scholarly journals Problematika Pendidikan di Mesir dalam Cerpen Fî Al-Qithâr Karya Mahmoud Taymour (Analisis Sosiologi Sastra)

2019 ◽  
Vol 7 (01) ◽  
pp. 29
Author(s):  
Mohammad Dzulkifli

This study aims to reveal the educational problems of Egyptian society contained in the "Fi al-Qithar" short story by Mahmoud Taymur and its relevance to the social reality of Egyptian society in the early 19th century. The reason the researchers chose the "Fi al-Qithar" short story was because it was the first Modern Arabic short story that appeared in Egypt that represented a lot of the social reality of society and the pattern of life in Egypt at that time. This research includes qualitative research by using Sociology of Literary theory, and uses hermeneutic analysis methods to interpret and explain to the reader about the meaning contained in the short story. The results of this study conclude that there are social phenomena adopted by the authors in this short story, including the problem of educational equity, social inequality, urban elite slavery and government officials over ordinary people such as farmers and laborers, and the role of religious leaders in dealing with problems happens in the midst of society.

Author(s):  
Oksana Galchuk

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.


Author(s):  
Malik Alievich Guseynov

The article considers the Kumyk satirical-humorous prose of the last thirty years on the example of the work of its prominent representatives A. Mamaev and G. Konakbiev, highlights its individual trends, content, artistic features. It is noted that in it, with the leading role of small genres, we can see the activation of a short story of an anecdotal form, the weakening of the social component against the background of increased writers’ attention to private phenomena, an appeal to traditional moral values, active operation by such comic means as playing words, transitions from the author's position to the position of characters, dynamic plots, spectacular finals, etc.


Africa ◽  
2008 ◽  
Vol 78 (2) ◽  
pp. 245-263 ◽  
Author(s):  
Marina Padrão Temudo

This article aims at contributing to our understanding of violence and warfare in contemporary West Africa by adopting a bi-focal analysis that looks both at power struggles within the urban elite and at the grassroots multi-ethnic setting in southern Guinea-Bissau. I pay close attention to the social dynamics of rural peoples' perspectives, coping strategies and inter-ethnic conflicts. Local conflicts are elucidated as an ongoing process that traverses times of war and peace. Although they are subject to manipulation by urban actors, local conflicts are also a matter of continuous negotiation and partial consensus at the grassroots. In stark contrast to this, the struggles in the ruling group are characterized by an escalating spiral of factionalism, diminishing compromises and elimination of rivals. By analysing the relationship between urban and rural actors and the role of cosmology, the article also aims to shed new light on the multiple shapes patron–client relations can assume in Africa.


Author(s):  
Martin Brückner

The symbolic and social value of maps changed irreversibly at the turn of the nineteenth century when Mathew Carey and John Melish introduced the business model of the manufactured map. During the decades spanning the 1790s and 1810s respectively, Carey and Melish revised the artisanal approach to mapmaking by assuming the role of the full-time map publisher who not only collected data from land surveyors and government officials but managed the labor of engravers, printers, plate suppliers, paper makers, map painters, shopkeepers, and itinerant salesmen. As professional map publishers, they adapted a sophisticated business model familiar in Europe but untested in America. This chapter documents the process of economic centralization and business integration critical to the social life of preindustrial maps and responsible for jump-starting a domestic map industry that catered to a growing and increasingly diverse audience.


Author(s):  
Beste Nigar Erdem

The present study discusses how a masculine violence is presented in the news narrative in Turkey. Moreover, this study aims to analyze how the mental designs are reflected to the multimedia platforms and how it constitutes the social interactions and reflexes. Fundamentally, this study queries how the social reality area is reconstructed. Constructing the theoretical frame and the literature review of the masculine violence are the major concerns of this study. Additionally, the role of the news narrative in the construction of the social reality and the representation of the news of masculine violence are examined in this study. Finally, a case of masculine violence in Turkey has been examined in the social production context of the transmedia storytelling.


Author(s):  
Defne Ozonur

Various definitions of alternative media have been put forward and a number of approaches to determining “alternative” suggested. Many theorists emphasize the administrative/organizational aspects of alternative media. Critics of this approach point out that such organizational structures can also be used in media advancing repressive ideas and argue instead for a focus on content. A more radical approach argues that to be determined as alternative, the content of any media must be critical. However, little attention has been given to what constitutes “critical content.” This study stands in the tradition of Marxist criticism and applies dialectical method to analyzing and understanding the social phenomena of critical content, arguing that only such an approach can reveal the social and political role of media for it to be considered alternative. From this perspective, alternative media can be seen as a theoretical weapon in the struggle for self-emancipation, as is dialectical materialist philosophy.


2018 ◽  
Vol 17 (1) ◽  
pp. 21
Author(s):  
Irwan Irwan

The scientific research in sociology has several paradigms namely positivistic, social constructivism, advocacy, participatory and pragmatic paradigm (Creswell, 2010). Positivistic paradigm considers the social reality that occurs as empirical, observed clearly and can be proven scientifically. In order to study the phenomenon in society that the positivistic paradigm has great contribution. Therefore, a question arises whether the positivistic paradigm has a major influence on the study of society? is it relevant that the positivistic paradigm used in rural sociology research? The positivistic paradigm of social phenomena is understood from an outside perspective based on the understanding of established theories. The Social reality is a phenomenon whose existence is determined by other social phenomena (interrelated variables) and its existence can be described into symbols that have been established in society. The problems in society in particular can not only be explained in constructivist paradigm but there is social phenomenon which surely needs to be explained in other paradigm such as positivistic paradigm. The positivistic paradigm is in the position of answering the problem of seeing the level and influence of social reality. Therefore, the positivistic paradigm is highly relevant to the study of rural sociology, where the phenomena occurring is unlimited and to simplify social phenomena, therefore statistics analysis is needed as a basis for concluding the data obtained from the field. In rural sociological studies, various social phenomena are associated with stratification, education, status, religion and so on. To answer the problems that occur in rural communities need a positivistic paradigm.


2009 ◽  
Vol 8 (1) ◽  
pp. 112-135
Author(s):  
Rainer Hülsse

Metaphors construct social reality, including the actors which populate the social world. A considerable body of research has explored this reality-constituting role of metaphors, yet little attention has been paid to the attempts of social actors to influence the metaphorical structure by which they are constituted. The present article conceptualises the relationship between actor and metaphorical structure as one of mutual constitution. Empirically, it analyses how until the late 1990s Liechtenstein was constructed as an attractive financial centre by metaphors such as haven and paradise, how then a metaphorical shift constituted the country more negatively, before Liechtenstein finally fought back: with the help of the new brand-metaphor and also a professional image campaign the country tried to repair its international image.


2017 ◽  
Vol 4 (7) ◽  
Author(s):  
Vanja Nišić ◽  
Divna Plavšić

Th is paper analyzes the concept of media construction of reality and its impacton society. Recognizing the growing infl uence and importance of themedia in a man’s daily life, it can be said that the media and media cultureitself are an important factor in modern society. Th e media have the abilityto place information and to provide to the citizens-consumers to accept themwithout critical and conscious interpretation and real understanding. An importantfactor in the development of the media is and technological advancesthat contributed to the rapid spread of the media and gave more power to thepresentation of reality and the state of society as it corresponds to the creatorsand the “constructors” of that reality. By understanding Baudrillard and hisunderstanding of the simulation, we will present the impact and role of themedia in constructing the social reality (simulation of reality).


2019 ◽  
Vol 2 (2) ◽  
pp. 13
Author(s):  
Suantoko Suantoko

The Seno Gumira Ajidarma short story collected in the Penembak Misterius trilogy is very interesting to read. In addition, as a social document, the collection of short stories can be identified a social setting that actually became a place of social events occurred, the social setting of the Penembak Misterius that occurred during the New Order era in the 1980s. More precisely the social setting created at the party meeting officials in a hotel, the shootings through the night, and the violence of the state apparatus. The social context referred to by Seno Gumira Ajidarma is a mysterious shooting incident known as "petrus" during the New Order period. It is intended to denounce the practice of legal violence from the action of "petrus." As a social document or even a social critique of the New Order rule, the Penembak Misterius trilogy comes as a social relation of literary works to social reality. That is because, the silence of the conscience is very interesting shown by the assassin. When the issue of "Petrus" is about to be removed from the memory of society, this trilogy is present in the public. The presence of the "Petrus" trilogy depicted in not only be seen as a social document but also a lawsuit against social reality in the New Order era.


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