scholarly journals RAJPUT-PAINTING (RAJASTHAN) MEWAR STYLE

2019 ◽  
Vol 7 (11) ◽  
pp. 51-53
Author(s):  
Usha Mahobia
Keyword(s):  
Cultural Development ◽  
Wild Animals ◽  
Important Place ◽  
The Core ◽  
Cultural Life ◽  
The Social ◽  
Ancient Times ◽  
Indian Painting

English : The trend of depiction has been prevalent in humans since ancient times. In order to develop its cultural development, the organs of culture were developed by man. Painting was also one of them. This is the reason why Manav and wild animals living in the cave made pictures and embodied their feelings. Rajasthani painting has a rich nature and important place in Indian painting. The painting of a province or city brings to light the social and cultural life of that place and makes it immortal. Timely costumes and expressions are the core of this culture. Many styles have been coordinated under Rajasthani style. Hindi : चित्रण की प्रवत्ति मानव में प्राचीन काल से चली आ रही है। अपना सांस्कृतिक विकास करने के लिए मनुष्य ने संस्कृति के जिन अंगों का विकास किया था। उनमें चित्रकला भी एक थी। यही कारण है कि गुफा में रहने वाले मनव व वन्य पशु संम्बधी चित्रों को बनाया ओर अपनी भावनाओं  को मूर्तरूप दिया। भारतीय चित्रकला में राजस्थान की चित्रकला का सम्पन्न स्वरूप और महत्वपूर्ण स्थान है। प्रान्त या नगर की चित्रकला उस स्थान के सामाजिक और सांस्कृतिक जीवन को प्रकाश में लाकर उसे अमर बना देती है। समयानुरूप वेशभूषा व भाव भंगिमा यही संस्कृति का मर्म है। राजस्थानी शैली के अन्तर्गत अनेक शैलियों का समन्वय किया है।

scholarly journals Aesthetic Values the Color Blue Prevailing on the Ottoman Ceramic Artifacts: A Study in Islamic Heritage and the Arts

2016 ◽  
Vol 7 (3) ◽  
pp. 167
Author(s):  
Rehab Elnahas
Keyword(s):  
Social Life ◽  
Blue Color ◽  
Intellectual Life ◽  
Islamic Art ◽  
Color Aesthetics ◽  
The Core ◽  
The Arts ◽  
The Social ◽  
Ancient Times ◽  
Aesthetic Values

The blue color on the Ottoman ceramic artifacts can be studied from the perspectives of different sciences: in terms of color aesthetics, which is a kind of philosophy of beauty, or as part of the science of photography and graphics. Additionally, for some communities the importance of this color lies at the heart of anthropology, but it is also at the core Islamic art and archeology. Blue is one of the original colors that humans have known since ancient times. It is associated with the elements of nature as it symbolizes the sky, sea, and serenity. This color is especially important in popular beliefs as we find a lot of amulets that use the blue color especially those which are believed to avert the eyes of envy. The blue color has appeared on many of the Ottoman Islamic artifacts, especially ceramic artifacts, since ceramics were among the most used materials in life which expressed the social and intellectual life of both artists and manufacturers. The research will analyze the importance of the blue color of ceramic artifacts in the study of heritage and archaeology and how these blue decorative elements on these ceramic pieces relate to social life. 

scholarly journals Dampak Digital Game Terhadap Perkembangan Sosial Budaya Masyarakat

2018 ◽  
Vol 2 (01) ◽  
pp. 33-44
Author(s):  
Henry Bastian ◽  
Khamadi Khamadi
Keyword(s):  
Negative Emotion ◽  
Human Life ◽  
Digital Games ◽  
Modern Society ◽  
Cultural Development ◽  
Digital Game ◽  
Cultural Life ◽  
The Social ◽  
History Of ◽  
The Impact

AbstrakSejarah panjang perkembangan game menjadi digital game saat ini ikut membawa perkembangan di berbagai lini kehidupan manusia. Jika dahulu game hanya dikenal sebagai media hiburan dalam waktu luang, kini digital game telah menjadi sebuah kebutuhan utama masyarakat dalam keseharian. Di berbagai aktivitasnya, digital game selalu mewarnai kehidupan sosial dan budaya masyarakat, khususnya para remaja. Sebagai dampaknya muncul wacana negatif sebagai budaya baru yang merusak seperti membuat kecanduan, memberi efek emosi yang negatif kepada pemain, dan sebagainya. Tulisan ini bertujuan untuk memberikan sebuah pandangan baru tentang bagaimana fenomena tersebut terjadi. Apakah dampak digital game sebenarnya yang terjadi di masyarakat dan bagaimana hal itu terjadi. Melalui observasi, wawancara, dan studi literatur terhadap pengguna aktif digital game didapatkan data perkembangan digital game di kehidupan masyarakat saat ini. Selanjutnya data dianalisis melalui pendekatan teori kebutuhan Maslow, teori interaksi sosial, dan teori perkembangan budaya masyarakat modern. Sebagai hasilnya digital game telah menjadi ciri masyarakat modern yang dinantikan perkembangan dan kehadirannya sebagai sebuah kebutuhan baru bersosialisasi. Digital game sebagai media komunikasi yang secara simbolik menawarkan simulasi kenyataan yang membuat penggunanya betah untuk berlama-lama memainkannya. Kata Kunci: digital game, sosial, budaya, masyarakat AbstractThe long history of game development involving the development of today’s digital games ignites the development of various sectors of human life. If the first game was only known as a medium of entertainment in leisure time, now, digital games have become society’s major necessity in everyday life. In many activities, digital games always spark the social and cultural life of society, especially the youths. As a result, negative discourse appears as a new destructive culture. It creates addiction and stimulates  negative emotion effecting the players, and so on. This paper aims to give a new view on how the phenomenon occurs. What is the impact of digital game in the society? and how can it happen? By conducting a literature review, and also observing and interviewing the active users of digital game, the data pertaining to the development of digital game in nowadays’ public life can be obtained. Furthermore, the data were analyzed by using Maslow's needs theory,theory of social interaction, and theory of cultural development of modern society. As a result, digital games have become the hallmark of modern society in which their development is being anticipated  and their presence is seen as a new requirement to socialize. As a medium of communication that symbolically offers simulated reality, digital games make the users feel comfortable playing them. Keywords: digital game, social, culture, society

scholarly journals Cultural characteristics of Islamic cities that emerge as centers of knowledge at the 10th century A.D.Miladi X. yüzyılda ilim merkezleri olarak öne çıkan İslam şehirlerinin kültürel nitelikleri

2015 ◽  
Vol 12 (2) ◽  
pp. 1168
Author(s):  
Lütfi Şeyban
Keyword(s):  
Tenth Century ◽  
Cultural Development ◽  
Cultural Characteristics ◽  
Cultural Centers ◽  
Cultural Life ◽  
The Social ◽  
Civil Status ◽  
History Of ◽  
The Rich ◽  
Almost All

<p>The purpose of this paper is to identify the cultural characteristics of Islamic cities, which emerge as centers of knowledge, and consequently to draw attention to the cultural level attained by the Muslim states of the era.</p><p>Information on the cultural life and the identities, personalities, the course and venues of education, mentors and students of the scholars are generally contained in sources known as tabakât [i.e. collections] and a'lâm [i.e. traces]. These sources provide detailed information on the scholarship, education and cultural life of Muslim lands, while also shedding light on the cities frequented by the scholars for rihla [i.e. journey undertaken especially for divine wisdom and knowledge]. Information on the level of cultural development of such cities in a given period of time is often set out in sources on the history of cities, history of geography and general history of Islam.</p><p>Information contained in these sources and the interpretation of this information call attention to three particular issues: firstly, the rich variety of the scholarly and cultural activities performed in terms of both form and content implies that the Muslim lands in the tenth century attained a high cultural and civil status in comparison with its contemporaries. The second important aspect is that almost all of the scholars who were active agents in the social and cultural life went to cities renowned as cultural hubs to receive higher education. Lastly, those who completed their education in cities emerging as cultural centers started working as active scientists and educators, having been convinced that they had been educated in accordance with the norms of their time.</p><p> </p><p><strong>Özet</strong></p><p>Bu tebliğin amacı, hicri IV./miladi X. yüzyılda ilim merkezleri olarak öne çıkan İslam şehirlerinin kültürel niteliklerini tanımak ve dolayısıyla o çağın Müslüman devletlerinin sahip oldukları kültürel düzeye dikkat çekmektir.</p><p>İslâm tarihinde kültürel hayat ile bilginlerin kimlik, kişilik, tahsil hayatı ve tahsil yerleri, ders aldıkları hocaları ve ders verdikleri talebeler hakkındaki bilgiler, daha çok <em>tabakât</em> veya <em>a’lâm</em> kitapları olarak adlandırılan kaynaklarda bulunmaktadır. Bu kitaplardaki kayıtlar Müslüman yurdunun ilim, eğitim ve kültür hayatı hakkında ayrıntılı bilgi sunarken, aynı zamanda bilginlerin ilim tahsili yani rıhle amacıyla gittikleri şehirleri de haber vermektedir. Bu şehirlerin özellikle o çağa özgü kültürel gelişmişliği hakkındaki bilgiler ise daha çok şehir tarihi, coğrafya tarihi ve genel İslam tarihi kaynaklarında bulunmaktadır.</p><p>İşte bu kaynakların analiz edilmesi yoluyla elde edilen bilgi ve tespitler şu üç olguya dikkat çekmektedir. Birincisi, icra edilen ilim ve kültür faaliyetlerinin hem çeşit hem de içerik bakımından oldukça zengin olması, miladi X. Yüzyılda İslam ülkesinin hemen her bakımdan kendi çağdaşları arasında yüksek bir kültürel ve medeni düzeye erişmiş olduğuna işaret etmektedir. İkinci önemli sonuç, sosyal ve kültürel hayat üzerinde oldukça etkin bir konumda bulunan bilginlerin hemen tamamının kültür merkezleri olarak öne çıkan şehirlerde yüksek tahsil amacıyla bulundukları gerçeğidir. Üçüncü sonuç ise, kültürel merkezler olarak öne çıkan şehirlerde tahsilini tamamlayanların, zamanın kurallarına uygun şekilde kendini yetiştirdiğine kani olarak bilim ve eğitim faaliyetlerinde aktif görev almış olmalarıdır.</p>

scholarly journals "Cultural interaction between the ego of Arab west and the other Western ego ": اللّقاء الثقافي التّقابليّ بين الأنا العربي والآخر الغربي ( رواية الغربة أنموذجًا )

2016 ◽  
Vol 2 (6) ◽  
Author(s):  
Muftah Mohamed Mohamed Omar Bakoush
Keyword(s):  
The Other ◽  
Cultural Interaction ◽  
Arab Culture ◽  
The Core ◽  
Cultural Life ◽  
Vision Correction ◽  
The Social ◽  
The World ◽  
The Relationship

Represented novel alienation real destination for cultural interaction between the ego Arab west and the other, especially in the aspects of the social and cultural life, I have sought writer Abdullah Laroui across the folds of this novel through his insistence on the inevitability of combining the core of the other gains and benefit from, according to Matanajh ego Arabic to regain its renaissance and comparable to Western culture and its development without alienation from the ego and thawing in the other trifles and hung scales civilizations that any writer calls for vision correction and select the path to be followed for the renaissance of the Arab community. The results of this paper that the relationship between the ego and the other long-term relationship with the Arab culture before it was prevalent in the world and got acculturation between them and the other was as a result of wars, as well as trade and two-way trips between East and West.    

scholarly journals What the Country Tells Us: The Place of the ‘Rural’ in Contemporary Studies of Cinema

2011 ◽  
Vol 139 (1) ◽  
pp. 124-132 ◽  
Author(s):  
Karina Aveyard
Keyword(s):  
Emotional Attachment ◽  
Important Place ◽  
Historical Film ◽  
Cultural Life ◽  
The Social ◽  
Isolated Communities ◽  
Attachment To Place ◽  
Rural Australia

Cinemas have an important place in the social and cultural life of many Australian rural towns. They are valued as spaces around which residents of isolated communities can gather and interact, and have a role in mediating concepts of identity and in promoting positive emotional attachment to place. Rural cinema histories suggest these aspects of non-metropolitan movie-going have been significant since the very early days of this screen format. This article examines the role of geography in shaping the circumstances and meaning of cinema-going in contemporary rural Australia. It also explores the connections between modern and historical film attendance practices, which hitherto have been obscured by scholarly neglect of the rural. These interrelationships suggest a basis for rethinking the ways in which cinema audiences are categorised and studied.

Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Ways and Voices in the Psychoanalysis of Links According to Enrique Pichon-Rivière

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Rosa Jaitin
Keyword(s):  
Couple Therapy ◽  
Clinical Observation ◽  
Clinical Work ◽  
The Core ◽  
The Social ◽  
The 1960S ◽  
Definition Of ◽  
Relationship Of ◽  
The Voice ◽  
Different Levels

This article covers several stages of the work of Pichon-Rivière. In the 1950s he introduced the hypothesis of "the link as a four way relationship" (of reciprocal love and hate) between the baby and the mother. Clinical work with psychosis and psychosomatic disorders prompted him to examine how mental illness arises; its areas of expression, the degree of symbolisation, and the different fields of clinical observation. From the 1960s onwards, his experience with groups and families led him to explore a second path leading to "the voices of the link"—the voice of the internal family sub-group, and the place of the social and cultural voice where the link develops. This brought him to the definition of the link as a "bi-corporal and tri-personal structure". The author brings together the different levels of the analysis of the link, using as a clinical example the process of a psychoanalytic couple therapy with second generation descendants of a genocide within the limits of the transferential and countertransferential field. Body language (the core of the transgenerational link) and the couple's absences and presence during sessions create a rhythm that gives rise to an illusion, ultimately transforming the intersubjective link between the partners in the couple and with the analyst.

STUDI TATA RUANG RUMAH TINGGAL SUKU TALANG MAMAK (Spatial Study Talang Mamak Tribe House)

2015 ◽  
Vol 12 (2) ◽  
pp. 97
Author(s):  
Gun Faisal ◽  
Dimas Wihardyanto
Keyword(s):  
Grounded Theory ◽  
Social Status ◽  
Theory Method ◽  
The Core ◽  
Grounded Theory Method ◽  
Hunting And Gathering ◽  
The Social ◽  
Open Coding ◽  
Household Activities ◽  
Axial Coding

The Talang Mamak tribe, one of Indonesian tribe, still practices the hunting and gathering of natural produce despite the fact that among them have chosen to settle permanently and doing farming activities. The aim of this research is to study the characteristics of the Talang Mamak house. The method used in this research is grounded theory method, based on the open coding, axial coding as well selective coding techniques. The method used to find the variation layout of the houses and then evaluate the characters and concept of the layouts. The conclusion of this study is that the core of the Talang Mamak house is based on the connectivity of four rooms namely: Ruang Haluan, Ruang Tangah, Ruang Tampuan and Pandapuran. The house has an open layout where all daily household activities are done without barriers. The social status of the owner is identified by houses furniture and staf

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

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