scholarly journals Comunicación visual de una emergencia sanitaria mundial: el caso de la Covid-19

Author(s):  
Mario Pérez-Montoro

In the pandemic generated by the coronavirus, governments and the media were suddenly faced with the difficult challenge of communicating about this issue with the population and transferring technical concepts and large volumes of data to the general public. It was necessary to find a way to make this unfamiliar content accessible to everyone, using known and assimilable formulas. In this context, the strategy chosen to make this communication more efficient was clear: transmit all this vital information through the visual representation of data. In this work we analyze the problems associated with the data involved in these visualizations and review a selection of good and bad practices used in these communication strategies. Resumen Frente a la pandemia generada por el coronavirus, los gobiernos y los medios se encontraron de repente con el difícil reto de comunicar sobre este tema con la población y trasladar al gran público conceptos técnicos y grandes volúmenes de datos. Había que buscar una manera de hacer accesibles esos contenidos no familiares para todos, a través de fórmulas conocidas y asimilables. En ese contexto, la estrategia elegida para hacer más eficiente esa comunicación estaba clara: transmitir toda esa información vital a través de la representación visual de datos. En este trabajo analizamos los problemas asociados con los datos involucrados en esas visualizaciones y revisamos una selección de buenas y malas prácticas utilizadas en esas estrategias comunicativas.

BioResources ◽  
2013 ◽  
Vol 9 (1) ◽  
pp. 1-3
Author(s):  
Brooks Mendell

Successful applied research into wood bioenergy requires communication of meaningful insights to inform decision-makers and the general public. Effective communication strategies make such insights accessible. However, recent media reports often exhibit a near total absence of findings from peer-reviewed or quantitative research, highlighting a failure to communicate between applied researchers and reporters. As a result, the general public’s understanding of wood-based bioenergy remains incomplete. At a minimum, researchers can address three common lapses when communicating results of their research related to wood-based energy to increase the public’s access to technical results. First, provide context to give policymakers a sense, on a relative basis, of the importance of a given issue. Second, properly distinguish between “causal” relationships and mere happenstance or correlations. And finally, confirm facts and conclusions. Faulty assertions can cast doubts on the broader work and body of research.


1986 ◽  
Vol 31 (5) ◽  
pp. 431-433 ◽  
Author(s):  
M. Matas ◽  
N. El-Guebaly ◽  
D. Harper ◽  
M. Green ◽  
A. Peterkin

The public image of psychiatry has been tarnished in recent years. In order to determine the extent to which press coverage has contributed to negative attitudes towards psychiatry, we conducted a content analysis of a random selection of newspaper articles which appeared over a twenty-year period in two different newspapers. We found that although there had been some minor, cosmetic changes over the years, such as more appropriate headlines and more direct quotes from psychiatric experts, on the whole, content and attitudes had changed very little. An accuracy check of media reporting of forensic cases over a 20-year period revealed that when reporters have access to written material, the accuracy levels are greatly improved.


2021 ◽  
Vol 6 (6) ◽  
Author(s):  
Kimberley Sarah Muchetwa ◽  
Ephraim Maruta ◽  
Hilda Jaka ◽  
Joyman Ruvado ◽  
Evans Chazireni

The paper reports findings from a study that explored health communication strategies employed by the media on the state of preparedness by the Zimbabwean government during the COVID 19 crisis by the Zimbabwe Broadcasting Corporation Television (ZBC-TV). The study adopted secondary data analysis. Data were collected using secondary sources. The study was influenced by the framing theory. The study found out that ZBC-TV used songs, road shows, commercial ads, dramas, musical shows on reporting the pandemic. The archival documents also revealed that ZBC-TV have used periodical updates as health communication strategies to educate the public about COVID 19. ZBC-TV also used Facebook showing staff from the Office of the President and Cabinet receiving the Covid 19 vaccine at the same time applauding positive response from Harare Metropolitan Province as front line workers surpassed the target under the first phase of Covid-19 vaccine roll out plan. The study concluded that the health communication strategies employed by ZBC-TV have been effective in increasing the societal awareness about health issues. ZBC-TV managed to reach out to the masses using both the television and by making use of the new media communication technologies. However, press censorship has been a challenge in publishing information concerning COVID 19 as the media house is not allowed to publish anything that tarnishes the image of the government. It is based on such evidence that the study concludes that ZBC-TV at some point distorted information to paint the picture that the government is doing all it can to contain the spread of COVID 19 and ensuring the safety of the public. The study recommends that the ministry should ensure freedom of information publicity, in which media houses, including ZBC-TV is not controlled by any political party of government. The government should also privatise ZBC-TV so that it will be answerable to the public and not few government officials. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0895/a.php" alt="Hit counter" /></p>


Author(s):  
Carole Adam ◽  
Charles Bailly ◽  
Julie Dugdale

Australia is frequently hit by bushfires. In 2009, the ''Black Saturday'' fires killed 173 people and burnt hectares of bush. As a result, a research commission was created to investigate, and concluded that several aspects could be improved, in particular better understanding of the population actual behaviour, and better communication with them. The authors argue that agent-based modelling and simulation is a great approach to provide tools to improve mutual understanding: let managers test communication strategies, and let residents understand the managers' perspective. Concretely, they extended an existing simulator with a theoretically-grounded communication model based in social sciences; they added user interactivity with the model and investigated gamification to turn it into a serious game to involve the general public. The authors present the results of first experiments with different communication strategies, providing valuable insight for better communication with the population during such events. Finally, they discuss future extensions and generalisation of this simulator.


2020 ◽  
Author(s):  
D. Winseck

This report examines the development of the media economy over the past thirty-five years. Since beginning this project a decade ago, we have focused on analyzing a comprehensive as possible selection of the biggest telecoms, Internet and media industries (based on revenue) in Canada, including: mobile wireless and wireline telecoms; Internet access; cable, satellite & IPTV; broadcast television, specialty and pay television services as well as Internet-based video subscription and download services; radio; newspapers; magazines; music; Internet advertising; social media; operating systems; browsers, etc.


2009 ◽  
Vol 27 (1) ◽  
pp. 1
Author(s):  
Diana Majury

In this paper, Diana Majury looks at the Supreme Court of Canada’s recent s.15 decision, R. v. Kapp, in a preliminary exploration of the different understandings of equality she sees operating in three different sites (the Supreme Court, equality advocates, and the general public). She looks at the first two sites simultaneously by offering her equality advocate’s critique of the Kapp decision, outlining where the decision falls short of the substantive equality that equality advocates have been theorizing and promoting. She then looks at media responses to the decision, responses that almost unanimously present a formal equality understanding of equality. Recognizing that media coverage provides only a very limited and partial window on public perceptions, the media coverage of Kapp nonetheless raises the spectre that the general public understands equality only to mean formal equality. This conclusion highlights the importance of Rose Vyovodic’s work in combining equality and public education and the need for that work to be continued and expanded.Dans cet article, Diana Majury examine le récent jugement R. c. Kapp de la Cour Suprême du Canada en rapport avec l’article 15 pour faire une exploration préliminaire des compréhensions diverses de l’égalité qu’elle constate être en jeu dans trois lieux différents (la Cour Suprême, chez les défenseurs de l’égalité et chez le grand public). Elle examine les deux premiers lieux simultanément en présentant sa critique du jugement Kapp en tant que défenseure de l’égalité, exposant en quoi le jugement n’atteint pas l’égalité de fond au sujet de laquelle théorisent et que préconisent les défenseurs de l’égalité. Puis elle examine les réactions médiatiques au jugement, réactions qui présentent presque unanimement une compréhension d’égalité comme égalité formelle. Tout en reconnaissant que la couverture médiatique ne présente qu’une fenêtre très limitée et partielle sur les perceptions du public, la couverture médiatique de Kapp laisse tout de même pressentir que le grand public ne conçoit l’égalité que dans le sens d’égalité formelle. Cette conclusion fait ressortir l’importance de l’oeuvre de Rose Vyovodic qui combinait égalité et éducation du public et le besoin que cette oeuvre se poursuive et grandisse.


2021 ◽  
Vol 4 (2) ◽  
pp. 767-773
Author(s):  
Alpiza Simah Budi ◽  
Daulat Saragi

This study aims to describe the function and style of the mural by Arnis Muhammad. Mural as art in public space, which means that the space for movement and the target audience for the audience and audience is the general public. As a two-dimensional work of art, mural is also inseparable from style. Visually, the style in a work of art is the selection of objects, techniques, colors, and environmental conditions, time, era, and environmental conditions in which an artist creates his work. The population in this research is that all of Arnis Muhammad's mural works for the 2017-2019 period are 51 works. In this study the authors took samples using purposive sampling technique. The reason for taking samples is the number of mural works that still exist and are still intact. There are 10 mural works in the research location. In this case, the writer examines these mural works based on their function and style. The method used in this research is descriptive qualitative method. The function of the mural by Arnis Muhammad is a personal function as a reflection of the resonance of the environment in which he lives. Social function, as a form of concern for the environment and the surrounding community in everyday life. Physical function, as an aesthetic value enhancer and the various ways the general public use it. Arnis Muhammad's murals tend to have a surreal and decorative style.


Author(s):  
Jessa Lingel

This chapter looks at what made craigslist personals distinctive from other online dating platforms, focusing on shifting norms around anonymity and a persistent social stigma. More than any other section, the personals demonstrate a Web 1.0 vision of social connection, where experimentation and risk were valued over trust infrastructure. Craigslist's politics of openness and inclusion were contested most fiercely when it came to sex and dating, demonstrated by legislation like Fight Online Sex Trafficking Act (FOSTA) as well as the tendency to stigmatize craigslist personals and the people who use them. Like newspaper classified ads of the past, craigslist personals were often viewed suspiciously by the general public, sensationally by the media, and as a gateway to the margins by academics. By being so open and accessible, craigslist invited spectators and voyeurs, as well as critics. Stigma here emerges as a response to the gap between social expectations of sex and dating and the messy, shady, serendipitous reality of the web.


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