scholarly journals STYLISTIC NEUTRALIZATION OF THE SPEECH CHARACTERISTICS OF CHARACTERS (on the example of Russian translations of Stephen King’s novel «Dark Half»)

2020 ◽  
pp. 201-209
Author(s):  
Виктор Александрович Миловидов ◽  
Григорий Олегович Шокин
Keyword(s):  
Comparative Analysis ◽  
The Novel ◽  
Stephen King ◽  
Speech Characteristics ◽  
Translation Methodology ◽  
Effective Translation

В статье рассмотрены примеры стилистической нейтрализации речевых характеристик персонажей романа Стивена Кинга «The Dark Half» («Темная половина») в различных переводах на русский язык. Приведены результаты количественного, а также сопоставительного анализа вариантов перевода для установления наиболее действенной переводческой методологии The article considers examples of stylistic neutralization of speech characteristics of characters in the novel «The Dark Half» by Stephen king in various translations into Russian. The results of quantitative and comparative analysis of translation options are presented to establish the most effective translation methodology.

Recommendations for Test Lab Regarding Transition to New Requirements GOST ISO/IEC 17025–2019

2020 ◽  
Vol 86 (2) ◽  
pp. 69-78
Author(s):  
S. N. Gusarova ◽  
Yu. M. Erokhina ◽  
D. I. Kramok ◽  
E. I. Khunuzidi
Keyword(s):  
Comparative Analysis ◽  
Russian Federation ◽  
Transition Period ◽  
Process Approach ◽  
National Standard ◽  
The Novel ◽  
Self Assessment ◽  
Testing Laboratories ◽  
The Russian Federation ◽  
Practical Level

Since September 1, 2019, GOST ISO/IEC 17025–2019 has been enacted as a national standard in the Russian Federation. The novel standard imposes a number of fundamentally new requirements for testing laboratories (hereinafter referred to as the IL or laboratory), and also supplements and specifies the requirements previously regulated by GOST ISO/IEC 17025–2009. In this regard, in order to transfer laboratories to the new requirements, the FSA issued an order in August 2019 listing the mandatory activities that IL must fulfill to bring their activities in line with the new requirements. However, a transition period desired for matching these requirements is absent on a practical level for a number of the laboratories. The purpose of the article is to facilitate a gentle, efficient and pain-free move from the requirements of GOST ISO/IEC 17025–2009 to the new requirements of GOST ISO/IEC 17025–2019, including compliance with new changes in accreditation criteria. We carried out a comparative analysis of the requirements of the new and previous versions of the standard and marked each new and significant item to which the laboratory should pay attention first of all. The new standard focuses on the application of the process approach, risk and opportunity management, as well as on implementation of the policy of impartiality, independence, minimization of competitive interests and confidentiality. The article describes the planning, implementation and monitoring of each event or phase of the transition of testing laboratories to new requirements. Moreover, the recommendations on the structure of the «Quality Manual» and self-assessment on the compliance of IL activities and QMS with the new requirements, including the use of statistical methods for substantiation of the correctness of the assessment are given as an example of the implementation of IL capabilities.

scholarly journals Rendering stylistically marked units in the novel Depeche Mode by Serhiy Zhadan: a comparative study

2019 ◽  
pp. 183-202
Author(s):  
Mariia Onyshchuk
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Literary Translation ◽  
The Novel ◽  
Translation Strategies ◽  
Word Level ◽  
Colloquial Language ◽  
Expressive Meaning ◽  
Interdisciplinary Nature ◽  
Colloquial Style

The study analyzes lexemes and word combinations of colloquial style, slang and low colloquial language, performs their comparative analysis at word level, looks into the transformational patterns that the structures undergo during literary translation into English and Russian, and discusses the advantages and flaws of the applied translation strategies through suggesting adequate translation solutions. In the article, the argument is made that the translation strategies of substandard lexis reflect the interdisciplinary nature of expressive meaning and connotation which can be conveyed differently through various language levels during literary translation.

scholarly journals ЭРКИН АЪЗАМНИНГ “ШОВҚИН” РОМАНИ ТАРЖИМАСИДА МИЛЛИЙ ХАРАКТЕРГА ХОС ХУСУСИЯТЛАРНИНГ БЕРИЛИШИ

2019 ◽  
pp. 89-100
Author(s):  
Mubashira BAROTOVA
Keyword(s):  
Comparative Analysis ◽  
English Translation ◽  
The Novel ◽  
Literary Works ◽  
World Languages ◽  
The World

Эркин Аъзам асарлари дунё тилларига ўгирилмоқда. Мақолада ёзувчининг “Шовқин” романининг инглиз тилига таржимасида миллий хусусиятларнинг берилиши аслият билан қиёслаб ўрганилган.“Шовқин” романи миллий руҳияти билан ажралиб туради. Асар Аъзам Обидов томон идан инглиз тилига таржима қилинган. Муаллиф асарнинг инглизча таржимасига хос хусусиятларни умумлаштиради. Қиёсларшуни кўрсатадики, мутаржим аслиятни етказшга ҳаракат қилган. Бу, хусусан, ўзбек характерига хос хусусиятлар ифодасида кўринади. Бироқ романтаржимасида айрим ноқисликлар ҳам кузатилади. Бу портрет ва характерлар тасвирида, сўз ва иборалар таржимасида кўпроқ кўзга ташланади. Асар таржимасидан мақсад – ўзбек халқи ҳаёти саҳифаларини дунё китобхонларига етказиш, халқлар, адабиётлар, маданиятлараро алоқаларни мустаҳкамлашга қаратилган. Работы Эркина Азама переведены на разные языкимира . В частностина английский язык, перевод на который литературных произведений автора является своеобразным. В статье исследуются особенности перевода национальных особенностей романа «Шовкин» («Шум») на основе сравнительного анализа.Роман Эркина Азама «Шум»отличается своим национальным духом. Это произведениебыл опереведенона английский язык Агзамом Обидовым, котороеявляется одним из больших достижений переводчика. Перевод романа и сравнительный анализ показывают, что переводчик Азам Обидов стремился передать оригинальность работы, особенно это касается характерных черт узбекского характера. Тем не менеероман содержит некоторые недостатки, которые наблюдаются впереводе изображения портретов и персонажей, определенных слов и фраз. Цель перевода романа — донести читателю особенности жизни узбекского народа, укрепить узыдружбы народов, узнать литературуУзбекистана. The works by Erkin Azam are being translated into many world languages. Specifically, there are unique characteristics of the English translation of the literary works by Erkin Azam. The article deals with the translation of the national features of the novel on the basis of a comparative analysis. One of the most prominent representatives of the modern Uzbek literature, Erkin Agzam's work, "Shovqin", is distinguished by its national-cultural spirit. The work has been translated into English by Agzam Obidov. The article summarizes the national features of the novel. The interpretation and a comparative analysis shows that the translator Azam Obidov did his best to message the readers the originality of the work, which is observed in particular on the features of the Uzbek character. However, there are some drawbacks, in terms of the description of the portraits and characters in the translation of particular words and phrases. The purpose of the translation is to introduce the Uzbek people’s lifestyle to the readers of the world; to strengthen the communication among people, literature, and intercultural society.

scholarly journals The γTuRC Revisited: A Comparative Analysis of Interphase and Mitotic Human γTuRC Redefines the Set of Core Components and Identifies the Novel Subunit GCP8

2010 ◽  
Vol 21 (22) ◽  
pp. 3963-3972 ◽  
Author(s):  
Neus Teixidó-Travesa ◽  
Judit Villén ◽  
Cristina Lacasa ◽  
Maria Teresa Bertran ◽  
Marco Archinti ◽  
...  
Keyword(s):  
Mass Spectrometry ◽  
Comparative Analysis ◽  
Protein Complex ◽  
The Novel ◽  
Microtubule Network ◽  
Microtubule Polymerization ◽  
Open Ring ◽  
Core Components ◽  
Ring Complexes ◽  
Ring Shaped Structure

The γ-tubulin complex is a multi-subunit protein complex that nucleates microtubule polymerization. γ-Tubulin complexes are present in all eukaryotes, but size and subunit composition vary. In Drosophila, Xenopus, and humans large γ-tubulin ring complexes (γTuRCs) have been described, which have a characteristic open ring-shaped structure and are composed of a similar set of subunits, named γ-tubulin, GCPs 2-6, and GCP-WD in humans. Despite the identification of these proteins, γTuRC function and regulation remain poorly understood. Here we establish a new method for the purification of native human γTuRC. Using mass spectrometry of whole protein mixtures we compared the composition of γTuRCs from nonsynchronized and mitotic human cells. Based on our analysis we can define core subunits as well as more transient interactors such as the augmin complex, which associates specifically with mitotic γTuRCs. We also identified GCP8/MOZART2 as a novel core subunit that is present in both interphase and mitotic γTuRCs. GCP8 depletion does not affect γTuRC assembly but interferes with γTuRC recruitment and microtubule nucleation at interphase centrosomes without disrupting general centrosome structure. GCP8-depleted cells do not display any obvious mitotic defects, suggesting that GCP8 specifically affects the organization of the interphase microtubule network.

scholarly journals COMPARATIVE ANALYSIS OF THE GENRE FORM "NOVEL" MODIFICATIONS (ON THE YURI ANDRUKHOVYCH’S NOVEL "DARLINGS OF JUSTICE" AND DANIEL KEHLMANN’S NOVEL “FAME. A NOVEL OF NINE STORIES ")

2021 ◽  
Vol 1 (193) ◽  
pp. 163-170
Author(s):  
Svitlana Ivanenko ◽  
Keyword(s):  
Comparative Analysis ◽  
The Novel ◽  
Main Character ◽  
Language System ◽  
The Third ◽  
Text Organization ◽  
A Minor ◽  
Relationship Of ◽  
Minor Character ◽  
Second Degree

The article deals with modifications of the genre form "novel". These modifications consist of novellas but they show a new quality: the coherent harmonious whole. The comparative analysis extends to the text categories. The category of integrity is the hyper-category of text. It is a bipolar unity with discreteness. The tonality as a category belongs to the first degree categories and expresses bipolar unity of the personality/impersonality on a level with coherence and completeness. Then follow the second degree categories (major) - composition form text organization (KMF), architectonic form text organization (AMF) and oralness / writeness. To these categories submit the third degree categories (primary): phonologic, grammar, semantic and stylistic. They are primary only at the text and in the language system they can have two or more degrees. As the relationships of the parameter "text categories " equivalence, inclusiveness, intersection and inconsistency were considered. The comparison of the novels by Yurii Andrukhovych and by Daniel Kehlmann shows the equivalence of the text categories integrity, coherence and completeness (cohesion), oralness / writeness. The same applies to the categories KMF and AMF. It should be noted, that the equivalence is compensatory at the level of simple categories. Simultaneity of events as a manifestation of integrity is expressed in the novel ofAndrukhovych mainly by anachronisms, Kehlmann does not use they (relationship of inconsistency), but Kehlmann connects his stories with characters, it is absent in the work of Andrukhovych, who minimally mentions some characters in the last chapter. The allusion to cinematography is represented in Andrukhovych's novel through the whole text and the ring repetition (in the title and at the end of the novel). It is something else in the novel by Kehlmann. The character Ralph Tanner, a film actor, who appears in one story as the main character and in four stories as a minor character shows that the novel has the tangency to the cinematography.

scholarly journals French translations of “Eugene Onegin”: on the conveyance of stylistic patterns

Litera ◽  
2021 ◽  
pp. 227-241
Author(s):  
Anastasia Boginskaya
Keyword(s):  
Comparative Analysis ◽  
The Novel ◽  
Poetic Form ◽  
Text Corpus ◽  
Eugene Onegin ◽  
French Texts ◽  
Over Time

This research is dedicated to the topic of multivariate translations. Leaning on the text corpus that contains 16 French translations of A. S. Pushkin's novel “Eugene Onegin”, analysis is conducted on the peculiarities of conveying certain characteristic stylistic patterns in French texts alongside other stylistic techniques of the original, as well as changes in translations depending on the poetic form chosen by the translator. The selected extensive material trace traces the evolution of translators’ approach towards the stylistics of Pushkin's text over time. The article focuses on the chapters III and VIII of the novel. Comparative analysis demonstrates the dependence of the stylistic aspect of translation on the poetic form chosen by the translator. Prose translations provide more accurate stylistic equivalents than translations of the verses. Poetry translations are divided into two groups: 1) accurate compliance with the of Onegin’s verse; 2) departure from the rhyme pattern of the original. The frequency of transmitting stylistic techniques of the original in both groups does not demonstrated significant systematic differences. The author determines the consistencies in conveying certain stylistic patterns in various French translations. Periphrases, comparisons, inversions, and metaphors most of the time receive stylistically accurate equivalents in all translations; while metonymy and polysyndeton with conjunction “and” do not. The scientific novelty lies in examination of the text corpus that contains virtually all existing full translations of the novel “Eugene Onegin”.

scholarly journals The Frigate Pallada by I. A. Goncharov as a Literary Monument of Artistic Ethnology

2019 ◽  
pp. 181-188
Author(s):  
Гульзада Гадульяновна Багаутдинова
Keyword(s):  
Hong Kong ◽  
Comparative Analysis ◽  
The Novel ◽  
Main Principle ◽  
Chinese People ◽  
Foreign Countries ◽  
The One ◽  
Plot Structure

Жанровая природа «Фрегата “Паллада”» И. А. Гончарова сложна и эклектична. Несмотря на ее мозаичность, структура текста отличается четкостью, она выверена и хорошо продумана. В этом произведении повествуется о разных странах, континентах, а также населяющих их народах и этносах. В статье рассматривается одна из глав книги с точки зрения художественно-этнологического дискурса: автор-повествователь описывает нравы, род занятий, этнические особенности китайского народа, но делает это весьма живо, занимательно, эмоционально, т. е. на художественном уровне. Основным композиционным принципом произведения «Фрегат “Паллада”» становится сопоставление: выявляются сходные и отличительные признаки китайского и других этносов (американцев, англичан, русских). Кроме того, показаны и этнические особенности разных групп китайцев (китайцы Шанхая, Гонконга, Сингапура). В результате сопоставительного анализа автор приходит к выводу, что глава «Шанхай» написана большим писателем-беллетристом, не документалистом: Гончаров использует художественные приемы, определившие своеобразие его художественного мира, в том числе и романного (разнообразные ритмообразующие факторы; изящные и тонкие проявления комического начала; «архитектурную» структурированность; четкую и аргументированную авторскую позицию; гуманизм). The genre nature of The Frigate "Pallada" by Ivan Goncharov is complex and eclectic. Despite its mosaic character, the structure of the text looks precise and elaborate. The novel tells about foreign countries, continents, and nations living there. The paper focuses on one chapter of the novel; its artistic ethnology is regarded. The author-narrator depicts customs, occupations, and ethnic peculiarities of the Chinese people in a vivid, amusing, emotional way thus providing an artistic level of the description. The main principle of plot structure is the one of comparison: similar and peculiar features of the Chinese and other nations (Americans, Englishmen, Russians) are defined. Moreover, ethnic peculiarities of various groups among the Chinese are displayed (people of Shanghai, Hong Kong, and Singapore). Summing up the comparative analysis, the author concludes that the chapter entitled Shanghai seems to be written by a belletrist rather than by a documentary writer. Ivan Goncharov resorts to artistic devices typical of his fiction and novels (a variety of rhythm making factors; graceful and subtle manifestations of the comic; architectural structure; author’s viewpoint, well-grounded and precise; humanism)

scholarly journals An artistic landscape of the newest kazahkstani novel

2020 ◽  
Vol 6 (Extra-B) ◽  
pp. 149-154
Author(s):  
Rezeda Mukhametshina ◽  
Kadisha Nurgali ◽  
Svetlana Ananyeva
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
The Novel ◽  
National Image ◽  
Phenomenology Of Perception ◽  
The World ◽  
Subjective Factor ◽  
Points Of View

In the context of the new bi- and polylingual picture of the world, the novel continues to hold leading positions as the leading genre of prose. The Kazakh novel generalizes the aesthetically immanent factors of identity and is created in the Kazakh and Russian languages. Ethno-national identity is important for both the author and the characters. The modern phenomenology of perception actualizes not only the role of the anthropological turn, but also the role of the subjective factor - the reader. Comparative analysis allows you to look at the novel from different conceptual points of view. Transnational tendencies are intensely manifested in the work of prose writers. The search for answers to the most important questions of our time, the challenges of globalization contributes to the disclosure of the ethnocultural world. Opposition one's own/other, one's/another's allows to convey the national attitude and reveal the national image.    

scholarly journals “Own” and “alien” space in the novel “Dead Men Walking” by Steve Lyons

2021 ◽  
pp. 79-86
Author(s):  
Evgenii Vadimovich Vasil'ev
Keyword(s):  
Comparative Analysis ◽  
Literary Text ◽  
Literary Studies ◽  
The Novel ◽  
Historical Method ◽  
Long Time ◽  
The Subject

The subject of this research is the peculiarities of organization of space in the novel “Dead Men Walking” by Steve Lyons from the perspective opposition “own – alien”. The research employs the cultural-historical method and comparative analysis. The article examines the peculiarities of perception of space in the novel. The basic conflict is association with intervention of the alien civilization on the planet of people. Emphasis is placed on the fact that the war erases the boundaries of “own” and “alien”, each of parties to the conflict has reason to believe that the planet is “their own”. The characters of the novel are divided into “living” and “dead”, which complicates the conflict and organization of space even more. Space in the literary text is the subject of multiple scientific articles. However, the works dedicated to examination of space in S. Lyons’ novel are not featured in modern literary studies, which defines the scientific novelty of this research. The conclusion is drawn that  for humanity and for alien civilization space is simultaneously “own” and “alien”, since other civilization existed on the planet for a long time prior to the arrival of humans. Moreover, the organization of space is complicated by the arrival of human forces of rom other planet, who were unfamiliar with the concept of “own” space at all, which affects the course of war and determines the fate of the characters in the novel. Such approach demonstrates that the concept of “own” and “alien” in the novel is vague due to the fact that it is impossible to unambiguously attribute the planet neither to “own” nor “alien” space.

scholarly journals Nu vil jeg fortælle Jer mere – Fortællingen om Uglenspeil fra folkebog til roman

2016 ◽  
Vol 13 ◽  
pp. 54-82 ◽  
Author(s):  
Simona Zetterberg Gjerlevsen
Keyword(s):  
Comparative Analysis ◽  
18Th Century ◽  
Literary Genre ◽  
The Novel ◽  
English Novel ◽  
Literary Forms ◽  
Narrative Techniques ◽  
The Relationship

Now I will tell you more – The story of Uglenspeil from the Volksbuch to the Novel.“Nu vil jeg fortælle Jer mere – Fortællingen om Uglenspeil fra folkebog til roman” [Now I will tell you more – The story of Uglenspeil from the Volksbuch to the Novel] addresses one of the most frequently debated matters in the historiography of the novel, namely the question of continuity and rupture: did the novel grow out of earlier forms, or rise as a profoundly new genre? Whereas the question of legacy informs the historiography on the English novel, there are surprisingly few investigations of the 18th century Danish novel and its relation to previous literary forms. This article investigates the relationship between the novel and the most widely read literary genre before the novel in Denmark, namely the volksbuch. It does so through a comparative analysis of Carl August Thielo's novel Den Unge Uglenspeil, eller det slet opdragne Menneske [The Young Uglenspeil, or the Person who was brought up badly] (1759) and the Volksbuch Tiile Ugelspegel (1669) (in Jacobsen, Olrik and Paulli 1930). These works are particularly informative for understanding the relationship between the two genres as Thielo’s novel is built on – and at the same time comments on – the earlier genre. The article argues that the differences between the texts concerning fictionality, narrative techniques, structure, and their levels of reflections are so fundamental that the novel cannot be regarded a genre that simply grew out of the former. Especially with regard to fictionality, it becomes clear that the volksbuch and the novel are two very different genres. Whereas the novel comes to admit its own fictional status, the volksbücher were perceived of and intended to be taken as true stories. For those reasons, the article concludes that compared to previously most popular prose genre in Denmark, the Danish novel is to be considered a profoundly new genre.

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