scholarly journals The Image of a Soviet Woman as Depicted by Mass Media in the 1950s–1960s and Engraved in Social Memory (regional aspects)

Author(s):  
И.В. Богдашина

В статье раскрываются репрезентативные формы образа советской женщины на материалах нестоличного города. Возможность привлечения сведений радиопередач и эго-документов как малоизученных форм женской репрезентации позволяет автору выявить и сравнить идеализированный и реально существующий образ советской женщины 1950–1960-х годов. Средства массовой информации формировали идеологически одобренный женский портрет, являясь транслятором допустимых и запрещенных норм, которые жительницы города старались соблюдать. Превалирующий образ «женщины-работницы», активно вовлеченной в семейную и общественную жизнь, был недосягаем для «обычных» советских женщин. Несмотря на это, многие из них стремились занять лидирующие позиции хотя бы в одной из сфер. Несовпадение идеализированного и реально существующего женских образов влекло за собой критику со стороны власти и общественности. Опасение быть осужденной и желание обличать накладывали на женщин определенные каноны поведения, которые исподволь внедрялись массовой культурой. The article investigates the image of a Soviet woman as portrayed by provincial mass media. The article analyzes such underrated sources of reliable information as egodocuments and radio performances, which enables the author to compare the idealized image of a Soviet woman and the real image of a Soviet woman of the 1950s–1960s. Mass media created an ideologically “proper” image of a female worker who was actively involved in family and social life. Despite the fact that many “ordinary” Soviet women did their best to fully realize their potential in at least one sphere of life, they had no means to conform to the ideal image broadcast by the media. Due to the discrepancy between the ideal and realistic images, Soviet women often fell victim to social and political criticism. Gnawed by the fear of censure and the desire to condemn others, women were forced to acquire certain behavior patterns dictated by mass culture.

2006 ◽  
Vol 15 (3) ◽  
pp. 367-395 ◽  
Author(s):  
CHRISTINA VON HODENBERG

From the 1950s to 1970s the West German public sphere underwent a rapid politicisation which was part of the ongoing socio-cultural democratisation of the Federal Republic. This article examines the role of the mass media and journalistic elites in bringing about this change. It analyses how and when political coverage in the media evolved from an instrument of consensus to a forum of conflict. Arguing that generational shifts in journalism were crucial to this process, two generations, termed the ‘45ers’ and the ‘68ers’, are described in regard to their professional ethos and their attitudes toward democracy, mass culture, German traditions and Western models.


Author(s):  
Bukurie Lila

Media is one of the main agents of socialization that affects youth the most. Young adults are majority time are surrounded by the media, which brings me to my main question, "How is Mass Media Affecting Socialization in Children and Young Adults in Albania?" To understand this question one must know and understand what socialization is. The socialization process is a very dramatic impact on a child's life. Socialization is a "Continuing process whereby an individual acquires a personal identity and learns the norms, values, behavior, and social skills appropriate to his or her social position". Mass media has enormous effects on our attitudes and behavior which makes it an important contributor to the socialization process. in some ways mass media can serve as a positive function. It helps there to be more diversity, we can learn more about things that are going on in different countries. It can help you learn new things you did not know. Sadly Media can serve as a negative function in young people life. Young people want to be accepted by society and the media creates the ideal image that tells you what the characteristics are to be accepted and to be able to fit in with society. They show what you should look like, how you can look like this, and where to go to buy these things that will make you look right. This is why many young women deal with anorexia because they want to look like the ideal type that the media displays. Media also influences young people to misbehave. Media shows that being deviant makes you cool and look tough and that it's okay to do deviant things. Statistics show that when young people watch violence on television it increases their appetites to become involved in violence. It opens their minds to violence and makes them aware of crimes and people acting deviant. Many people think that the media does not play a role in the socialization process as much as family, peers and education. But in fact the media plays a strong role in the socialization process. The aim of this study is to see the positive and negative effects that the Albanian media plays in the socialization process in Albania.


2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.


2017 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Iswandi Syahputra

This article would like to present Michel Foucault’s idea concerning Knowledge and Power in media industry. As a contemporary intellectual, Foucault’s thought has a unique style of postmodernism. His thought had gone beyond traditional critical theory whose trying to disclose the relation of power and economic behind the ideology of media. Foucault’s thought had given new perspective in understanding how the media produce truth under tightly control process into something that seems normal. With the assumption of media has the power to create mass culture, which has to be studied critically by media literacy approach, Foucault’s thought had given new space of discursive. An alternative thought on how to estimate the work of mass media as supervisor of truth and creator of information trough normalization practice.


Author(s):  
Marina Yanglyaeva ◽  
Tamara Yakova

This article presents the theoretical aspects of media and communication research in space and time. The authors of the article pay attention to the role of mass media in constructing a region and a regional identity and demonstrate how the media geographic categories work as determinants in understanding the place of mass media in shaping the region as a whole in the context of globalization and glocalisation. Media geography as a separate line of humanitarian research concerns the interrelations of media and spaces in their different forms and at different levels (personality, community, nation state), behavior patterns of media in constructing space, the role, the place and significance of media in socio-spatial relations etc. Having used the main thesis of media geography that all forms of communication are laid out and implemented in space and time, and spaces are constructed and represented by mass media, the authors make an attempt to interpret the theories of spatial production, which to a certain extent should be understood as the theories of communication and mediatazation. Furthermore, they analyze the theoretical and practical approaches of a number of foreign scholars to the role of mass media in the region’s construction. The concept of space in the social context with the emphasis on “location” in the process of the formation and strengthening of the regional identity through media products is considered in detail. The authors focus their attention on the regional market of concepts related to the political, economical and social life of the region, and on the role of the regional newspapers as public space where the main images of the region are revealed and the capabilities of main media in managing the regional processes come to light. The authors draw a conclusion that the regional media market fills every person’s life with concepts which are capable of influencing their national (and regional) identity.


2021 ◽  
pp. 1-25
Author(s):  
Omar Sayfo

Abstract ʿAbd al-Bāsiṭ ʿAbd al-Ṣamad (1927–88) is one of the most renowned Egyptian Qurʾān reciters of the mujawwad and murattal styles, admired nationally and internationally for his remarkable voice and improvisatory style. Starting from the 1950s, his national and international career was entwined with the emergence of Egyptian mass media, which contributed not only to the spread of his voice on the radio, followed by the distribution of cassettes, but also to the formation of his image through a variety of media texts. While avoiding explicit political engagement, he largely contributed to the religious legitimation of ʿAbd al-Nāṣir’s and al-Sādāt’s policies by his presence at iconic events, as well as to the growth of Egyptian soft power. This article sets ʿAbd al-Bāsiṭ ʿAbd al-Ṣamad’s career within the media and political landscape of his time, exploring his journey from his Upper Egyptian home village to transnational celebrity.


1970 ◽  
Vol 11 (1) ◽  
pp. 26-66
Author(s):  
Judith B. Agassi

The mass media have aroused concern and discussion by social scientists—both as media of political persuasion and as conveyors of mass culture. The first aspect—the media as means of political persuasion—arose as a direct result of the spectacular use of mass propaganda by the Fascists. It has since become a component of the continuing discussion about the means of modernization of underdeveloped societies. The second aspect—the media as conveyors of mass culture—goes back at least to the nineteenth century discussion about the impact of the first “mass medium”, cheap print, such as the “penny dreadfuls” and the “railway literature”.


2016 ◽  
Vol 5 (1) ◽  
pp. 22-46
Author(s):  
Haruka Ōmichi

The folk shamans (minkan fusha 民間巫者) called itako イタコ, mainly active in Aomori and surrounding prefectures (Akita and Iwate), are well known nationwide thanks to mass media coverage. However, despite their increased visibility, there seems to be a gap between the itako as folk culture and the image of the “itako” as a component of the mass culture produced by the media. This article attempts to clarify the actual conditions of the itako from the 1970s to 1980s, especially focusing on the influence of the occult boom, by analyzing the discourse in print media. Beginning in the 1970s, the occult boom in Japan rediscovered the religiosity of the itako as the occult the masses wanted. As a result, the itako changed from being culturally other to part of “our” mysterious knowledge. Although this involved an attribution of value to the itako, it also meant that the religiosity of the itako was turned into an object of consumption for mass culture. This popularization of itako religiosity played a significant role in establishing the itako as a part of mass culture.


Author(s):  
Egor Zharovskiy

Culture is one of the basic dimensions of social existence and human life, and influences functioning and development of any civilization. The mass media as social institute tend to focus their attention on the most significant aspects of a society's life. Items of culture often become topics of media texts. Therefore, the issue of the composition of these media texts is of currently relevance. The present-day media space is oversaturated with information and mass culture, which may result in the audience's low perceptivity of information and poorer aesthetic sense. In this relation, there is a necessity of studying features of culture coverage in the mass media in order to get an insight into the content of the culture topics. Since Russian regional mass media are an important link in the information distribution chain that provides public awareness of the culture, they require special attention. The target of the study is the range of culture topics covered in Crimean mass media. The article presents the results of a content-analytical study of media texts created by eleven Crimean mass in the period of 2015-2017. The culture topics of the texts included ethnic culture, religion, language, cultural heritage and art. Geographical location of culture topics was also taken into account. Basing on the results of the empirical study, the author infers that Crimean mass media provide non-uniform coverage of culture aspects: the media texts primarily focus on Russian and Crimean Tatar cultures, as well as on the culture of large Crimean cities, leaving behind cultural life in rural areas.


2017 ◽  
Vol 10 ◽  
pp. 16-26
Author(s):  
SHREEPAL CHAUHAN

Globalization may be thought initially as the widening, deepening and speeding up of worldwide interconnectedness in all aspects of contemporary social life, from the cultural to the criminal, the financial to the spiritual. This definition suggests that at the most general level, globalization refers to a process of change, which affects all regions of the world in a variety of sectors including the economy, technology, politics, the media, culture and the environment. Mass Media is playing a crucial role in today’s human society. It has become a powerful instrument of social change and influences the daily life of the people. New communication technologies such as satellites, cable television, wireless telephony, the Internet and computers are bringing about noticeable changes in the modern society. The present paper is based on an empirical research study conducted on 100 Youth trainees of a Prashikshan Shivir (Training Camp) of All World Gayatri Pariwar, Shantikunj, Haridwar by administrating an interview schedule on the respondents. The exploration of the present study reveals that most of the persons associated with this type of training are youth coming from upper and middle order caste backgrounds. In order to know their place of origin data suggests that there were twelve states representation in the study and mass media exposure of the respondents was very high.


Sign in / Sign up

Export Citation Format

Share Document