scholarly journals Medical discourse and / or morbual code: Problems of terminology of modern literary criticism

2021 ◽  
Vol 21 (2) ◽  
pp. 186-191
Author(s):  
Elena G. Trubetskova ◽  
Keyword(s):  
Literary Criticism ◽  
Literary Text ◽  
Medical Discourse ◽  
Definition Of

The article deals with the problem of differentiating the spheres of use of the terms ‘medical discourse’ and ‘morbual code’ while analyzing a literary text. The theoretical definition of the morbual code of literature has been clarified and its varieties and main representatives have been described on the basis of semiotic, linguistic and cultural approaches.

scholarly journals INTERTEXTUALITY IN THE POETIC LANGUAGE OF MAXYM RYLSKYI

2020 ◽  
pp. 114-122
Author(s):  
Alyona PALASH
Keyword(s):  
Literary Criticism ◽  
Theoretical Basis ◽  
Main Part ◽  
Empty Space ◽  
Literary Text ◽  
Creative Work ◽  
Topical Issue ◽  
Definition Of ◽  
The Individual

Problem’s setting. The problem of interpretation and research of the term “intertextuality” today is a topical issue of philosophy, literary criticism, linguistics, modern Ukrainian linguistic poetics, and stylistics of the text. That is, no text can be created in an empty space, it must have an intertextual relationship with other works or texts. Analysis of recent studies. The theoretical basis for the study formed works in the field of modern linguistics, in particular, Robert de Bogrand, Alexander Veselovsky, Olga Vorobyova, Wolfgang Dressler, Alexander Potebnya considered “intertextuality” as a textual category; Yuri Lotman, Vladimir Lukin – as a prerequisite for textuality; Lyudmyla Babenko, Suren Zolyan, Larysa Omelchenko, Natalia Fateeva – as means of its implementation in specific texts. Objective of the research. The purpose of the work is to analyze the external and internal connections of the literary text of Maksym Rylsky and the means of their realization in the explicitly intertextual process of the text’s existence. The main part. The article studies the peculiarities of the artistic embodiment of intertextuality in the poems of Maxim Rylsky; the definition of intertext in a broad and narrow sense is traced; the classification of the intertextuality of Jennet is singled out. The focus is on the separation of language units, intertextual components in the language of Maxim Rylsky; examples and quotations, allusions, titles, epigraphs, hints, genre connection of texts, references to the pretext in the artist’s creative work are given and analyzed. Conclusions. Research and analysis of the intertextuality of the artist’s poetics show that in a new way the comprehension and depiction of quotations, allusions, epigraphs, titles, hints, paraphrases become differential features of the individual author’s style.

scholarly journals Rosencrantz and Guildenstern Meet Edward II

2003 ◽  
Vol 9 ◽  
Author(s):  
Boldizsár Fejérvári
Keyword(s):  
Literary Criticism ◽  
Literary Text ◽  
Human Behaviour ◽  
The Other ◽  
Literary Texts ◽  
Symbiotic Relationship ◽  
The Real ◽  
Edward Ii

It is a common fashion in literary criticism, or 'Lit Crit,' to treat reality, human behaviour, communication, and everything else as though they were 'texts to be read.' This paper proposes to go the other way: it interprets literature (or, more precisely, one literary text, Tom Stoppard's Rosencrantz and Guildenstern Are Dead) as a part of reality in which several other layers of the real combine, such as linguistics, science, or other literary texts, most notably Hamlet. While Edward II is not generally considered a direct source for Stoppard's play, this paper shows how, in the wider perspective of 'interreality,' Marlowe's tragedy might interact with Rosencrantz and Guildenstern. At the same time it is proved that Rosencrantz and Guildenstern Are Dead, contrary to the critical conception of many, is not a parasitic work 'feeding off' Elizabethan playwrights, but a play that enters a symbiotic relationship with its host (as defined by Hillis Miller).

ON THE FORMATION OF GERMAN REALISM

2021 ◽  
Vol 23 (77) ◽  
pp. 81-90
Author(s):  
A.S. Bakalov ◽  
Keyword(s):  
Literary Criticism ◽  
Literary Realism ◽  
Regional Literature ◽  
Empirical Level ◽  
New Business ◽  
Main Thing ◽  
The Times ◽  
Life Phenomena ◽  
Definition Of ◽  
The 19Th Century

The relevance of research. In German literary criticism, there is no unambiguous definition of the phenomenon of literary realism, however, at the empirical level, it is understood as a literary system based on a mimetic-oriented depiction of reality, often critically comprehended and subjectively colored due to the norms and ideas that are taking shape in society. Research methodology. Complex and systematic methods of literature analysis are applied. In this article, the author comes to the conclusion that the realism of the turn of the XIX - early XX centuries. retains its main principles of artistic comprehension of the world, and at the same time the signs that do not allow talking about its dissolution in the eclectic picture of the emerging modernity. The main thing remains the disclosure of "the essence of life phenomena through their individualized generalization (typification)", analysis and specific historical logic of presentation Realism at the turn of the 19th - early 20th centuries. closely associated with such phenomena as regional literature, "new business-like", historical novel. On its basis, workers' and proletarian-revolutionary literature developed in many ways. In German literature of the twentieth century. realistic tendencies intensified in the times following the historical and political catastrophes, primarily after the two world wars lost by Germany. Realism played a significant role in the literature of the Weimar Republic (the works of E.M. Remarque, L. Feuchtwanger, L. Frank and others), while in contact with modernist and avant-garde trends (for example, with "new business-like"). Realism turned out to be no less significant after 1945, having equally influenced the formation of the literatures of West and East Germany (writers of the "group of 47", Erwin Strittmatter, "socialist realism", etc.). German realism, which emerged in the middle of the 19th century, was able to demonstrate its flexibility and ability to enter into alliances with other natural artistic directions, without losing its main specificity - the desire for materiality, the authenticity of personal and collective experience, as well as symbolizing the "obvious" with the goal of approaching the "true".

Introduction

2005 ◽  
Author(s):  
J. N. Adams ◽  
Michael Lapidge ◽  
Tobias Reinhardt
Keyword(s):  
Literary Criticism ◽  
Native Speaker ◽  
Literary Text ◽  
Major Theme ◽  
Literary Language ◽  
Literary Education

‘Language’ is given a comprehensive sense in this book. Many of the chapters are not ‘linguistic’ in any formal sense, but are about the skill (or otherwise) of writers in expressing themselves. They are thus about style, the study of which can be seen as a branch of literary criticism. There are various objections that can be made to the notion (implicit in Bernhard’s statement) that the inclusion of ‘poeticisms’ in prose was an imperial development and represented a debasement of the literary language. The diversity of extant prose is a major theme of this book. Examples of early long sentences are also presented. Bad writing may show up clearly in a translation. This writing may be determined in a non-literary text written by someone who had not had a literary education and might not even have been a native speaker of Latin. Archaism emerges as a generic label rather than a unified category. The chapter then discusses the translation from Greek. Aspects of high-style Latin prose, namely neologism, archaism, Greek loanword, and poeticism, are described.

A Critical Theory of Medical Discourse: How Patients and Health Professionals Deal with Social Problems

1989 ◽  
Vol 19 (4) ◽  
pp. 577-597 ◽  
Author(s):  
Howard Waitzkin ◽  
Theron Britt
Keyword(s):  
Critical Theory ◽  
Literary Criticism ◽  
Health Professionals ◽  
Psychological Impact ◽  
Medical Discourse ◽  
Social Conditions ◽  
Underlying Structure ◽  
Conscious Awareness ◽  
Structural Relationships ◽  
Desirable Behavior

Criticism of social context does not generally appear in medical encounters. When contextual issues arise in medical discourse, messages of ideology and social control may become apparent, usually without the conscious awareness of the participants. By easing the physical or psychological impact of contextual difficulties, or by encouraging patients' conformity to mainstream expectations of desirable behavior, encounters with doctors can help win patients' consent to troubling social conditions. Seen in this light, doctor-patient encounters become micropolitical situations that do not typically encourage explicit statements or actions by health professionals to change contextual sources of their patients' difficulties. A critical theory influenced by structuralism suggests that the surface meanings of signs in medical discourse prove less important than their structural relationships. In addition, a theoretical approach adopting elements of post-structuralism and Marxist literary criticism emphasizes the marginal, absent, or excluded elements of medical discourse. Contextual features that shape a text include social class, sex, age, and race. Through the underlying structure of medical discourse, contextual problems are expressed, marginalized, and managed.

scholarly journals Ideologie, ‘egte’ norme en literêre taalhandelinge

Literator ◽  
1993 ◽  
Vol 14 (3) ◽  
pp. 37-54
Author(s):  
M. Rossouw
Keyword(s):  
Literary Criticism ◽  
South African ◽  
Speech Acts ◽  
Speech Act ◽  
Literary Text ◽  
Speech Act Theory ◽  
The Other ◽  
African Community ◽  
Ethical Norms ◽  
Different Levels

For many years text-immanent approaches to literature have dominated the scene of Afrikaans literary criticism. This article adds a voice to the ‘spontaneous' discourse in which ethical norms (especially socio-political guidelines), too, come into play when a literary text is studied. Since the context in which a text is written and read is of great importance in such an approach, speech act theory is used in order to determine the intentions (illocutions) of the writer in the texts, as well as the reactions (perlocutions) of readers to the text. The purpose of this is mainly to establish whether critique of ideology manifests itself in speech acts directed towards freedom and dignity for all people. On the other hand there may also be signs of unconscious ideological illocutions in the contradictions which occur within or between the different levels of communication (macro, meso and micro). These contradictions are related to socio-political contradictions which are repressed within the South African community. In order to illustrate this kind of approach, three novels of Etienne van Heerden are discussed, viz. Om te awol (1984), Toorberg (1986) and Casspirs en Campari's (1991).

Northrop Frye and the Problem of Spiritual Authority

PMLA ◽  
1972 ◽  
Vol 87 (5) ◽  
pp. 964-975 ◽  
Author(s):  
Charles F. Altieri
Keyword(s):  
Literary Criticism ◽  
Vietnam War ◽  
Jacques Derrida ◽  
Contemporary Problem ◽  
Underlying Structure ◽  
Recent Criticism ◽  
Evolutionary Patterns ◽  
Spiritual Authority ◽  
Definition Of ◽  
Northrop Frye

Northrop Frye's recent criticism confronts the contemporary problem raised most powerfully by the Vietnam War—can we find a telos or definition of man on which we can ground our moral reactions and our visions of human development. Frye establishes this telos by an analysis of origins. Contained in a civilization's statements of “concern,” in its imaginative treatments of its own condition, one can find an underlying structure of desire which defines the ends of man. This structure and the recurrent images it produces then can serve as the middle terms people use to justify and value their actions. Frye shares his treatment of mediation with contemporary Hegelians like Sartre, Lukács, and Ricoeur, but grounds his absolute in tradition rather than in ideal absolutes or posited evolutionary patterns. Frye's idea of mediation also provides an ethical model for literary criticism: the critic tries to combine literature as product and as cultural possession by interpreting his materials as projections of imaginative desire. Furthermore, we can use Frye to criticize the relativist denial of origins in structuralist critics like Michel Foucault and Jacques Derrida.

scholarly journals Poetics of descriptions in the novel “A Hero of Our Time” by M.Yu. Lermontov in Literature classes

2020 ◽  
pp. 77-89
Author(s):  
E.N. Kolokoltsev
Keyword(s):  
Literary Criticism ◽  
Art Criticism ◽  
Literary Text ◽  
Object Image ◽  
The Novel ◽  
Time Line ◽  
Aesthetic Development ◽  
Spatial Image ◽  
Figure Of Speech

The purpose of the study is to actualize the role of descriptions in the novel by M. Yu. Lermontov “A Hero of Our Time” as an important constructive element of the narrative. The most common form of description in the novel is the descriptions of nature and descriptions of the characters’ portraits. The descriptions found a lively response in literature studies, literary criticism, in art criticism, which responded to the paintings of the poet-and-artist and illustrations for the novel. Naturally, it attracted the author’s attention to the study of the works of those scholars, who viewed the features of Lermontov’s narrative manner. In the stories that made up Lermontov’s novel, descriptions play an important compositional role: they accompany the narrative, the thoughts of the characters, and they are often motivated by the author. The article highlights a number of techniques that will allow students to specify ideas about the descriptions in the novel. The students’ comprehension of landscape descriptions can be supported by drawing up a plan that will reflect the spatial and time-line structure of the story “Bela”, which represents both “travel notes” and the novelette. The use of reproductions of Lermontov’s Caucasian landscapes, similar in the object image to its verbal descriptions in the novel, serves as a visible emotional aid in the nature descriptions comprehension by schoolchildren. Turning to Pechorin’s psychological portrait caused such ways of discovery of his portrait features as drawing up a stylistic map that assists students to focus on linguistic means that the narrator uses to relate the hero image with his potential ingrain. The image and words are closely intertwined in the art print that performs the function of figure of speech and gives a spatial image to the piece of writing. The illustration serves as a means of specifying the students’ perceptions of the characters’ portraits, descriptions of nature and the related plot situations. Ways to comprehend a literary text with the wide involvement of works of art assist students to learn about the peculiarities of Lermontov’s narrative manner and facilitate their aesthetic development.

scholarly journals PERJUANGAN PEREMPUAN DALAM KUMPULAN CERPEN NADIRA KARYA LEILA S. CHUDORI: KAJIAN FEMINISME

2018 ◽  
Vol 6 (1) ◽  
pp. 53
Author(s):  
Rahma Aulia Syainit ◽  
Yenni Hayati ◽  
Muhammad Ismail Nasution
Keyword(s):  
Short Stories ◽  
Literary Criticism ◽  
Gender Equality ◽  
Social Economic ◽  
Analysis Approach ◽  
Socialist Feminism ◽  
Feminist Literary Criticism ◽  
The Social ◽  
And Gender ◽  
Definition Of

The object of this study was a collection of short stories Nadira written by Leila S. Chudori. This research aims to describe (1) women's struggle, and (2) ideas of feminism in a collection of short stories Nadira by Leila S. Chudori. Theoritical studies used in this research are: (1) the definition of short stories and (2) fictional structure, consists of (a) intrinsic element, and (b) extrinsic elements, (3) fictional analysis approach, and (4) the essence of feminism. The study used feminist literary criticism. Based on the story of this collection of short stories, another study used theory of socialist feminism. Feminism refers to a thought or ideology that want justice and gender equality. Because of these ideals, then feminism is regarded as an ideology of women's liberation. While socialist feminism states  the cause of oppression in women is capitalism and patriarchy. Feminism literary criticism means “reading as woman”. This feminism literary criticism analysis was conducted using feminism approach. This study will examine the women's struggles in the social, economic, educational, and political  contained in this collection of short stories.Keywords: women, feminism, feminist- socialist, feminism ideas 

scholarly journals Language of Poetry and Poetic Discourse (on the Problem of the Relationship of Concepts)

2021 ◽  
Vol 163 (4–5) ◽  
pp. 119-128
Author(s):  
Siqi Wang ◽  
Keyword(s):  
Literary Criticism ◽  
Special Kind ◽  
Poetic Language ◽  
Poetic Discourse ◽  
Ethical Discourse ◽  
Definition Of ◽  
Level Of Understanding ◽  
Relationship Of ◽  
The Relationship ◽  
And Linguistics

The article examines the essential and logical-hierarchical relationships of such concepts as poetic discourse, poetic language, and the language of poetry. The relevance of the research is determined by fact that the understanding and interpretation of poetic discourse within the framework of the scientific theory is in a state of development, the methodology of literary criticism and linguistics is evolving, and many concepts are still confused. Opinions expressed by the researchers who have studied the essence of poetic language and language of poetry, as well as support the concept of poetic discourse, are analyzed. The main results of the study include the definition of concepts of ethical discourse, poetic language, and the language of poetry in close logical and epistemological relationship with each other. Based on the obtained results, the following conclusions are made. Firstly, the phenomenal essence of poetic language is described. Secondly, the mechanism of poetic discourse development is viewed as a result of two refractions (author’s and reader’s) of the language of poetry. At the same time, the language of poetry is presented as a locus (modus) of a worldview or a linguistic worldview. Thirdly, poetic discourse is considered as part of artistic discourse, which is not only emotional and aesthetic, but also cognitive and aesthetic content. The above-given conclusions are important for the theory of linguistics and literary criticism, because they contain the rationale for the statement that poetic discourse is a level of understanding and interpretation of the language of poetry as a mode of the linguistic reality. At the same time, poetic language is a skillfully applied technological side of a special kind of creative, heuristic activity.

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