dan aliran kepercayaan. Basis budaya-agama menjadi aspek utama melakukan transformasi sosial dengan melakukan kolaborasi bersama lintas agama sebagai wujud integritas menghadapi Covid-19. Selain itu, realitas sosial menegaskan bahwa FKUB (Forum Keagamaan Umat Beragama) tingat desa dapat mengoptimalkan nilai kegotongroyonga guna menyikapi batara kala yang menyebabkan kerusuhan di tengah masyarakat plural beragama. Sehingga tokoh agama memiliki peran penting dalam mendisiplinkan masyarakat untu melaksanakan ritual keagamaan di Desa Pancasila, Sukoreno.


ESOTERIK ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 109
Author(s):  
Hasan Bastomi

<p class="06IsiAbstrak">Aims of the earth is a tradition of Javanese society that has been carried out for generations which is carried out every year by the Javanese people as a form of thanksgiving for the blessings given from the results of farming. Each region has its own peculiarities from the implementation of earth charity, including in the Village of Margorejo Dawe-Kudus. This study aims to determine the implementation of the earth alms ceremony and the Subjective Well-Being attitude of Margorejo-Kudus. This study uses qualitative methods with the type of Field Research research (field research) using descriptive analysis. The results of this study indicate that the tradition of the earth that held once a year, on <em>Apid</em> month (<em>Dhulkaidah</em>) shows the tradition of agrarian socity. The meaning contained in the implementation of the earth charity tradition, namely the meaning of the implementation of earth alms (Nyadran) for the people of Margorejo, Kudus, to show their gratitude for the gift given by Sang The Creator and the Older. In the implementation of the alms of the earth of the people of Margorejo Village, the Holy feels subjective well-being in the form of gratitude, calmness and happiness.</p>


2019 ◽  
Vol 67 (3) ◽  
pp. 621-634 ◽  
Author(s):  
Helen Blakely ◽  
Kate Moles

This article develops theories of collective memory by attending to the everyday practices and meaning-making involved in creating and sustaining sites of heritage. While research across disciplines linked to memory studies has increased in recent years, with a notable sociological contribution, as yet ethnographic understandings of how collective memory is produced and maintained through locally situated and embedded practices are not fully realized. Our research took place in the village of Six Bells in the South Wales Valleys, where living memory of a coal mining disaster in 1960 and coal mining itself are slowly disappearing. One of ways in which the people of Six Bells are remembering and commemorating this past is by giving their narratives and artefacts to the community’s ‘heritage room’ as gifts. This form of remembering, prompted by an extraordinary event and the rapid social change associated with deindustrialization, produces and sustains legitimate representations and imaginaries of the past. By developing anthropological understandings of gift exchange, we propose that these practices are one visible component of the claims to authenticity and the bestowal of value active in the memory work of everyday life. We attend to three interrelated characteristics of gift exchange to develop our argument; the importance of the personal in producing authenticity through the gift relation; the provenance and social impetus of the act of giving; and the systems of reciprocity generated across and between generations, which work to assign value to the gift itself.


JOGED ◽  
2020 ◽  
Vol 13 (2) ◽  
pp. 172-186
Author(s):  
Nyoman Triyana Usadhi

Tari Baris Poleng Katekok Jago adalah tari tradisi Bali yang berbentuk komposisi tari kelompok dengan ciri berbaris, berderet, dan berjajar. Disebut Baris Poleng Ketekok Jago karena busana dan asesori yang dipakai didominasi oleh loreng “poleng” hitam dan putih. Dalam kehidupan beragama Hindu di Bali disebutkan ada tiga jenis kain poleng yakni: saput poleng rwabhineda, saput poleng sudamala, dan saput poleng tridatu. Aplikasi busana poleng dalam Baris Poleng Katekok Jago lebih didominasi oleh penggunaan poleng rwabineda dan poleng sudhamala. Poleng rwabineda berbentuk strip melintang sebagai hiasan pada desain kaki celana dan lengan baju; sedangkan poleng sudhamala menjadi hiasan pada saput seperti kain poleng tridatu, kain-kain kuno seperti cepuk, gringsing dan sejenisnya, menjadi hiasan tambahan yang kuat memberikan kesan angker dan kuno pada tampilan figur dari masing-masing penarinya. Hal-hal inilah yang menjadikan Baris Poleng Katekok Jago di Desa Tegal Darmasaba menjadi unik dan istimewa. Dalam penelitian ini, antropologi menjadi ilmu untuk membedah masalah yang terjadi di dalam suatu kelompok masyarakat. Masyarakat pendukung memiliki hubungan erat dengan pemahaman mengenai fungsi suatu tari dalam upacara keagamaan. Tari Baris Poleng Katekok Jago sebagai produk kebudayaan yang terkait dengan ritual keagamaan Agama Hindu Bali. Fungsi sebagai kenyataan sosial yang harus dicari dalam hubungannya dengan tujuan sosial. Fungsi dari setiap bagian ialah memelihara hidup itu. Menurut Malinowski dan J. van Baal fungsi kebudayaan adalah harus memenuhi kebutuhan integratif, seperti agama dan kesenian. Dalam konsep rwabhineda sangat erat kaitannya dengan pemahaman Spiro bahwa fungsi menentangkan hubungan yang terjadi antara satu hal dengan hal lain dalam satu sistem yang terintegrasi. Fungsi integratif ini demikian melekat pada Tari Baris Poleng Katekok Jago dan agama Hindu Bali, sehingga sifat integratif ini melahirkan hubungan kedekatan antar religi dan kesenian yang oleh masyarakat Hindu Bali diekspresikan sebagai kewajiban manusia. Tari Baris Poleng Katekok Jago merupakan tari wali berfungsi sebagai tarian dalam upacara Pitra Yadnya dan Dewa Yadnya. Tari Baris ini menggunakan gerakan dan tata busana yang sederhana. Tari ini juga merupakan tari sakral yang digunakan pada upacara yadnya pada tingkatan Madya dan tingkatan Utama sebagai simbol dari kesatria yang mengawal turunnya Para Dewa ke bumi di setiap upacara Dewa Yadnya, seperti Karya Ngenteg Linggih, Karya Padudusan Agung, Karya Padudusan Alit dan sebagainya. Tari Baris Poleng Katekok Jago di desa Tegal Darmasaba dalam upacara Pitra Yadnya (ngaben), hanya diperuntukkan bagi kaum yang memiliki kasta (catur warna) tertinggi. Penari Baris Poleng Katekok Jago menjadi perajurit yang mengawal arwah menuju tujuan akhirnya. Baris Poleng Katekok Jago Dance in Tegal Darmasaba Village Badung Regency is a Balinese traditional dance in the form of dance group composition with character of marching, lined, and lined. Called Polis Katekok Jago caused by the dominance of the use of clothing and accessories black and white "poleng". In the Hindu life in Bali mentioned there are three types of poleng cloths: poleng rwabhineda cloth, poleng sudamala cloth, and poleng tridatu cloth. The type of poleng application in Baris Poleng Katekok Jago clothing is more dominated by the use of poleng rwabineda and poleng sudhamala. Rwabineda pods cross-shaped strips as decoration on the design of the pants leg and sleeve; while the sudhamala pans become a decoration on the membranes such as tridatu cloth, ancient fabrics such as cepuk, gringsing and the other kinds, to be a powerful additional decoration giving the impression of austere and old-fashioned appearance of each of the dancers. These are the things that make Baris Poleng Katekok Jago in Tegal Darmasaba Village become unique and special. In this study, anthropology becomes the science to dissect the problems that occur within a community group. The support community has a close relationship with the understanding of the function of a dance in a religious ceremony. Baris Poleng Katekok Jago Dance as a cultural product associated with religious rituals Hindu Religion Bali. Function as a social reality to look for in relation to social goals. The function of each part is to maintain that life. According to Malinowski and J. van baal the function of culture is to meet the integrative needs, such as religion and art. In the concept of rwabhineda is closely related to Spiro's understanding that the function of opposing relationships takes place between one thing and another in an integrated system. This integrative function is so inherent in the Baris Poleng Katekok Jago dance and the Balinese Hindu religion, so this integrative character gives birth to the interrelationship between religion and art which by Balinese Hindu society is expressed as human obligation. Tari Baris Poleng Katekok Jago dance is a guardian dance serves as a dance in the ceremony Pitra Yadnya and Dewa Yadnya. This line dance uses simple movements and clothing. Baris Poleng Katekok Jago dance is a sacred dance used in yadnya ceremony at the level of Madya and Utama level as a symbol of the knights who guard the descendants of the gods to the earth in every ceremony of the Dewa Yadnya, such as Ngenteg Linggih, Padudusan Agung, Padudusan Alit, and so on. Baris Poleng Katekok Jago dance in the village of Tegal Darmasaba in ceremony Pitra Yadnya (Ngaben), only for the people who have the highest caste (catur warna). Baris Poleng Katekok Jago became a soldier guarding the spirit toward its final destination.


Al-Albab ◽  
2013 ◽  
Vol 2 (2) ◽  
Author(s):  
Bambang Misno

People will do their best to apply their religious beliefs in the form of different religious rituals as a means of reconciling themselves to God. Among the rituals is Idhul Adha festivity held by the indigenous people of Kampung Naga. This festival is very interesting as it continues with the ritual of Hajat Sasih as a form of grateful expression to the ancestors of the community of Kampung Naga. The results of this research showed that the practice of Eid al-Adha Celebration was held with great solemnity according to the Islamic teachings, although there are no sheep sacrificed. The attitude of respect for the custom over Idhul Adha celebration has made them prefer the customary ritual in the form of Hajat Sasih to Idhul Adha which is a sunnah. The Hajat Sasih Ritual is carried out after the completion of the Idhul Adha prayer. The ritual is performed in accordance with the procedures carried out by their ancestors by delivering the Pahajat (parcel containing food and produce) to the Punduh and the Lebe a day before the celebration. Meanwhile, the Punduh and the Lebe also gave their pahajat to the Kuwu (village chief) and the Naib (caretaker)of Neglasari Village. The Hajat Sasih is an expression of gratitude to God represented in the form of a visit to the tomb of the ancestor, i.e. Sembah Dalem Eyang Singaparana . In addition, the Hajat Sasih also serves as a special occasion for the people of Kampung Naga to visit each other and expect the blessing from the visit to the grave and from the rice cone that has been prayed upon by the elders of the village. Keywords: Local Islam, Eid al-Adha, Hajat Sasih, Kampung Naga and visiting the grave.


2020 ◽  
Vol 3 (2) ◽  
pp. 117-132
Author(s):  
Betha Rahmasari

This article aims to find out the developmentidea or paradigm through village financial management based on Law Number 6 of 2014 concerning Villages. In this study, the researcher used a normative research methodby examining the village regulations in depth. Primary legal materials are authoritatuve legal materials in the form of laws and regulations. Village dependence is the most obvious violence against village income or financial sources. Various financial assistance from the government has made the village dependent on financial sources from the government. The use of regional development funds is intended to support activities in the management of Regional Development organizations. Therefore, development funds should be managed properly and smoothly, as well as can be used effectively to increase the people economy in the regions. This research shows that the law was made to regulate and support the development of local economic potential as well as the sustainable use of natural resources and the environment, and that the village community has the right to obtain information and monitor the planning and implementation of village development.


CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture product which is used for social purposes. As the time goes, now, the “palaminan” is not only used by the king or noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It is used as the seat of the bride groom and bride who are called king and queen for a day. Regarding this theme, when we see the several various of palaminan, it looks like been influenced by the Chinese and Hindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for the Gujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirror embroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village. The art of embroidery palaminan Nareh Pariaman has many structures which are connected to each other. They can not be separated in each use. The structures are decorated by the many kinds of Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning that contains some lessons about managing humans life, especially for people of Nareh Pariaman.Keywords: beyond culture, motif, pelaminan


2020 ◽  
Author(s):  
Askar Nur

This research explains the mysticism of mappadendang tradition in Allamungeng Patue Village, Bone Regency, which is believed by the local community as a form of shielding from danger and can resist reinforcemen such as Covid-19 outbreak. This research is a descriptive study using qualitative method and an ethnographic approach. This research was carried out with the aim of identifying the mystical space in mappadendang tradition which was held in Allamungeng Patue Village. After conducting the tracing process, the researcher found that mappadendang tradition which was held in Allamungeng Patue Village, Bone Regency in July 2020 was not a tradition of harvest celebration as generally in several villages in Bone Regency, especially Bugis tribe, but mappadendang was held as a form of shielding from all distress including Covid-19 outbreak. This trust was obtained after one of the immigrants who now resides in the village dreamed of meeting an invisible figure (tau panrita) who ordered a party to be held that would bring all the village people because remembering that in the village during Covid-19 happened to almost all the existing areas in Indonesia, the people of Allamungeng Patue Village were spared from the outbreak. Spontaneously, the people of Allamungeng Patue Village worked together to immediately carry out the mappadendang tradition as a form of interpretation of the message carried by the figure.


2020 ◽  
Vol 4 (4) ◽  
Author(s):  
Nurwan Nurwan ◽  
Ali Hadara ◽  
La Batia

ABSTRAK: Inti pokok masalah dalam penelitian ini meliputi latar belakang gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, Faktor-faktor yang mendorong gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna dan akibat gerakan sosial masyarakat Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna? Latar belakang gerakan sosial masyarakat Kampung Labaluba yaitu keadaan kampungnya yang hanya terdiri dari beberapa kepala keluarga tiap kampung dan jarak yang jauh masing-masing kampung membuat keadaan masyarakatnya sulit untuk berkomnikasi dan tiap kampung hanya terdiri dari lima sampai dengan tujuh kepala keluarga saja. Kampung ini letaknya paling timur pulau Muna terbentang dari ujung kota Raha sekarang sampai kampung Wakuru yang saat ini. Kondisi ini juga yang menjadi salah satu faktor penyebab kampung ini kurang berkembang baik dibidang ekonomi, sosial politik, pendidikan maupun di bidang kebudayaan. Keadaan ini diperparah lagi dengan sifat dan karakter penduduknya yang masih sangat primitif. Faktor yang mendorong adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna adalah adanya ketidaksesuaian antara keinginan pemerintah setempat dan masyarakat yang mendiami Kampung Labaluba pada waktu itu. Sedangkan proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna bermula ketika pemerintah seolah memaksakan kehendaknya kepada rakyat yang menyebabkan rakyat tidak setuju dengan kebijakan tersebut. Akibat yang ditimbulkan dari adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna terbagi dua yaitu akibat positif dan akibat negatif.Kata Kunci: Gerakan Sosial, Factor dan Dampaknya ABSTRACT: The main issues in this study include the background of the social movement of Labaluba Village, Kontumere Village, Kabawo Sub-District, Muna District, Factors that encourage social movements of Labaluba Kampung Sub-village, Kontumere Village, Kabawo Sub-District, Muna District, the social movement process of Labaluba Village, Kontumere Village, Kabawo Sub-District Muna Regency and due to Labaluba community social movements Kontumere Village Kabawo District Muna Regency? The background of the Labaluba Kampung community social movement is that the condition of the village consists of only a few heads of households per village and the distance of each village makes it difficult for the community to communicate and each village only consists of five to seven households. This village is located east of the island of Muna stretching from the edge of the city of Raha now to the current village of Wakuru. This condition is also one of the factors causing the village to be less developed in the economic, social political, educational and cultural fields. This situation is made worse by the very primitive nature and character of the population. The factor that motivated the existence of the social movement of Labaluba Village in Kontumere Village, Kabawo Subdistrict, Muna Regency was the mismatch between the wishes of the local government and the people who inhabited Labaluba Village at that time. While the process of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency began when the government seemed to impose its will on the people, causing the people to disagree with the policy. The consequences arising from the existence of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency are divided into two, namely positive and negative effects. Keywords: Social Movements, Factors and their Impacts


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