scholarly journals Investigating Matriarchal Mimicry of Patriarchy in a Pakistani Novel

2021 ◽  
Vol VI (I) ◽  
pp. 96-104
Author(s):  
Zainab Akram ◽  
Saima Yousaf Khan
Keyword(s):  
The Elderly ◽  
The Other ◽  
The Novel ◽  
Simone De Beauvoir ◽  
Female Characters ◽  
Elderly Female ◽  
Male Characters ◽  
Familial Influences

In an Eastern society, the institution of matrimony is influenced by social, cultural, psychological, emotional, religious and familial influences. Using concepts of "mimicry" and "the Other" under theoretical stances of mimicry by Bhaba (1994) and "the Other" by Simone De Beauvoir (1956), How it Happened (2013) is investigated in this study. These frameworks explicate the violation and suppression of women in terms of matrimonial affairs in the novel. The findings revealed that the elderly female characters mimic the patriarchal norms by extending them to the next level through matriarchy. It is found that the matriarchy by the elder female characters is authoritative, unchallenged and influential that even the male characters in the novel cannot interfere in the female jurisdiction in matrimonial decisions and verdicts. However, the analysis also revealed that there was sexism in terms of matrimonial choices in which male had the freedom to choose while the female had none.

Homosexualité, Islam et désacralisation du pouvoir royal dans Le jour du Roi d'Abdellah Taïa

2021 ◽  
pp. 127-143
Author(s):  
Taïeb Berrada
Keyword(s):  
The Other ◽  
The Novel ◽  
Identification Process ◽  
Male Characters ◽  
Oedipal Complex ◽  
The Creation

In his novel Le jour du Roi Abdellah Taïa explores the theme of alterity in its relation to two political and symbolic forces: expressing one’s self in the language of the Other and narrating homo-erotic and homosexual relationships in Morocco under the dictatorship of Hassan II. It is the translation of these two aspects that leads to the creation of a new narrative about homosexual Franco-Moroccan identity. This narrative, in turn, reveals the instability of a model of identification subjected to a normalizing sexual apparatus controlling bodies and minds in a place where homosexuality is still punishable by law. This renders the identification process for the two main characters of the novel particularly problematic as they can no longer sustain it without going back to the sources of foundational myths and more particularly to the original murder in Islam. This article argues that the killing of one character by the other goes back to the original murder of Abel by Cain, a model which becomes emancipated from the Western Oedipal complex, translating a new conception of a love relation between two male characters. By so doing, it calls for a reevaluation of the normativity imposed by the king who is using his power based on a patriarchal interpretation of religious legitimacy in view of political gain.

scholarly journals TRANSGRESI SEKSUAL DALAM NOVEL PARA PENEBUS DOSA KARYA MOTINGGO BUSYE (Sexual Transgression in Motinggo Busye’s “Para Penebus Dosa”)

2016 ◽  
Vol 7 (1) ◽  
pp. 35
Author(s):  
Ferry Fauzi Hermawan
Keyword(s):  
Social Norms ◽  
Gender Bias ◽  
Female Character ◽  
The Novel ◽  
Female Characters ◽  
Male Characters ◽  
Sexual Transgression ◽  
Descriptive Method

Artikel ini bertujuan untuk menggambarkan transgresi seksual yang terdapat dalam novel Para Penebus Dosa karya Motinggo Busye. Metode yang digunakan dalam artikel ini adalah metode deskriptif analitis. Data dari novel dideskripsikan untuk memperoleh gambaran transgresi seksual. Dalam novel tersebut pelanggaran terhadap kebiasaan seksual, norma, dan kelas digambarkan melalui peristiwa seksual yang dialami oleh para tokoh, terutama tokoh perempuan. Hasil analisis menunjukkan bahwa tokoh perempuan digambarkan banyak melakukan tindak transgresi dibandingkan dengan tokoh laki-laki. Analisis juga menunjukkan bahwa narator dalam novel memiliki sikap bias gender dan mendukung nilai-nilai patriarki dengan lebih banyak memberikan hukuman terhadap tokoh perempuan yang melakukan tindak transgresi seksual dibandingkan kepada tokoh laki-laki.Abstract:The paper aims at describing sexual transgression in Motinggo Busye’s “Para Penebus Dosa”.  The research applies descriptive method. The sexual transgressions elaborated in the novel are presented through the deviance of sexual affairs, social norms, and class experienced by the characters, especially female character. The result of the research shows that  female characters described in the story committed a lot of sexual transgressions compared to male characters. The study also reveals that the narrator in the novel  has a gender bias act. Moreover, he supports values of patriarchy by giving more punishment to the female committing sexual transgression act than to the male.

scholarly journals The Identification of Slurs and Swear Words in Bronte Sisters’ Novels

2019 ◽  
Vol 13 (1) ◽  
pp. 11
Author(s):  
Citra Suryanovika ◽  
Irma Manda Negara
Keyword(s):  
Social Status ◽  
Qualitative Content Analysis ◽  
Social Rank ◽  
Unexpected Finding ◽  
Analysis Tool ◽  
Emotional States ◽  
The Novel ◽  
Female Characters ◽  
Wuthering Heights ◽  
Male Characters

This research aimed at identifying the categories of slurs, presenting how swear words expressed in male or female characters of Bronte sisters’ novels, and examining the social status scale in presenting slurs. The research was a qualitative content analysis of which process was categorizing, comparing, and concluding. The researchers employed MAXQDA 2018.1 (the data analysis tool) for analyzing the samples of five female and male main characters of the novel of Emily Bronte (Wuthering Heights), Charlotte Bronte (Jane Eyre), and Anne Bronte (The Tenant of Wildfell Hall). The research has shown three out of nine Thurlow’s pejorative items (social personality, phallocentric, and sexist), the possible formation of social personality slurs, the identification of swear words for showing speakers’ emotional states, and the influence of social status scale on the expression of slurs. It proves that slurs and swear words are used to deliver a derogatory attitude. The sexist slurs are not only delivered from male characters to female characters, but it is also found in Catherine Earnshaw targeting Nelly although they have similar gender background (female). Slurs are found in the characters from both high and low social rank since the plot develops the relationship amongst the characters. One unexpected finding is the different swear words between the characters. Swear words found in the novel are not only dominated by the word devil, damn, or by hell, but also the word deuce and humbug. The varied swear words proves that the male characters do not dominantly produce swear words, but also euphemistic expression.

scholarly journals Javanese Women's Efforts to Face Patriarchal Culture in the Novel Para Priyayi by Umar Kayam

2021 ◽  
Vol 8 (1) ◽  
pp. 100
Author(s):  
Haalin Mawaddah ◽  
Suyitno Suyitno ◽  
Raheni Suhita
Keyword(s):  
Women Leaders ◽  
The Novel ◽  
Simone De Beauvoir ◽  
Female Characters ◽  
Literary Works ◽  
Patriarchal Culture ◽  
Female Figures ◽  
Private And Public

This study analysed the problems caused by the patriarchal culture and the Javanese women’s effort to get their existence in society. The novel Para Priyayi by Umar Kayam was one of the literary works that was thick with Javanese culture. This study used the theory of existentialist feminism Simone de Beauvoir (De Beauvoir, 1949). The result of this research was the Javanese female characters in the novel Para Priyayi by Umar Kayam experienced injustice due to the patriarchal culture. However, Javanese women leaders made efforts, so they could bring out their existence in the private and public. The existence raised by Javanese female figures in the form of women can become someone who can become an intellectual woman.

A FEMINIST-STYLISTIC ANALYSIS IN WOMAN AT POINT ZERO NOVELS

2021 ◽  
pp. 57-68
Author(s):  
Amsaldi Wahyu Kristian Sinulingga ◽  
M. Yurilsya ◽  
M. Barru Siddiq
Keyword(s):  
Physical Characteristics ◽  
The Other ◽  
Stylistic Analysis ◽  
The Novel ◽  
Female Characters ◽  
Writing Style ◽  
Physical Strength ◽  
Other Hand ◽  
Or Practice ◽  
Gender Specific

This study describes the feminist stylistics in Woman at Point Zero novel. Woman at Point Zero is a novel about feminism, woman that demand equality and justice. The methods used is descriptive qualitative. The objective of this study is to find out the word, phrase / sentence, and discourse level presented in gender-specific in Woman at Point Zero novel. The result of this study uncovered the writing style or practice of the said author that has to do with the presentation of gender. Female characters differ from the male in that there are more descriptions given to them which pertain to their thoughts, emotions, experiences, vulnerability towards men, and their physical characteristics. Males, on the other hand, are described according to their physical strength, personalities, attitudes, which dominate females. The novel contains descriptions of women and men focusing on their physique, some of which displaying sensual appeal.

Male-Female Characters’ Tenor of Discourse in Akachi Ezeigbo’s The Last of the Strong Ones

2015 ◽  
Vol 8 (3) ◽  
pp. 167
Author(s):  
Innocent Sourou Koutchade ◽  
Severin Mehouenou
Keyword(s):  
Social Role ◽  
The Other ◽  
The Novel ◽  
Female Characters ◽  
Male And Female ◽  
The Social ◽  
Class 1 ◽  
Role Relationships ◽  
The One

<p class="1"><span lang="X-NONE">This article attempts to explore male-female characters’ tenor of discourse in the novel entitled: <em>The Last of the Strong Ones</em> by Akachi Ezeigbo. According to Halliday’s (1978), the tenor of the discourse is the social role relationships played by interactants. It is associated with the grammar of interpersonal meanings which is, in turn, realized through the mood patterns of the grammar. The paper, through the analysis of mood system, modality and vocatives, reveals how male and female characters establish relationships between each other. The tenor of their discourse unveils how women are oppressed by patriarchy on the one hand, as well as how they fight against the system, on the other. From these linguistic choices, the work concludes that there exists an atmosphere of tension, distance, aggression and dominance between some characters of the novel. </span></p>

scholarly journals Gender in Literature: Crossing the Lines of Individuals in a Philippine Fiction

2021 ◽  
Vol 1 (2) ◽  
pp. 38-47
Author(s):  
Mildred M. Crisostomo ◽  
Mark Joseph B. Layug
Keyword(s):  
Decision Making ◽  
Literary Text ◽  
The Other ◽  
Female Characters ◽  
Male Characters ◽  
Other Hand ◽  
The One ◽  
Gender Criticism

Under Gender Criticism, the researchers analysed Carlos Bulosan’s My Father Goes to Court to unveil the biases, stereotypes, issues, and tendencies as regard gender through the roles played by the characters in the story. Results show that on the surface, the male characters portrayed their roles based on what the society and culture accorded or dictated to them as authoritative, powerful, and dominant. Similarly, female characters were projected as powerless, weak, affective, and secondary to men. However, consciously or unconsciously, both characters crossed the borders and the lines of each other by performing roles not expected of them. On the one hand, male characters growled down to others, laughed their hearts out, and were protected. Then, on the other hand, female characters exercised power, showed leadership, manifested decision-making skills, and served as protectors. The researchers further revealed that gender is not a role to be played but an activity to be complete to avoid setting limits to any person’s tendencies. A study using the same literary text is recommended to continue its afterlife.

scholarly journals Language of Feminine Consciousness A reading of the Novel (The Beloveds “Al-Muhboubat”) by (Aliyah Mamdouh)

2021 ◽  
Vol 11 (4) ◽  
Author(s):  
Dr Maha Farouk Abdul Qader Al-Hindaw
Keyword(s):  
Content Analysis ◽  
Analytical Method ◽  
The Novel ◽  
Female Characters ◽  
Men And Women ◽  
Male And Female ◽  
American University ◽  
Male Characters ◽  
Quantitative Content ◽  
Different Levels

This research is an attempt to reveal the manifestations of (Homosexuality), which is any attitude, deed or language issued by both men and women that says the inferiority of the female, and how women resist it at different levels, the most important of which is (language) in an Iraqi novelist text (Al- Muhboobat) by (Aliyah). Mamdouh) published by Dar Al- Saqi in Beirut in 2003, and the recipient of the Naguib Mahfouz Prize for Novel from the American University in Cairo in 2004. The method followed in this study was the analytical method, which came on three levels: 1. Quantitative content analysis: in which the number of male and female characters as they appeared in the novelistic text was compared. 2. The qualitative analysis of the content: It included a comparison between the specifications given to the male and female characters in the novelistic text. 3. Analyzing the homosexuality of the dominant language in the text: by which we mean the way in which language is employed in this text. The research concluded that the number of female characters exceeded the male characters in the novel. Andthe heroine’s desire for rejection, Suhaila, to the reality of tyranny and the invasion that she suffered in the homeland and exile through the rejection letter that represented her in the novel, in contrast to the state of complacency, surrender, and weakness suffered by the son Nader, which was represented by the letter of his machine that he adopted in the novel.

scholarly journals Miriam y Dalila ¿en fuga?

2018 ◽  
Author(s):  
Ana Cecilia Prenz Kopušar
Keyword(s):  
20Th Century ◽  
Historical Context ◽  
The Other ◽  
The Novel ◽  
Female Characters ◽  
Carmen De Burgos ◽  
The One

This work analyses some female characters present in the novel Luminarias de Janucá by Rafael Cansinos Assens. The dimension of the escape is analysed from different perspectives taking into account its double meaning that, on the one hand, can be understood as persecution and, on the other, as escape. Other meanings of the term are also considered. The female characters are analyzed within the problems posed by the historical context to which the novel refers, that is, the philosephardic campaign promoted by Senator Ángel Pulido at the beginning of the 20th century. Dalila and Miriam as well as the other treated female characters personify real women: Miriam is the author’s sister, Dalila is Carmen de Burgos, known as Colombine.

scholarly journals Analysis of the Female Characters in On the Road

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Yuting Liang
Keyword(s):  
20Th Century ◽  
Beat Generation ◽  
The Novel ◽  
Female Characters ◽  
The Road ◽  
Male Characters ◽  
The Bible ◽  
On The Road

On the Road is the masterpiece of Kerouac who is one of the most important writers of “Beat Generation” in America in the mid-20th century. It is acclaimed to be the Bible of “Beat Generation”. The novel narrates the stories of how Dean and his friends——some representative characters of the Beats travelled across continental U.S. several times and searched for new lifestyles and new faith on the road. In this novel, male characters are the main characters and the descriptions of all the female characters account for just one sixth of the whole book. Although the portrayal of the female characters is not profound like that of the male characters, the different personalities Kerouac endued the female characters are also the highlights of the novel. As a novel with strong nature of autobiography, Kerouac put his attitude and emotion into his portrayal. So it also can be a reflection of Kerouac’s female concepts. This paper aims at analyzing the female characters in On the Road by studying the types of the female characters in the novel and summarizing Kerouac’s female concepts reflected from the novel.

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