Children’s Leisure Reading in the Nahḍah

2021 ◽  
Vol 52 (3-4) ◽  
pp. 372-393
Author(s):  
Ami Ayalon

Abstract Children made up a substantial segment of the literate public that emerged during the Arab nahḍah period. Of these, an apparent minority applied skills they acquired in school to reading for pleasure or satisfying juvenile curiosity. This study explores the novel practice of Arab youth leisure-time reading as reported in retrospective memories and autobiographies. It reveals that during the nahḍah’s early decades, the inventory of Arabic readings fit for children was strikingly limited—unlike the multitude of books that were available to adults—a reality that forced curious boys and girls from different classes to make do with adult books for their after-school reading. This article examines cultural factors for that scarcity (primarily the status of children in society) and economic ones (e.g., publishers’ business concerns) and considers its implications. Probing a seemingly marginal section of a wider scene, it sheds light on hitherto neglected facets of the Arab transition from widespread illiteracy to extensive literacy at this point in history.

2020 ◽  
Vol 20 ◽  
pp. 127-140
Author(s):  
Aleksandra Zywert ◽  

The paper aims at analyzing Dmitry Glukhovsky’s novel Future in the context of spending leisure time. The writer presents a society, which has overcome death. It gives rise to the question if “leisure time” still exists in such a situation; and if it does, what importance and functions it has in comparison with the life before “the era of everlasting life”. Glukhovsky indicates that overcoming death in an unnatural way freezes civilization in time, which leads to the dwindling of human creativity and, which is confirmed by the way human beings spend their free time in the novel, degeneration. Instead of making progress humankind focuses on maintain the status quo, In light of the abovementioned the only solution is restoring death perceived as the reconstruction of the natural order of things.


Author(s):  
Lori Humphrey Newcomb

This chapter looks at Elizabethan prose fiction. Once combed mainly for formal features that might presage the novel, Elizabethan prose fiction is today appreciated for its own distinctive energy and heterogeneity. However, prose fiction in the sixteenth century still was largely an experimental genre. For writers willing to move beyond set forms, prose narrative offered new freedoms to enhance the status of English letters while drawing freely on Continental sources, to develop prose style while incorporating verse elements, to claim usefulness while indulging writerly and readerly pleasure, and to vaunt exclusivity while driving the expansion of the leisure-reading audience. Above all, fiction was the genre in which writers could best experiment with ways to reconcile literary ambition and unapologetic commercialism.


2021 ◽  
Vol 2 (2) ◽  
pp. 155-162
Author(s):  
Amanda Ariffani Sholikha ◽  
Lilia Indriani

Reading is an activity that EFL students always do. They can read a textbook or even a novel in their leisure time. Reading activity read the paragraph, sentence, and text. However, as EFL students, they must understand what are they read for study and improve their knowledge about the structural grammar and the function of the words by reading kind of books like a novel. In grammar, there is a term part of speech. Part of speech is divided into five parts: Noun, Verb, Adjective, Adverb, and Preposition. In this time, students can focus on Adverb, mainly Adverb of time, to know and understand about Adverb of time and function in the novel's story already read. This article is descriptive qualitative research that aims to identify Adverbs of time from the novel After the Ending by Lindsey Fairleigh. Adverbs of time may appear in several sentences in this novel. This study shows how many Adverbs of time appear in the story and the function of Adverb of time in the story.


Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>


2010 ◽  
Vol 22 (2) ◽  
pp. 21-35 ◽  
Author(s):  
Yasmin B. Kafai ◽  
Deborah A Fields ◽  
William Q. Burke

Previous efforts in end-user development have focused on facilitating the mechanics of learning programming, leaving aside social and cultural factors equally important in getting youth engaged in programming. As part of a 4-month long ethnographic study, we followed two 12-year-old participants as they learned the programming software Scratch and its associated file-sharing site, scratch.mit.edu, in an after-school club and class. In our discussion, we focus on the role that agency, membership, and status played in their joining and participating in local and online communities of programmers.


IFLA Journal ◽  
2021 ◽  
pp. 034003522098335
Author(s):  
Pamela McKirdy

This study explores how New Zealand primary school students’ experiences of school libraries affected their attitudes towards reading for pleasure once they entered secondary school. Two hundred and seventy-six students in their first year at high school completed a survey asking about their primary school libraries. The students were asked to self-identify as keen readers, occasional readers or non-readers. The results were analysed in a spreadsheet, considering variables such as attitude to reading, former school and family background. The students were mainly positive about their libraries, but were bothered by cramped and noisy environments and books they perceived as babyish. Students from schools with a librarian were more positive about reading for fun than those from schools where the library was not prioritised. Students from a family background where reading was encouraged were more likely to maintain a positive attitude to reading by the time they reached high school.


PMLA ◽  
2008 ◽  
Vol 123 (3) ◽  
pp. 718-722 ◽  
Author(s):  
Kathleen Fitzpatrick

I was invited by the MLA committee on the status of graduate students in the profession to speak at a convention workshop entitled “Keywords for a Digital Profession.” My keyword was obsolescence, a catchall term for a multiplicity of conditions; there are material obsolescences, institutional obsolescences, and purely theoretical obsolescences, each type demanding a different response. I spent years pondering theoretical obsolescence while writing The Anxiety of Obsolescence: The American Novel in the Age of Television. The book argues, in part, that claims about the obsolescence of cultural forms often say more about those doing the claiming than they do about the objects of the claims. Neither the novel in particular nor the book more broadly nor print in general is dead, and agonized announcements of the death of such technologies and genres often serve to re-create an elite cadre of cultural producers and consumers, ostensibly operating on the margins of contemporary culture and profiting from their claims of marginality by creating a sense that their own values, once mainstream and now decaying, must be protected. Two oft-cited reports of the National Endowment for the Arts, Reading at Risk (2004) and To Read or Not to Read (2007), come to mind; like numerous other expressions of anxiety about the supposed decline of reading, each rhetorically creates a cultural wildlife preserve in which the apparently obsolete can flourish (United States). These texts suggest that obsolescence is, in this case at least, less a material state than a political project.


Author(s):  
Xianli Zhu ◽  

This paper is mainly about the status quo and long-lasting problems of off-campus education in China. There is no doubt that education should be student-oriented. However, most of Chinese after-school training institutions are carrying out the exam-oriented courses crazily, which ignores the differences of individuals, the rules of their mental and physical development, not to mention the study interests tend to withered away. Various factors are no strangers to this phenomenon, from the educational system, educational needs of every family to the atmosphere created by the training institutions. As a result, a large quantity of people are accustomed to judging the achievements of adolescents down the road simply by predicting their test scores, linking the needs of education with the good jobs and high incomes rather than self-realization. The Education Evaluation System has gradually simplified in a disapproving way, and young people are equal to nothing but an index on their transcripts. People who find themselves embroiled in this ever-spiraling situation feel progressively anxious about score and time, which corrodes the very foundation of Chinese education.


2021 ◽  
Vol 85 ◽  
pp. 227-244
Author(s):  
María Sandra Peña-Cervel ◽  
Andreea Rosca

This paper provides evidence of the fruitfulness of combining analytical categories from Cognitive Linguistics and Critical Discourse Analysis for the analysis of complex literary characterizations. It does so through a detailed study of the “tributes”, i.e. the randomly selected children who have to fight to death in a nationally televised show, in The Hunger Games. The study proves the effectiveness of such categories to provide an analytically accurate picture of the dystopian world depicted in the novel, which is revealed to include a paradoxical element of hope. The type of dehumanization that characterizes the dystopian society of Panem is portrayed through an internally consistent set of ontological metaphors which project negative aspects of lower forms of existence onto people. This selection of metaphors promotes a biased perspective on the poor inhabitants of Panem, while legitimizing the social inequalities the wealthy Capitol works hard to immortalize. However, Katniss undergoes a metamorphosis through her discovery of her own identity, which hints at an emerging female empowerment. This transformation, together with her identification with the Mockingjay, a supernatural being that voices her beliefs and emotions, contributes to disrupting the status quo imposed by the almighty Gamemakers and to purveying a message of optimism.


2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.


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