Identity construction in relation to niche events: images of Landsmót in social media.

Author(s):  
Susanna Heldt Cassel

Abstract In this chapter the concept of identity is discussed in relation to niche events as expressed through images produced and circulated in social media. Since niche events focus on special interests and activities for a limited number of people and attract participants from afar who share this interest, these types of events also influence the identities of the places that are represented in relation to them. By circulating images online - the people, attractions, landscapes and cultural practices of places connected to specific hashtags on social media - places are co-constructed and materialized in the minds of visitors, businesses and other stakeholders in an ongoing flow of communication. The study shows that social media posts related to Landsmót (the National Championship of the Icelandic horse) represent both the event and Iceland as a destination by stressing national pride and an Icelandic identity strongly connected to the rural landscape, to outdoor activities, to harsh nature and to skilled, strong and independent men and women who create their identities in relation to their horses.

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 171-174
Author(s):  
Tarare Toshida ◽  
Chaple Jagruti

The covid-19 resulted in broad range of spread throughout the world in which India has also became a prey of it and in this situation the means of media is extensively inϑluencing the mentality of the people. Media always played a role of loop between society and sources of information. In this epidemic also media is playing a vital role in shaping the reaction in ϑirst place for both good and ill by providing important facts regarding symptoms of Corona virus, preventive measures against the virus and also how to deal with any suspect of disease to overcome covid-19. On the other hand, there are endless people who spread endless rumours overs social media and are adversely affecting life of people but we always count on media because they provide us with valuable answers to our questions, facts and everything in need. Media always remains on top of the line when it comes to stop the out spread of rumours which are surely dangerous kind of information for society. So on our side we should react fairly and maturely to handle the situation to keep it in the favour of humanity and help government not only to ϑight this pandemic but also the info emic.


2012 ◽  
Vol 4 (1) ◽  
pp. 1-23
Author(s):  
Stacy B. Gordon Fisher ◽  
Kimberly L. Nalder ◽  
Matthew Lesenyie
Keyword(s):  

1990 ◽  
Vol 17 ◽  
pp. 327-334 ◽  
Author(s):  
Bill Bravman

In September 1987, early in my research at the Kenya National Archives, I came across a collection of photographs taken by a British missionary during the 1920s and early 1930s. The collection contained nearly 250 photos of the terrain and people of Kenya's Taita Hills, where I would soon be going for my fieldwork. I pored over the photo collection for a long time, and had reproductions made of twenty-five shots. The names of those pictured had been recorded in the photo album's captions. Many of the names were new to me, though a few WaTaita of the day who had figured prominently in the archival records were also captured on film. When I moved on to Taita in early 1988,1 took the photographs with me. Since I would be interviewing men and women old enough either to remember or be contemporaries of the people in the pictures, I planned to show the photos during the interviews. At first I was simply curious about who some of the people pictured were, but my curiosity quickly evolved into a more ambitious plan. I decided to try using the photographs as visual prompts to get people to speak more expansively than they otherwise might about their lives and their experiences.In the event, I learned that using the photographs in interviews involved many more complexities than I had envisaged in my initial enthusiasm. I found that I had to alter the expectations and techniques I took to Taita, and feel out some of the limitations of working with the photographic medium. I had to recognize the power relations embedded in my presence as a researcher in Taita, in my position as bearer of images from peoples' pasts, and in the photos themselves. I found, too, that I needed to come to grips with a number of issues about the politics of image production, and the historical product of those politics: the bounded, selected images that are photographs. Finally, I had to address some of my own cultural assumptions about photography and how people respond to pictures, assumptions that my informants did not necessarily share.


1991 ◽  
Vol 23 (4) ◽  
pp. 697-722 ◽  
Author(s):  
Tamara L. Hunt

The licentious career of Caroline of Brunswick, the most notorious queen in modern British history, was only exceeded by that of her husband, George IV, and the scandal that emerged when he attempted to obtain a divorce inspired one of the most unusual episodes of nineteenth-century British history. For six months the attention of the country was focused on the queen's trial; massive demonstrations in her support were familiar sights in London streets and news of the matter dominated the columns of the press. The popular outpouring of support for the queen often took the form of reviling the king and his ministers, and revolution seemed to be in the air, yet because no lasting political change resulted from this tumult, historians have tended to dismiss the affair as relatively unimportant. However, to view this interlude primarily in terms of party politics is to overlook the fact that the majority of the people who formed the massive crowds that so alarmed the government were neither radicals nor reformers, and many, if not most of them were unenfranchised. In order to better understand the implications of this unrest, it is important to identify those factors that inspired British men and women to openly denigrate their ruler and to heap opprobrium on the members of government in defense of a woman who, ironically, many believed to be guilty as charged. Such an examination makes it clear that this was an event of profound cultural significance and was in some respects the first wide-spread popular expression of the moral standards that have come to be labelled “Victorian.”Any attempt to judge “public opinion” is fraught with difficulty. Most of the surviving journals, memoirs, and collections of letters from this period were written by members of the gentry and aristocracy; most of the middle and working-class people who actively demonstrated in support of the queen or who signed the numerous addresses sent to her have tended to remain silent and anonymous. Newspaper and other written accounts of the affair were often extremely partisan, for British society was sharply divided on this issue. Political caricatures, however, overcome some of these difficulties.


2006 ◽  
Vol 32 (1) ◽  
Author(s):  
Regina Beatriz Guimarães Neto

A proposta central deste artigo é analisar as representações sobre as cidades que irrompem nos fragmentos dos diversos relatos e registros dos seus habitantes. Nos “relatos de espaço”, homens e mulheres codificam e distinguem simbolicamente espaços e lugares, imbricados às várias temporalidades. Reunidos em uma trama narrativa, sinalizam práticas culturais, organizadoras dos espaços e constitutivas das configurações urbanas. Abstract: The central proposal of this article is to analyze the representations about the cities that emerge in the fragments of several reports and records of their inhabitants. In the “reports of the space” men and women codify and distinguish symbolically spaces and places, which are connected to several temporal dimensions. Gathered in a narrative plot, they show cultural practices that are organizers of the spaces and constitutive of the urban configurations. Palavras-chave: Cidade. História. Memória. Key words: City. History. Memory.


PERSPEKTIF ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 20
Author(s):  
Muhammad Wahyu Effendi ◽  
Yan Hendra ◽  
Armansyah Matondang

<h1>This research is based on the social media account of Instagram @humas_pemkomedan which contains the image of Medan City Government. The purpose of this study to determine the public perception about the image of Medan City Government through social media accounts Instagram. Theories used in this study include the theoretical description of communication, perception, society, image, social media, Instagram. The research method used is qualitative descriptive method. Selection of informants here is the people of Medan City who follow social media accounts Instagram @humas_pemkomedan and informants in this study following the principle of saturation where if the data needed is still less will be done addition of informants to get new information until the data obtained reach saturation point that if from the source is the same, then the data collection through the interview is stopped. Data collection   techniques  were  conducted   by  semi-structured interviews to all informants, and the results of this study showed that where the perception of the image is described into the first two aspects through Instagram profile and the second is the content of Instagram @humas_pemkomedan consisting of 6 categories of uploads are as follows: The activities of Medan city administration, news reports on work, information and appeal, congratulations, videos, figures, then Public Perceptions About Government Image Medan City Through Social Media Account Instagram is tend to be positive.</h1>


2019 ◽  
Author(s):  
Danilo T Perez-Rivera ◽  
Christopher Torres Lugo ◽  
Alexis R Santos-Lozada

Between July 13-24, 2019 the people of Puerto Rico took the streets after a series of corruption scandals shocked the political establishment. The social uprising resulted in the ousting of the Governor of Puerto Rico (Dr. Ricardo Rosselló, Ricky), the resignation of the majority of his staff something unprecedented in the history of Puerto Rico; this period has been called El Verano del 19 (Summer of 19). Social media played a crucial role in both the organization and dissemination of the protests, marches, and other activities that occurred within this period. Puerto Ricans in the island and around the world engaged in this social movement through the digital revolution mainly under the hashtag #RickyRenuncia (Ricky Resign), with a small counter movement under the hashtag #RickySeQueda (Ricky will stay). The purpose of this study is to illustrate the magnitude and grass roots nature of the political movement’s social media presence, as well as their characteristics of the population of both movements and their structures. We found that #RickyRenuncia was used approximately one million times in the period of analysis while #RickySeQueda barely reached 6,000 tweets. Particularly, the pervasiveness of cliques in the #RickySeQueda show concentrations of authority dedicated to its propagation, whilst the #RickyRenuncia propagation was much more distributed and decentralized with little to no interaction between significant nodes of authority. Noteworthy was the role of the Puerto Rican diaspora in the United States of America and around the world, contributing close to 40% of all geo-located tweets. Finally, we found that the Twitter followers of the former governor had indicators of being composed of two distinct populations: 1) those active in social media and 2) those who follow the account but who are not active participants of the social network. We discuss the implications of these findings on the interpretation of emergence, structure and dissemination of social activism and countermovement to these activities in the context of Puerto Rico.


2019 ◽  
Vol 12 (1) ◽  
pp. 111-128
Author(s):  
Zuzanna Kruk-Buchowska

The paper looks at the role of traditional foodways and related cultural practices in Oneida’s contemporary food sovereignty efforts, and the various understandings of the continuity of food and agricultural traditions in the community. The tribe’s Tsyunhehkw^’s (joon-hen-kwa) farm, whose name loosely translates into “life sustenance” in English, serves important cultural, economic and educational purposes. It grows Oneida white flint corn, which is considered sacred by the tribe and is used for ceremonial purposes, it grows the tobacco used for ceremonies and runs a traditional Three Sisters Garden. The Three Sisters – corn, beans and squash, are an important part of the Oneida creation story, as well as the vision of Handsome Lake – a Seneca prophet from the turn of the 19th century, who played an significant role in the revival of traditional religion among the People of the Longhouse.[1] They inform the work done at Tsyunhehkw^ to provide healthful food for the Oneida community. [1]The Oneida form part of the Iroquois Confederacy (as called by the French), referred to as the League of Five Nations by the English, or the Haudenosaunee Confederacy, as they call themselves. Haudenosaunee translates into the People of the Longhouse. The Confederacy, which was founded by the prophet known as Peacemaker with the help of Hiawatha, is made up of the Mohawks, Oneidas, Onondagas, Cayugas, and Senecas. It was intended as a way to unite the nations and create a peaceful means of decision making. The exact date of the joining of the nations is unknown and it is one of the first and longest lasting participatory democracies in the world (“About the Haudenosaunee Confederacy” 2019).


2017 ◽  
Vol 2 (1) ◽  
pp. 91-108
Author(s):  
Dwi Okta Renanda

Perkembangan lagu anak di Indonesia mengalami dinamika yang berbeda dari tahun ke tahun. Era 90-an merupakan puncak dimana lagu anak mendapat perhatian yang lebih dari masyarakat Indonesia. Namun kondisi tersebut berbeda dengan keadaan lagu anak sekarang. Sudah tidak banyak lagi penyanyi-penyanyi cilik yang tampil di televisi dan berkurangnya lagu-lagu yang sesuai untuk anak yang kaya akan pesan pendidikan dan nasionalis. Hal ini dikarenakan sudah tidak banyak label rekaman yang memberikan wadah bagi penyanyi cilik dan adanya anggapan bahwa lagu anak kurang laku. Objek penelitian ini adalah album penyanyi cilik Naura dengan topik strategi promosi dan sosialisasi lagu anak. Penelitian ini bertujuan untuk mengkaji strategi bauran promosi album penyanyi cilik Naura dan mengetahui tanggapan masyarakat terhadap album penyanyi cilik Naura. Pendekatan yang dilakukan dalam penelitian ini adalah metode kualitatif dengan data tambahan sebagai pelengkap dari data kuantitatif berupa pemaparan presentase. Data kualitatif didapat dari 3 orang narasumber dan data kualitatif diperoleh dari 34 responden yang merupakan followers Instagram Naura. Hasil yang diperoleh, manajemen Naura menggunakan semua alat bauran promosi, meliputi periklanan, promosi penjualan, publisitas, penjualan perseorangan dan pemasaran langsung. Sedangkan alat promosi utama yang digunakan adalah pemasaran langsung yang difokuskan pada penggunaan media sosial. Hal ini disebabkan karena mayoritas peggemar Naura adalah anak-anak dan remaja yang memiliki akun media sosial. The development of children's songs in Indonesia experienced different dynamics from year to year. The 90's is the peak where the children's song gets more attention from the people of Indonesia. But the condition is different from the state of the child's song now. There are not many singers-singers who appear on television and reduced the appropriate songs for children who are rich in educational and nationalist messages. This is because there are not many record labels that provide a container for the little singers and the assumption that the child's song is less salable.The object of this research is Naura little singer album with the topic of promotion strategy and socialization of children song. This study aims to examine the promotion mix strategy of Naura's little singer album and to know the public response to Naura's little singer album. The approach taken in this research is qualitative method with additional data as complement of quantitative data in the form of presentation of percentage. Qualitative data were obtained from 3 resource persons and qualitative data were obtained from 34 respondents who were followers Instagram Naura. The results obtained, Naura's management uses all promotional mix tools, including advertising, sales promotion, publicity, individual sales and direct marketing. While the main promotional tool used is direct marketing that is focused on the use of social media. This is because the majority of Naura's fans are children and adolescents who have social media accounts.


2020 ◽  
Vol 4 (2) ◽  
pp. 84-94
Author(s):  
Sem Touwe

This study identifies and describes the local wisdom carried out by the coastal communities, especially the people of North Seram, Maluku in preserving the island and marine environment as well as the customary institutions in determining and guarding local wisdom of coastal communities to manage marine resources. The marine resource is started to weaken along with the development of modern technology. This paper provides contemporary phenomena regarding the weakness of customary laws and traditional institutions that regulate marine resources, including social values in the form of rituals, representing the relationship between humans and their environment. The protection of marine resources around them will be an important discussion to see the role of government and society in preserving marine and coastal resources. This study used a qualitative approach to produce descriptive explanations from reports, book reviews, and documents that describe theories and information of both past and present. The result is that the local wisdom maintained as superior cultural practices that are beneficial to human survival, especially in maintaining the sustainability and balance between humans and living objects.


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