scholarly journals Disposal of Worn Out Fiberglass Recreational Boats

2018 ◽  
Vol 2 (Special edition 2) ◽  
pp. 143-153
Author(s):  
Roko Dejhall ◽  
Dunja Legović
Keyword(s):  
20Th Century ◽  
Mass Production ◽  
Major Part ◽  
Environmentally Friendly ◽  
The World ◽  
Basic Issue ◽  
Special Programs ◽  
The Republic ◽  
The Moment

Mass production of fiberglass boats begun in the mid-50s of the 20th century. Over decades, a large number of such boats accumulated throughout the world. Since the lifespan of these boats is 30 to 50 years, at the moment many fiberglass boats simply arived to the end of their life and need to be appropriately disposed in a safe and environmentally friendly way. It is expected that the disposal of boats will become a more pronounced problem, in which the basic issue is the relatively high cost. The main problem is the fiberglass laminate which constitutes the major part of the boat. As of today, there are no economically viable methods. Many countries do not have special programs for the disposal of worn out fiberglass boats, which would undoubtedly provide the answers to many questions. The paper gives an overview of the disposal conditions of worn out recreational fiberglass boats over the world as well in the Republic of Croatia.

scholarly journals Creative heritage of Lev Alperovich (1874–1913): from realism toward symbolism

Menotyra ◽  
2019 ◽  
Vol 26 (4) ◽  
Author(s):  
Nadezhda Usova
Keyword(s):  
World War Ii ◽  
Everyday Life ◽  
20Th Century ◽  
General Public ◽  
Art Museum ◽  
Art Nouveau ◽  
World War ◽  
The World ◽  
The Republic ◽  
Artistic Heritage

The article presents Lev Alperovich, a little-known to general public Belarusian painter of the beginning of the 20th century, who was Ivan Trutnev’s student in Vilnius Drawing School and a student of Ilya Repin in the Emperor’s Arts Academy in St. Petersburg. The works of Lev Alperovich that survived after the World War II are kept in the National Art Museum of the Republic of Belarus. The analysis of the painter’s biography and creative heritage reveals a new vector which was gradually emerging in Minsk at the beginning of the 20th century, i.e remoteness from the academic late “peredvizhniki” realism and the ambition to find a niche in the evolving Russian modern style or the European Art Nouveau style and symbolism. Relatively sparse artistic heritage of Alperovich – single and group portraits, genrepainting, everyday life scenes and staffage landscapes – allows the author to single out this painter as a Belarusian painting phenomenon of the 20th century.

scholarly journals Clothing Design and Ornament Function in the Constructivist Fashion of the 1920s-1930s

2020 ◽  
Vol 16 (2) ◽  
pp. 56-69
Author(s):  
Galina Ignatenko
Keyword(s):  
20Th Century ◽  
Mass Production ◽  
Human Life ◽  
Point Of View ◽  
Early 20Th Century ◽  
Creative Work ◽  
Clothing Design ◽  
The World ◽  
The Creation ◽  
Cultural Code

The development of clothing of the 1920s-1930s and its role in the formation of new productivist art are considered in the article. At the beginning of the 20th century, the world underwent not only enormous changes but also the loss of self-identification, both on a personal level and on a social level. The Russian Avant-Garde of the early 20th century became the prototype of not only new art but also claimed to have created a unified system of values. Artists turned their attention to clothing as a new widespread form of language. At the same time, finding a functional application to their creativity was the task. Reconstructing the role of clothing in human life was part of the "life building" concept of the early 20th century. The implementation of this idea was seen in the creation of a universal formula not only for creative work but also for life. The utopian idea of the unification of clothing formed the basis for the creation of anti-class functional working clothes. The project of creating universal clothing for mass production is a vivid example of the practical embodiment of the new productivist art. The search for a new form of dress, as a new cultural code, seemed an extremely attractive idea both from an ideological and artistic point of view. The new concept of universal clothing for work and sports transmitted the idea of creating a person of a new world - the builder of a new life. At the same time, denying fashion as a gender-oriented art form, constructivists tried to use concise forms, avoiding decoration and deliberate embellishment. The creation of innovative clothing for mass production also brings up the subject of the appearance of a new canon of the image of a woman, which changed not only the idea of an aesthetic ideal but also its role in society. At the same time, laboratories, which in their work synthesized the trends and challenges of the new time already existing in the world of Western fashion, were working. An attempt to unite Western fashion trends, national traditions, and mass production can be traced both in the practices of constructivist artists and in the works of artists who collaborated with Atelier of Fashion. New interpretations of folk traditions, as part of the search for self-identity, influenced the inclusion of a number of ornamental techniques in the artistic practices of the early 20th century. On the example of the creative work of V. Stepanova, L. Popova, and N. Lamanova’s design, different approaches to the formation of new dress are compared. The article analyzes how the transformation of the approach to clothing design becomes an indicator of sociocultural, political, and ideological changes.

scholarly journals ВИРОБНИЧІ ТА ЕКСПОРТНІ РЕСУРСИ РЕГІОНУ ТА ЇХ ВИКОРИСТАННЯ

2021 ◽  
pp. 86-91
Author(s):  
Ганджалі Азіз огли Ганджієв ◽  
Вусал Орудж огли Алієв
Keyword(s):  
Production Management ◽  
Environmentally Friendly ◽  
Green Economy ◽  
Practical Significance ◽  
New Production ◽  
Modern Material ◽  
Economy Model ◽  
The World ◽  
The Republic ◽  
Effective Use

The article substantiates the directions of increasing production and exports in the East Zangezur region on the basis of a green economy model, shows the ways of introducing new resources into the economy, examines ways to provide various sectors of the domestic market with food and other goods. The purpose of the article is to characterize the use of production and export resources of the region. The subject of the research is the process of managing the production and export resources of the region. Research hypothesis. Agriculture plays a leading role in the employment of the population of this region. In accordance with this tradition, agriculture is being created in the regions on the basis of a modern material and technical base and new production management technologies based on the new structure of the green economy model. Presentation of the main material. Effective use of the country's export potential plays an important role in strengthening Azerbaijan's integration into the world economy. From this point of view, the effective use of the economic potential of the territories opens up new horizons in increasing the production and export potential of the republic and creating an alternative export sector. Originality and practical significance of the research. On the basis of the proposed model, special attention is paid to the production of environmentally friendly products in developing regions. This approach is due to the fact that Azerbaijan ranks 10th in the world for the production of environmentally friendly products. Conclusions of the study. The rich natural resources of the Republic of Azerbaijan in some areas should be re-evaluated, and the results of the assessment should be promoted in international advertising channels, posting them on the website of the World Tourism Organization. It is advisable to assess, first of all, the mineral and natural landscape resources of the republic.

scholarly journals An Economic Approach to Family Institution: Regulation of Spouses’ Property Relations in the Republic of Lithuania

Ekonomika ◽  
2006 ◽  
Vol 76 ◽  
Author(s):  
Dalia Perkumienė ◽  
Vida Čiulevičienė
Keyword(s):  
Major Part ◽  
Social Benefits ◽  
Economic Approach ◽  
Property Relations ◽  
Tax Exemptions ◽  
Traditional Societies ◽  
The Republic ◽  
The Moment ◽  
Different Cultures ◽  
India And China

The paper analyses the problem which is relevant both theoretically and practically, since it tries to disclose family as an economic institution credited with important financial advantages, and it provides different economic and social benefits such as tax exemptions, inheritance, child and spouse maintenance, social security and immsigration. This position is revealed analysing the regulation of legal property relations between spouses by laws, various scientific and legal literary works related to this topic as well as court practice.At the moment of marriage commencement, property relations used to acquire a significant value in a major part of traditional societies: in some countries, bride’s parents would award their daughters with dowry, the size of which very often determined the groom’s choice; in other countries, especially in the East, a groom would pay a ransom for his bride. In some countries such customs are extant to the present day and constitute a traditional part of a marriage settlement. In different cultures the bride’s parents must give away part of their property to the newlyweds (known as a dowry). The dowrygiving practice is similar in such countries as Greece, Egypt, India, and China. The type of property called wife’s property exists in the countries of different religions and customs. For instance, the Hindu law entitles the wife’s property as Stridhanam.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

“Utopia First!” A Machiavellian Conception of Solidarity in More's Utopia

Moreana ◽  
2018 ◽  
Vol 55 (Number 209) (1) ◽  
pp. 79-93
Author(s):  
Marie-Claire Phélippeau
Keyword(s):  
At Risk ◽  
Human Beings ◽  
Farm Work ◽  
The World ◽  
Social Difficulties ◽  
The Republic ◽  
The Individual ◽  
Democratic Elections ◽  
Communal Organization

This paper shows how solidarity is one of the founding principles in Thomas More's Utopia (1516). In the fictional republic of Utopia described in Book II, solidarity has a political and a moral function. The principle is at the center of the communal organization of Utopian society, exemplified in a number of practices such as the sharing of farm work, the management of surplus crops, or the democratic elections of the governor and the priests. Not only does solidarity benefit the individual Utopian, but it is a prerequisite to ensure the prosperity of the island of Utopia and its moral preeminence over its neighboring countries. However, a limit to this principle is drawn when the republic of Utopia faces specific social difficulties, and also deals with the rest of the world. In order for the principle of solidarity to function perfectly, it is necessary to apply it exclusively within the island or the republic would be at risk. War is not out of the question then, and compassion does not apply to all human beings. This conception of solidarity, summed up as “Utopia first!,” could be dubbed a Machiavellian strategy, devised to ensure the durability of the republic. We will show how some of the recommendations of Realpolitik made by Machiavelli in The Prince (1532) correspond to the Utopian policy enforced to protect their commonwealth.

PINGVINAS IR PROTĖJAS. Įsivaizdavimas kaip kitybė manyje

2007 ◽  
Vol 4 ◽  
pp. 21-37
Author(s):  
Kristupas Sabolius
Keyword(s):  
Fight Club ◽  
The World ◽  
The Moment ◽  
Hollywood Movie

Kitybės klausimas dažniausiai kyla iš ego santykio su kitais arba su pasauliu. Šiame straipsnyje daroma prielaida, kad įsivaizdavimo funkcija ištirpdo subjektą ir jame pačiame atveria intersubjektyvią perspektyvą. Šiuo tikslu sugretinami Sartre’o, Husserlio bei Merleau-Ponty įsivaizdavimo funkcijos tyrimai, kuriuose išryškėja vaizdo kaip iš ego centro išslystančios ribos statusas, ir Holivudo filmo „Kovos klubas“ siužetas. Viename iš šios juostos epizodų pasirodantis pingvinas žymi egologinės schizmos akimirką ir tampa fantazijos apsireiškimu ir įsikūnijimu.Išgryninus žaidybinį, savarankišką ir multiformišką charakterį, galime konstantuoti, kad įsivaizdavimas, jei kalbėtume Kanto terminais, yra ne papildanti tarpinė funkcija, bet transcendentalinio subjekto genezėje atlieka paradoksalų „svetimos vidujybės“ arba „vidinės svetimybės“ vaidmenį. Vaizduotė yra katalizatoriaus, kuris, likdamas šalia, įgalina transcendentalinių formų išsikristalizavimą.Pagrindiniai žodžiai: vaizduotė, įsivaizdavimas, fantazija, ego, kitybė, sąmonė.PENGUIN AND PROTEUSImagination as Otherness in meKristupas Sabolius SummaryThe question of Otherness is usually taken into account while discussing the Ego’s relation with Others as well as with the World. This article is based on the premises that the function of phantasy melts the subjectivity, revealing the perspective of intersubjectivity within it. On this purpose Sartre’s, Husserl’s and Merleau-Ponty’s researches on the function of imagination, which elucidate the image as the boundary slipping from the centre of Ego, are compared to the story of Hollywood’ movie „Fight Club“. The penguin, which appears in one of the episodes, registers the moment of egological schism, thus becoming the revelation and incarnation of phantasy. While the playful, autonomous and multiform character of imaginary is cleared out, we can ascertain, speaking in Kantian terms, that it has not a complementary or intermediary function, but, in the genesis of transcendental subject, plays the paradoxical role of „allien innerness“ or „inner alienity“. Thought remaining always beside, imagination is a catalyzer which enables crystallization of transcendental forms.Keywords: imagination, imaginary, phantasy, ego, otherness, consciousness.

The Process of Globalization and Its Impact on Media

2016 ◽  
Vol 1 (4) ◽  
pp. 150
Author(s):  
Veton Zejnullahi
Keyword(s):  
New Technology ◽  
World Order ◽  
Modern Society ◽  
Media Access ◽  
Four Corners ◽  
The World ◽  
The Media ◽  
The Republic ◽  
Human Eyes ◽  
The Impact

The process of globalization, which many times is considered as new world order is affecting all spheres of modern society but also the media. In this paper specifically we will see the impact of globalization because we see changing the media access to global problems in general being listed on these processes. We will see that the greatest difficulties will have small media as such because the process is moving in the direction of creating mega media which thanks to new technology are reaching to deliver news and information at the time of their occurrence through choked the small media. So it is fair to conclude that the rapid economic development and especially the technology have made the world seem "too small" to the human eyes, because for real-time we will communicate with the world with the only one Internet connection, and also all the information are take for the development of events in the four corners of the world and direct from the places when the events happen. Even Albanian space has not left out of this process because the media in the Republic of Albania and the Republic of Kosovo are adapted to the new conditions under the influence of the globalization process. This fact is proven powerful through creating new television packages, written the websites and newspapers in their possession.

Erfahrung ohne Erfahrenden

2009 ◽  
Vol 2009 (1) ◽  
pp. 61-78
Author(s):  
Petr Kouba
Keyword(s):  
Phenomenological Approach ◽  
Work Of Art ◽  
New Beginning ◽  
Individual Structure ◽  
The World ◽  
Il Y A ◽  
Individual Existence ◽  
The Moment ◽  
The Individual ◽  
Intentional Structure

This article examines the limits of Heidegger’s ontological description of emotionality from the period of Sein und Zeit and Die Grundbegriffe der Metaphysik along the lines outlined by Lévinas in his early work De l’existence à l’existant. On the basis of the Lévinassian concept of “il y a”, we attempt to map the sphere of the impersonal existence situated out of the structured context of the world. However the worldless facticity without individuality marks the limits of the phenomenological approach to human existence and its emotionality, it also opens a new view on the beginning and ending of the individual existence. The whole structure of the individual existence in its contingency and finitude appears here in a new light, which applies also to the temporal conditions of existence. Yet, this is not to say that Heidegger should be simply replaced by Lévinas. As shows an examination of the work of art, to which brings us our reading of Moravia’s literary exposition of boredom (the phenomenon closely examined in Die Grundbegriffe der Metaphysik), the view on the work of art that is entirely based on the anonymous and worldless facticity of il y a must be extended and complemented by the moment in which a new world and a new individual structure of experience are being born. To comprehend the dynamism of the work of art in its fullness, it is necessary to see it not only as an ending of the world and the correlative intentional structure of the individual existence, but also as their new beginning.

Differenzierungen im Begriff, Gegenwart‘ bei Husserl und Merleau-Ponty

2017 ◽  
Vol 2017 (1) ◽  
pp. 39-54
Author(s):  
Jörg Zimmer
Keyword(s):  
Modern Philosophy ◽  
The Body ◽  
Fundamental Concept ◽  
Phenomenological Description ◽  
Philosophy Of Time ◽  
Phenomenology Of Perception ◽  
The World ◽  
Classical Philosophy ◽  
The Moment ◽  
Empty Time

In classical philosophy of time, present time mainly has been considered in its fleetingness: it is transition, in the Platonic meaning of the sudden or in the Aristotelian sense of discreet moment and isolated intensity that escapes possible perception. Through the idea of subjective constitution of time, Husserl’s phenomenology tries to spread the moment. He transcends the idea of linear and empty time in modern philosophy. Phenomenological description of time experience analyses the filled character of the moment that can be detained in the performance of consciousness. As a consequence of the temporality of consciousness, he nevertheless remains in the temporal conception of presence. The phenomenology of Merleau-Ponty, however, is able to grasp the spacial meaning of presence. In his perspective of a phenomenology of perception, presence can be understood as a space surrounding the body, as a field of present things given in perception. Merleau-Ponty recovers the ancient sense of ‘praesentia’ as a fundamental concept of being in the world.

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