scholarly journals DESAIN WORKSTATION SAUNG KULINER BERDASAR KAJIAN EGO-KULTURAL SUNDA

2014 ◽  
Vol 11 (2) ◽  
pp. 155
Author(s):  
Edi Setiadi Putra

<p><strong>Abstract</strong></p><p><strong></strong><br />One of the causes of slums in the city of Bandung is the use of untreated tent stalls. The entrepreneurial society does not have the basic culinary culture tent use, because they do not have the sensitivity to maintain it. The tent stalls were originally temporary, has turned into a permanent. Through a review of<br />ethnography, derived the concept of systematic ergonomic working in the kitchen, which is connected with the efficient use of workspace and effective use of a kitchen utensil. In the concept of Sundanese local wisdom, known as the hierarchy level of comfort based on individuals, families and communities,<br />namely 'genah-merenah-tumaninah', characterized by the use of huts 'badak heuay and jogo anjing,' home stage 'jolopong, babancong, sontong', and building 'galudra ngupuk, Jangga wirangga and towering ngapak'. This hierarchy shows the concept of stages in the culinary business Sundanese, according turnover and experience, the tavern, eating houses and restaurants.<br />The design of furniture products in the aesthetic form of huts 'badak heuay and jogo anjing', This is one of the solutions in rediscovering saung that has been lost, because of eroded stall tent of a foreign culture.</p><p> </p><p><strong>Abstrak</strong><br />Salah satu penyebab kekumuhan di Kota Bandung adalah penggunaan warung tenda yang tidak terawat. Masyarakat wirausaha kuliner tidak memiliki dasar budaya penggunaan tenda, karena mereka tidak memiliki kepekaan dalam pemeliharaan tenda. Warung tenda yang awalnya bersifat sementara, telah berubah menjadi permanen. Melalui<br />tinjauan etnografi, diperoleh adanya konsep ergonomis tentang<br />sistematika kerja di dapur, yang terhubung dengan pemakaian ruang kerja yang efisien dan penggunaan perkakas dapur yang efektif. Dalam konsep kearifan lokal Sunda, dikenal adanya hirarki kenyamanan berdasarkan tingkatan individu individu, keluarga dan masyarakat, yaitu 'genah-merenah-tumaninah', yang ditandai dengan penggunaan saung 'badak heuay dan jogo anjing', rumah panggung 'jolopong, babancong, sontong', dan gedung 'galudra ngupuk, jangga wirangga dan julang ngapak'. Hirarki ini menunjukkan adanya konsep tahapan dalam<br />bisnis kuliner Sunda, sesuai omset dan pengalamannya, yaitu kedai,</p>

2016 ◽  
Vol 4 (2) ◽  
pp. 110-125
Author(s):  
George Chatzinakos

This paper seeks to conceptualize the way Thessaloniki is promoting culinary tourism, whilst supporting and building upon local networks; engaging and co-creating an urban experience with its citizens and visitors. The aim of the paper is to suggest a potential framework that can be used as a strategic planning tool for the promotion of culinary tourism in Thessaloniki. In this direction, a food festival is being investigated. The last, is conceived by the organizers as the foundation of the idea of culinary tourism in the city. However, the findings indicate that there is a lack of active participation by the locals and not enough communication among various assets that are associated with the culinary identity of the city. In general, Thessaloniki seems to embody the ongoing struggle of a new destination, which is dealing with the complex process of branding and marketing without having the proper tools and the vital required collaboration between its structural networks. Accordingly, the research provides a lens through which the culinary culture of Thessaloniki can be used as a strategic pillar for stimulating a sustainable way of “consuming” and promoting the city’s identity; enhancing Thessaloniki’s appeal as a culinary destination.


ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.


2014 ◽  
Vol 584-586 ◽  
pp. 650-653 ◽  
Author(s):  
Bian Ling Zhang

Chinese garden art has developed gradually along with the neutralization--lasting appeal--artistic conception trend till to the peak, meanwhile, those aesthetic forms can be existed synchronously with historical advancement, logic arrangement in parallel and correspondence as well as abundance and deepening of the interior connotation and exterior extension, which represent the high uniformity of the development history and logics of Chinese garden art. Nowadays, the landscape garden development is required to probe its root, explore its cultural soul, so as to base itself upon the garden industry all over the world. Additionally, the function of traditional aesthetic form will show the powerful functions, declare publicly the deep influence of modernized landscape garden development.


Author(s):  
Alexandra Wilson

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.


2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.


Author(s):  
Martino Dwi Nugroho

One of the instruments incorporated for the construction of social reality is gender Javanese society traditionally embraces social concept of patriarchy The general Implication is that woman becomes a man s subordinate Broader implementation also can be comprehended fromdissociation of social activities and rituals involving both men and women Viewed fromthespatial perspective there are differences between man space and woman space This is based on the research conducted in Jeron Beteng an area in the city of Yogyakarta The analysis has resulted what follows 1 the sittingroom shows a friction once mastered by man now it turns into equation with indicators equal status ownership custom affection domestic duty execution and sittingroom domination influencing factors modernization attitude and emancipation respect 2 the livingroom also demonstrates a friction once a woman domaintoday it is accessible to man as well influencing factors  communication marital status age work emancipation modernization moral and formal education and foreign culture 3 the kitchen witnesses an equal role for a woman and man regarding domestic duty openness and communication Woman however remains to be more dominant in kitchen although men have access in there influencing factors communications age work emancipation modernization moral and formal educationKeywords : gender interior sitting room livingroom kitchen


2021 ◽  
Vol 24 (5-esp.) ◽  
pp. 636-639
Author(s):  
Luana Romão Rodrigues ◽  
João Victor de Freitas Menezes ◽  
Dárcio Luiz de Sousa Júnior ◽  
Rafael de Carvalho Mendes

A cosmetologia é a ciência que engloba e estuda os cosméticos, desde conceitos iniciais até a sua fabricação, tornando-se uma ciência multidisciplinar. Para garantia de um uso seguro e eficaz dos cosméticos é necessário a realização de análises para se conseguir um padrão de qualidade. Quando há indícios de contaminação por microrganismos no cosmético, diversos problemas podem ser encontrados, como a ocorrência de patologias específicas, causando altos riscos e complicações à saúde do usuário. O objetivo deste trabalho foi investigar qualitativamente através de análises microbiológicas a qualidade dos produtos cosméticos de maquiagem usados de forma compartilhada, utilizando amostras colhidas aleatoriamente em uma loja de varejo, que foi selecionada por ser de grande circulação, da cidade de Juazeiro do Norte, Ceará. Nesta pesquisa foram analisadas oito amostras coletadas durante o período de outubro e novembro de 2017. As análises que foram realizadas seguiram a Farmacopeia brasileira. Como resultado obteve-se um percentual de 87,5 % de contaminação microbiana, evidenciando a presença de Staphylococcus aureus, Escherichia coli, Enterococcus sp. e Pseudomonas aeruginosa, sendo que apenas uma das oito amostras analisadas mostrou-se adequada para uso seguindo os limites de aceitação microbiológicas permitidos por lei. Baseados nesses resultados foi possível concluir que o índice de contaminação das amostras de batons que são utilizadas de modo compartilhado são potencialmente maiores. Com isso, intensifica-se a necessidade de medidas que impeçam o compartilhamento dos produtos cosméticos, com a finalidade de diminuir o risco de uma infecção coletiva.   Palavras-chave: Cosméticos. Uso compartilhado. Contaminação.   Abstract Cosmetology is the science that encompasses and studies cosmetics, from initial concepts to their manufacture, becoming a multidisciplinary science. To guarantee a safe and effective use of cosmetics it is necessary to carry out analyzes to achieve a quality standard. When there is evidence of contamination by microorganisms in the cosmetic, several problems can be found, such as the occurrence of specific pathologies, causing high risks and complications to the health of the user. The objective of this scientific work was to qualitatively investigate through microbiological analysis the quality of cosmetic makeup products used in a shared way, using samples collected randomly in a retail store, which was selected because it is of great circulation, in the city of Juazeiro do Norte, Ceará. In this research, eight (8) samples collected during the period of October and November 2017 were analyzed. The analyzes that were carried out followed the Brazilian Pharmacopoeia. As a result, a percentage of 87.5 % of microbial contamination was obtained, showing the presence of Staphylococcus aureus, Escherichia coli, Enterococcus sp. and Pseudomonas aeruginosa, with only one of the eight samples analyzed being suitable for use following the limits of microbiological acceptance allowed by law. Based on these results it was possible to conclude that the contamination index of the lipstick samples that are used in a shared way are potentially higher. As a result, the need for measures to prevent the sharing of cosmetic products is intensified, in order to reduce the risk of a collective infection.   Keywords: Cosmetics. Shared Use. Contamination.


Author(s):  
Ana Vitoria Luiz e Silva Prudente ◽  
Ellen de Lima Souza

The article “Cinema and its aesthetic-pedagogical dimension: Bacurau and the Exulic Logic” aims to express the aesthetic-pedagogical dimension of cinema, reaching many social fabrics for being a structure that allows a continuous action in the production of subjectivity and in the formation of taste and interest of its consuming agents, through possible representativeness and representation. We use the Exulic Logic as a methodology Souza (2016) to understand the relationships between collectivity, childhood, gender markings, the understanding of 'the other' and the city, centralizing knowledge at the crossroads. This dialogue forges possibilities of breaking away from the coloniality of power, enabling circularity of knowledge, which in itself already proposes a break with Cartesian reasoning, which is based on an imperialist, colonial construction that privileges: Eurocentrism to the detriment of African, Aphrodiasporic and indigenous cosmoperceptions; adultcentrism, disregarding children's knowledge and the possible practices of the elderly, thus, with a racist, utilitarian and capitalistic bias. It is in the removal of or, for the addition of and, in the valuation of the sum, that it is observed that there is no such order of importance that the Euro-straight-male-authoritarian Prudente (2019) proposes.


2016 ◽  
Vol 4 (9) ◽  
pp. 198-202
Author(s):  
Sushma Jain

The painting tradition in the Maratha region dates back to prehistoric times. Human beings have left examples of paintings with a very careful reflex of behavior. In the primitive tendons of Madhya Pradesh, we are surprised today by the many linear signs of the human and the aesthetic form of the weapons, following the craving to be cultured and ornate on that barbar. मराठा क्षेत्र में चित्रकला परंपरा का प्रारंभ प्रागैतिहासिक काल से होता है। मानव ने बहुत ही प्रांरभ में व्यवहार की सजगता के साथ चित्रों के उदाहरण छोड़े हैं। मध्यप्रदेश की आदिम कंदराओं में हमें उस बर्बर पर सुसंस्कृत और सुअलंकृत होने की लालसा के अनुगामी मानव के रचे अनेक रेखीय चिन्ह तथा अस्त्र शस्त्रों के सौंदर्य प्रधान रूप आज हमंें आश्चर्य चकित करते है।1


2019 ◽  
Vol 27 (4) ◽  
pp. 337-352
Author(s):  
Ekaterina S. Kulakova ◽  
Ayrat M. Safarov ◽  
Liliya A. Nasyrova ◽  
Dmitry S. Mizgirev

In order to control the chemical composition of atmospheric air in cities located in the zone of influence of petrochemical enterprises, automatic atmospheric air monitoring stations (ASKAV) are installed. For the effective use of experimental data, the authors of the article developed a data collection system with ASKAV, in which the air control in residential quarters and the gas mixture at the source of organized emissions are synchronized. The analysis of data on the concentration of pollutants in the atmospheric air of the Sterlitamak obtained from ASKAV, on the basis of which a list of marker substances for enterprises of the city was compiled. Priority sources of air pollution with marker substances during a different wind regime were identified. The authors developed models for changing the concentration of marker substances in the air using the method of factor regression. Based on the results of the cross-correlation function, the time of movement of the contaminated gas cloud from the source of emission to the residential area of the city is obtained. Conclusions are made about the effectiveness of the developed air monitoring system and the field of application of the acquired models.


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