scholarly journals Weapon Sets of the Kushulevsky III Burial Ground of the Pyanobor Archaeological Culture

2021 ◽  
Vol 16 (6) ◽  
pp. 62-77
Author(s):  
Lyasovich Vsevolod I. ◽  

One of the important directions in the study of military affairs of the Pyanobor culture is the study of weapon sets. A set of weapons means armaments in a specific closed complex. Their study allows us to understand the degree of the population’s armament, its diversity, the demand for certain types of weapons. The problem of the research lies in the fact that such conclusions were made on the basis of an analysis of complexes with weapons from only one burial ground. It was for this reason that the decision was made to analyze the larger-scale necropolis of the Pyanobor culture, in which the number of those buried with items of weapons significantly exceeds those previously studied. This was the Kushulevsky III burial ground. The purpose of this article is to identify and analyze sets of weapons for male burials at the Kushulevsky III burial ground. It is also necessary to compare the data obtained on the weapon sets of the Kushulevsky III burial ground with the necropolises already studied in a similar way: the Okhlebininsky Kara-Abyz culture and the Yuldashevsky Pyanobor culture. It will be fundamentally important to identify the types of arrowheads from the burials of the Kushulevsky III burial ground.An explanatory model for reducing the number of horse bridle sets in military burials of the Pyanobor culture is also presented. In the specialized literature, these theoretical conclusions are described for the first time, which determines the novelty of this work. This work was made possible by the use of statistical calculations, the comparative historical method, as well as the methods of chronology and typology. The use of these techniques made it possible to establish the number of weapons items, their types, types of weapon sets, chronology, etc. The result of the work performed was a demonstration of the proximity of the weapon sets of the Pyanobor and Kara-Abyz cultures. In some cases, certain categories of weapons predominate, for example, bone arrowheads. In bladed weapons, the single-edged combat knife is the most used. In the same category of weapons, there is an electiveness and singularity of swords hitting the drunken population. The combination of a combat knife with a bow or spear forms a standardized complex of weapons of the Pyanobor culture.

2017 ◽  
Vol 1 (1) ◽  
pp. 52
Author(s):  
Alfi Hafidh Ishaqro ◽  
Alamsyah Alamsyah ◽  
Dewi Yuliati

Through historical method, this article studies the Shifts in Political Ideological Orientation of Masyumi Party during the Liberal Democracy Era 1950–1959. The shifted orientations of Masyumi Party included a shif of orientation in its principle, form of government and the government executive system.The establishment of Masyumi Party was the apex of the Japanese concern in trying to map the axis of the powers of various groups in Indonesia. The formations of PUTERA, which bore the nationalist inclination and MIAI, which tended to accommodate urban Muslims were not attractive enough to win the hearts and empathy from the Indonesian native communities for its occupation in Indonesia. Masyumi Party made Islam as a its struggling principle, not only as a symbol  but also tha ideology and spirits in conducting the various siyasah preaches within the scope of political struggles. Numerous internal dynamics were then occuring in the body Masymi Party. The Party’s change in its orientation began to be visible, indicated by the idea suggested by M. Natsir to formulate the Constitution or Law of General Election.The formation of the General Election Law made M. Natsir and Masyumi the symbol of the establishment and growth of democracy in the Republic of Indonesia, which became more evident when M. Natsir was ousted and the subsequent working cabinet heads failed to hold a General Election. And finally, at the end of 1955 under the leadership of Burhanuddin Harahap, who was himself a Masyumi figure, a general election was held for the first time. The political attitude shown by Masyumi indicated that Masumi Party had shifted its political orientation. Masyumi Party, which originally struggled to implement Islam by employing the Syura in forming a government was helplessly compromising its principle by following and combining itself into a democracy model the initiator of which was the leader of Masyumi Party itself. Such political behavioral changes were associated with the reasoning of the then leaders of Masyumi Party, who tended to accommodative and excessively compromising. 


2021 ◽  
Vol 16 (3) ◽  
pp. 152-166
Author(s):  
Lyasovich Vsevolod I. ◽  

The study of the peculiarities of the armament of the Pianobor tribes is an urgent direction of modern archaeological science. The purpose of this article is to isolate and then analyze the sets of weapons for the male burials of the Yuldashevsky burial ground of the Pyanobor archaeological culture of the Early Iron Age. The problem of the study is to reconstruct the nature of the military culture of one local group in the Pianobor society. The novelty of the work is the fact that the totality of weapons in the burial, the weapon set, is considered within the framework of one specific archaeological monument, and not as a whole in terms of culture.The Yuldashevsky burial ground belongs to one of the necropolises of the Pianobor culture, where an increased content of weapons is noted. The occurrence as well as the combination of a certain type of weapon in the burial inventory makes it possible to distinguish weapon sets, as well as to designate popular types of weapons among a specific group of the drunken population. Applying the comparative-historical method, including the method of statistics and chronology, it was possible to focus on the number of weapon sets, their filling with weapons, the time frame of some weapons, and its similarity with the Kara-Abyz set of weapons. As well as the Kara-Abyz, the Pianobor culture inherited a set of weapons characteristics of the Ananyin time. Its indispensable attributes are: a) polearms in the form of spears with small points; b) arrowheads made of different materials ‒ bronze, iron and bone, with the domination of the latter in quiver sets; c) long single-edged blades ‒ combat knives. Despite the relative proximity of the habitat of the Pianobor tribes to the Sarmatian world, the latter did not have a significant impact on the armament complex of the Pyanobor tribes. Moreover, in the drunken environment, its own standardized weapon set was formed, represented by various variations in the mutual occurrence of a bow, spear and a combat knife. Keywords: Pianobor archaeological culture, weapons, burial ground, military burials, early Iron Age, Yuldashevsky burial ground, southern Urals


Images ◽  
2020 ◽  
Vol 13 (1) ◽  
pp. 77-88
Author(s):  
Batsheva Goldman-Ida

Abstract Batsheva Goldman-Ida, art historian and museum curator, introduces the article by Jiří Mordechai Georgo Langer (1894, Prague–1943, Tel Aviv): “On the Function of the Jewish Doorpost Scroll,” presented for the first time in English translation, and originally written for the Freud journal Imago in 1928. Langer, a Hebrew poet and teacher of Jewish studies was a friend of Franz Kafka. Langer joined the Belz Hasidism from 1913–16 and was one of the people who introduced Kafka to Hasidism. Langer suggests an explanatory model for Jewish religious artifacts such as the Mezuzah and Phylacteries in the context of compulsion neuroses, referencing the rites of indigenous people and totem theory. The introduction provides background material on the author and details of his other books and endeavors, as well as a framework to better appreciate his poetry and scholarly work. Langer sought a revival of “comrade love” whose homerotic bias is of interest today. His essay on the Mezuzah opens up a range of questions on Jewish artifacts, psychoanalysis, and the origins of Jewish rites. Long left unnoticed, it challenges the current field of Jewish scholarship to rethink its methodology.


Author(s):  
Раиса Гандыбаловна Жамсаранова

В статье описывается гипотетическое наличие эвенских личных имен в историческом именнике хори-бурят, извлеченных из ревизских описей Государственного Архива Забайкальского края. Целью статьи является описание эвеноязычных личных имен в своде исторического именника хори-бурят. Это имена, которые ни лексически, ни по своему значению не коррелируют с тибет-монгольскими именами хори-бурят. Данные имена представляют собой ожидаемый в исторической антропонимии бурят антропонимический субстрат, подтверждаемый и обусловленный алтаеязычной общностью тунгусо-маньчжуроязычных эвенов и монголоязычных бурят. Актуальность и новизна статьи обусловлена отсутствием работ по исследованию антропонимического субстрата в своде исторического именника. Вводятся в научный оборот исторические антропонимы, извлеченные из дореволюционного фонда Государственного Архива Забайкальского края. Антропонимическим материалом послужили имена типа Ламханов, Номоконов, Иркыту, наличие которых почти во всех 11 родах хори-бурят обусловлено этногенезом бурят с наличием в том числе и тунгусо-маньчжурских компонентов. В качестве основных результатов приведены доводы в пользу эвенского антропонимического субстрата в именнике бурят, который выписан из ревизских описей. Анализ значения имен Ламханов, Номоконов, Иркыту, равно как и лексемный анализ, позволили отнести их к именам эвенского происхождения. The article describes the hypothetical presence of the Even personal names in the historical name list of the Khori-Buryats extracted from the census documents of the State Archive of Zabaykalsky Krai. The article aims at describing the Even personal names in the historical name list of the Khori-Buryats. These names, which neither lexically nor in their meaning correlate with the Tibetan-Mongolian names of the Khori-Buryats, are of another linguistic origin. These names represent the anthroponymic substratum expected in the historical anthroponymy of the Buryats, confirmed and conditioned by the Altai-speaking community of the Tungus-Manchu-speaking Evens and Mongolian-speaking Buryats. The relevance and novelty of the article is due to the lack of research works on the anthroponymic substratum in the historical name list. Historical anthroponyms extracted from the prerevolutionary fund of the State Archive of Zabaykalsky Krai are introduced into scientific circulation for the first time. Anthroponymic material are the names of Lamkhanov, Nomokonov, Irkhytu, the presence of which in almost all the eleven kins of the Khori-Buryats due to the ethnogenesis of the Buryats including the Tungus-Manchurian components. The article employs the methods of comparative analysis, descriptive method, method of reconstruction of the anthroponymic model, historical method. The study resulted in the arguments in favor of the Even anthroponymic substratum in the name list of the Buryats, written out from the censuses. The analysis of the meaning of the names of Lamkhanov, Nomokonov, and Irkhytu, as well as the lexeme analysis, allowed us to refer these names to the names of the Even origin.


2021 ◽  
Vol 10 (1) ◽  
pp. 77-96
Author(s):  
Raiza Nanda Pratama ◽  
Ahmal ◽  
Asyrul Fikri

Abstract: Today, mass media development is growing rapidly, this can be seen in the variety of choices for people to get news, entertainment and knowledge. One of the growing mass media is television. Television plays a very important role in development. The purpose of this document is: To understand the initial process of the formation and development of the Riau Kepri Station of the Television Republic of Indonesia (TVRI) and the role of the Riau Kepri Station of the Television Republic of Indonesia (TVRI) as a mass media in development. Province of Riau in the field of Social and Economic, Education and Culture. The research method that will be used in this research is the historical method. The television era in Riau province started since 1977 when the TVRI Relay Station Tower was built at that time. The development of TVRI Riau Kepri Station began to appear in 1999, where in 1999 TVRI Riau Station was able to broadcast locally for the first time, exactly in January. The role of TVRI Riau Kepri Station served as a tool used to disseminate information about the public's development. in the province of Riau.


Author(s):  
Lala Huseynli

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.


Author(s):  
A.O. Kadurina ◽  
Yu.S. Nazarchuk

Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agricultural exhibition pavilions of the 1950s years is analyzed. These are: a pavilion of Vegetable growing which is crowned by layers of wheat and a 5-pointed star (the first place in the wheat export); the pavilion of the Textile Industry and other goods decorated with jugs and towels with symbols of fertility and abundance; the pavilion of the Vinery State Farms with plant motifs and the Fish Pavilion with high reliefs of fish, anchors, ship noses and bas-reliefs of nets (active development of sea fishing). In general, the symbolism of all presented pavilions reflects the idea of wealth, prosperity and active development of the main directions of agriculture and industry of the country. For the first time, the architectural heritage of the agricultural exhibition, which is the compositional core of the Odessa Dyukovsky Park, is analyzed from the symbolism point of view. At the same time, the decoding of the semantic loads inherent in the architectural and artistic decor of the pavilions is correlated with the theme of the exhibition, as well as with the historical features of the construction period. Today, all buildings of the former exhibition pavilions are empty or are used as warehouses. Perhaps the analysis of the information code of these buildings will again attract the attention of the city authorities to the issues of reconstruction of the city's historical heritage, reviving it.


2018 ◽  
Vol 17 (9) ◽  
pp. 31-42
Author(s):  
R. N. Anisimov

In the following article, the phraseological nomination of childhood, juvenile age, manhood and elderly age, life experience are considered in a comparative aspect with the Turkic languages of Southern Siberia (Altaic, Tuvan, Khakass) for the first time in the Yakut phraseology, with the purpose of establishing common and specific traits of these languages, as well as identifying the sources of origin of the basic lexeme components that make up the Yakut phraseological units. The author also employs language material from Turkish and Kazakh languages, ancient Turkic written monuments to increase the probability of finding both linguistic and extralinguistic general and specific trends. Turkic phraseological units are considered in terms of “Yakut language – ancient Turkic, Turkish, Kazakh, Turkic languages of Southern Siberia”. The comparative-historical method and component analysis made it possible to establish as a whole a national-specific phraseological nomination of age and experience in the Yakut language that do not have parallels in related Turkic languages, which in turn confirms the thesis that the formation of these phraseological units has proceeded in the process its development in conditions of non-contact with the last. At the same time, some common ancient Turkic – Yakut, Yakut – Altai-Khakass, Yakut – Tuvinian – Khakass, Yakut – Tuvan, Yakut – Khakass, Yakut – Kazakh phraseological parallels were revealed, which undoubtedly testify that the phraseological system of Turkic languages has common ancient roots. It has also been established that the reference words-components that make up the Yakut phraseological units that nominate the age and experience of a person are predominantly of Turkic origin, and the presence of a certain number of Mongolisms and parallels in the Tungus-Manchurian languages indicates that these lexemes in the Yakut language have arisen because of mutual contacts and interaction. Prospects for the study are seen in the further development of the theoretical basis and methodology of phraseological comparativistics of Turkic languages.


Author(s):  
Igor Alekseevich Ksenofontov

The subject of this research is the political relations that developed between the Czech national politicians of Bohemia and the French diplomatic mission in Austria-Hungary in the early 1870s. Analysis is conducted on the initial stage of Czech political Francophilism. The article employs the historical-genetic method that allows tracing the establishment and development of the indicated ties. Comparative-historical method is used for describing the specificity and important aspects of the Czech-French contacts of the early 1870s in relation to 1860s, as well as on the background of parallel Czech-Russian relations. The novelty is defined by the fact that this topic, namely the Czech political Francophilism, has not been previously covered within the Russian historiography. The main conclusion lies in the thesis that in the early 1870s Czech politicians and French diplomats manifested equal and mutual interest for the first time. Both parties pursued to exert pressure on Vienna: the French – to entice over the Third Republic in the conflict with Prussia, and the Czechs – to force change the status of the Czech lands in the monarchy. The analysis demonstrates that the Czech politicians were exceedingly pragmatic: if in the end of 1870 they openly supported France, then in the beginning of 1871 they have ignored the initiatives of French diplomats. This is substantiated by the potentially successful negotiations with the imperial center. Moreover, the political Francophilism suggested the desire of the Czechs to show the strategic (economic, political, and cultural) significance of the lands of the Czech Crown not only in Austria-Hungary, but also in the European space.


Islamovedenie ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 121-129
Author(s):  
Sokolov Oleg Aleksandrovich ◽  

In the 21st century, Muslim reformist thought is going through a period of rapid devel-opment, during which the ideas of the renovators of the 19th – 20th centuries are being trans-formed and developed. In the late 20th – early 21st centuries, major Arab intellectuals put for-ward various ideas for rethinking the Muslim reformist paradigm by changing approaches to the study and understanding of the history of the Muslim Ummah and overcoming the non-historicity of discourse. Within the framework of this article, for the first time, an attempt was made to classify the approaches of the largest Arab representatives of the Muslim reformist movement to the study of the history of Muslim civilization from the point of view of changing the paradigms of modern humanitarian knowledge. Muhammad al-Ashmawi, within the frame-work of the positivist concept, advocated a reinterpretation of the era of the “righteous caliphs”. Faraj Fuda, who stuck to a post-positivist position, put forward the idea of an inductive rethink-ing of Muslim history. Muhammad al-Jabri, being a representative of structuralism, proposed to build a clear referential framework for the periodization of the history of Muslim civilization. Finally, Muhammad Arkun, analyzing the ways of solving the indicated problem, relied on the post-structuralist ideas of “applied Islamology” based on the progressive-regressive historical method. The presented classification clearly demonstrates the diversity of modern Muslim re-formist thought and the multi-stage nature of its development. The proposed division of ap-proaches to the study and understanding of the history of the Muslim Ummah by Arab authors can be further correlated with the typology of the development of reformist ideas in other re-gions of the Muslim world.


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