scholarly journals Semiotika dalam Lirik Lagu Kun Anta oleh Humood Al-Khuder

Author(s):  
Dita Permata Yadiyanti

In this research "Semiotics in Kun Anta's Song Lyrics popularized by Humood Al-Khuder" uses a qualitative method, with a corpus of Arabic song lyrics Kun Anta. The purpose of this research is to find out the form of phrases or sentences that contain semiotic meanings in the song lyrics, and to find out the deeper meanings contained therein.The theory used is Charles Sanders Pierce's semiotic theory in which Pierce categorizes the triangle of meaning theory which consists of three main elements, namely, signs, objects, and interpretants. In this study too, the researcher concluded that the lyrics of the kun anta song have deep meaning from the semiotic aspect so that lessons can be learned from the song lyrics

2020 ◽  
Vol 6 (1) ◽  
pp. 9
Author(s):  
Fadly Fauzan

Song Lyrics is a person's expression about something that has been seen, heard or experienced. In expressing their experiences, the poet or composer of the song makes words and language games to create attraction and distinctiveness to the lyrics or poetry. This study aims to see the connotation, denotation, and mythology meaning contained in the object of research, namely the song ‘Film Favorit' from Sheila On 7. In this study the main theory used is the Roland Barthes semiotic theory. The method used in this study is a qualitative method with a descriptive interpretive approach. The results showed that the lyrics of the song under study contained connotation and denotation meaning in it. Likewise with the myth. This song carries the common myth of love. The myth that contains the value of love illustrates that love must be fought for and makes a commitment to make love secured. Contains about the main character's outpouring of his partner to his partner and how to express his feelings to those he loves. The author's choice of the word "Favorite Film" because at present, millennials are now very close to film. Songwriters hope that this song is easy to remember and be made into learning in our lives. 


2020 ◽  
Vol 8 (1) ◽  
pp. 15-29
Author(s):  
Desthia Amalia

Analyzing literature works has been widely known as a complex spectrum because the words choice and construction in any literature works can be done in free way. However, literature is known as a free instrument for people to express their feeling. The research discussed about a song entitled "O Mistress Mine" using Riffaterre's semiotic theory. The song is chosen as signifier from Shakespeare's play Twelfth night due to it represents lead character's situation for having unrequited love and a message for them to seize the day (carpe diem). O Mistress Mine might appear as a short song in the whole play but the meaning behind the lyrics convey the love line of the leads. Shakespeare's literature works has been known as a complex literature work because of his choice of words and words construction speak wihin his era. Meanwile in this era people might find out that grasping meaning from Shakespeare's literature works is counted as complex work. Thus, the researcher chose Rifaterre's semiotic theory that includes three ways of analyzing the poem or song lyrics, in correlation to analyze further about figurative language and lead us to understand the meaning of the song. The research used qualitative method to find out symbols from the song and also using Riffaterre's semiotic theory. Purposive sampling is also used to pick the signs that have correlation with the message from Twelfth Night. The finding revealed there are three ways to analyze named displacing meaning, distorting meaning and creating meaning. Thus, there are 5 data used displacing meaning, 3 data used distorting meaning and 2 data used creating meaning. Furthermor, this research practically and theoritically can be used for the readers and students of English literature. this research practically and theoritically can be used for the readers and students of English literature.


mezurashii ◽  
2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Cuk Yuana

Abstrak: Penelitian ini bertujuan untuk mendeskripsikan alih kode dan campur kode yang terdapat dalam lirik lagu  Aimer album Dawn dan Sleepless Nights. Metode yang digunakan adalah metode deskriptif kualitatif, yaitu penelitian yang mengandalkan uraian berupa lirik lagu. Dalam lirik lagu  Aimer album Dawn dan Sleepless Nights  menunjukkan bahwa terdapat alih kode ekstern (outer code switching) dari bahasa Jepang ke bahasa Inggris. Adapun bentuk campur kode yang terdapat adalah campur kode ekstern (outer code switching) dalam wujud frasa, kata, dan kalimat.Kata kunci: Sosiolinguistik, dwibahasa, alih kode, campur kode, lirik lagu  Abstract: This study aims to describe the code switching and code mix contained in the lyrics of the song Aimer album ‘Dawn’ and ‘Sleepless Nights’. The method used in this study is a qualitative method, a research that relies on the description in the form of song lyrics. In the lyrics of the song Aimer album ‘Dawn’ and ‘Sleepless Nights’ shows that there is an external code switching from Japanese to English. Whereas the mixed form of code contained is a mixture of external code in the form of phrases, words, and sentences. Keywords: Sociolinguistics, bilingual, code switching, code mixing, song lyrics


HUMANIS ◽  
2018 ◽  
pp. 689
Author(s):  
Ni Putu Dina Sinjiardita ◽  
I Made Budiarsa ◽  
I Ketut Tika

Abstract This study is entitled Figurative Language in The Song Lyrics of 5 Seconds of Summer and One Direction’s Albums. This study is aimed to identify figurative language and explain the meaning of those types of figurative language found in the song lyrics of 5 Seconds of Summer’s album entitled “Sounds Good Feels Good” and One Direction’s album entitled “Midnight Memories”. The data were collected using the documentation research method. After the required data were collected, they were analyzed using qualitative method. The analysis of the data were presented in a descriptive way to give clear explanation. The findings show that in 5 Seconds of Summer’s album five types of figurative language found in the data; they are: personification, irony, simile, metaphor and hyperbole. While from One Direction’s album four types of figurative language were found; they are: personification, simile, metaphor and hyperbole. There were two types of meaning found in the data; they are: conceptual meaning and connotative meaning. It can be concluded that in the rock band’s album Sounds Good Feels Good irony was found; however, in pop band’s album Midnight Memories irony was not found. Both in those two albums conceptual meaning was more frequently used.


2021 ◽  
Vol 16 (1) ◽  
pp. 61-74
Author(s):  
Asep Abbas Abdullah ◽  
Abdul Muhid ◽  
Rangga Sa’adillah S.A.P.

This article uses discourse analysis to examine dolanan songs such as Sluku-Sluku Bathok, Cublak-Cublak Suweng, Lir-Ilir, Gundul-Gundul Pacul, and Kloso Bedah. The method used in this research is a descriptive qualitative method so that the data can be described as clearly and objectively as possible by the researchers' subjective views. To avoid bias on the validity of the research results, triangulation was carried out by comparing the researchers' interpretations with some supporting literature. The result of this research is that five dolanan songs contain many meanings. The songs offer a deep meaning about the condition of the environment that grows around it to increase the value of character, good behavior, the environment - especially cleanliness, health, and religious life. The character values are conveyed through satire or humor. Dolanan songs have meanings, both explicit and implicit, about this life. These songs are neatly arranged both in terms of structural both physically and mentally. Javanese children's songs contain poetry filled with language games, such as alliteration, assonance, poetry, and rhythm.


2019 ◽  
Vol 17 (1) ◽  
pp. 13
Author(s):  
Anggie Restiani ◽  
Tajudin Nur

The article about metaphor is carried out using qualitative method. The data were taken from the internet on Coldplay’s lyrics from the album “A Head Full of Dreams”. Theories used in the study is on the metaphor, conceptual metaphor, types and forms of metaphors, and image schemas. It aims to find the types and image schemas of the metaphors on the data. The result shows that based on Lakoff and Johnson’s theory on metaphors there are 18 structural metaphors, 17 orientational metaphors, and 14 ontological metaphors. Based on Saeed’s theory of image schemas there are 12 image schemas of space, 8 image schemas of journey, and 6 image schemas of strength, while based on Cruse and Croft’s theory there are 11 image schemas of identity. From 12 song lyrics on the album, there are only 9 of them that contain metaphors.AbstrakPenelitian konspetualisasi metafora ini dilakukan dengan menggunakan metode kualitatif. Data penelitian diambil dari lirik lagu Coldplay dalam album “A Head Full of Dreams” dari situs internet. Teori yang digunakan adalah metafora, konseptualisasi metafora, bentuk dan jenis metafora, dan skema citra. Masalah yang dibahas adalah jenis metafora dan skema citra yang terdapat pada data. Hasil penelitian menunjukkan bahwa berdasarkan teori Lakoff dan Johnson tentang jenis-jenis metafora, ditemukan 18 metafora struktural, 17 metafora orientasional, dan 14 metafora ontologis. Berdasarkan hasil identifikasi skema citra dengan menggunakan teori Saeed, dalam data ditemukan 12 skema citra ruang, 8 skema citra perjalanan, dan 6 skema citra kekuatan, sedangkan berdasarkan skema citra menurut Cruse dan Croft terdapat 11 skema citra identitas. Dari 12 lagu yang terdapat dalam album “A Head Full of Dreams”, hanya ada 9 lagu yang mengandung unsur metafora.


SUAR BETANG ◽  
2021 ◽  
Vol 16 (1) ◽  
Author(s):  
NFN Irwansyah

This study describes the conceptual metaphors of love in the lyrics of Taylor Swift's 1989 album. The purpose of this study is to describe the use of metaphors and conceptualize love-themed data. This research uses descriptive qualitative method with proficient free listening technique by taking song lyrics from Taylor Swift. The data source is song lyrics in Taylor Swift's 1989 album. The selection of the data sources is motivated by the fact that Taylor Swift is a singer who produces songs based on personal experiences. This makes the puns for the song more beautiful and poetic. The results show that the conceptualization of love metaphors found on Taylor Swift's 1989 album namely (1) love is a game, (2) love is fire, (3) heartbreak is the national anthem, (4) love is the object of trouble, (5) love is the throne, (6) love as glassware, (7) love as an object of color, (8) love is journey, (9) love is a sin, (10) love as a ship object, (11) love is life, (12) love is a trap, (13) love as an object falls, (14) love as an intoxicating object, (15) love is power and (16)  love as an object is hunted.AbstrakPenelitian ini mendeskripsikan metafora konseptual cinta dalam lirik lagu Taylor Swift di album 1989. Tujuan dari penelitian ini adalah untuk mendeskripsikan penggunaan metafora dan mengonseptualisasikan data yang bertema cinta. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik simak bebas libat cakap dengan mengambil lirik lagu dari Taylor Swift. Sumber data yang digunakan ialah lirik-lirik lagu pada album 1989 milik Taylor Swift. Pemilihan sumber data dilatarbelakangi bahwa Taylor Swift seorang penyanyi yang menghasilkan lagu berdasarkan pengalaman pribadi bersama pasangannya. Hal ini memunculkan permainan kata-kata yang terkesan lebih indah dan puitis. Hasil identifikasi menunjukkan konseptualisasi metafora cinta yang ditemukan pada album 1989 milik Taylor Swift antara lain (1) cinta adalah permainan, (2) cinta adalah api, (3) patah hati adalah lagu kebangsaan, (4) cinta sebagai objek masalah, (5) cinta adalah takhta, (6) cinta sebagai barang pecah belah, (7) cinta sebagai objek warna, (8) cinta adalah perjalanan, (9) cinta sebagai perbuatan dosa, (10) cinta sebagai objek kapal, (11) cinta adalah kehidupan, (12) cinta adalah perangkap, (13) cinta sebagai objek yang jatuh, (14) cinta sebagai objek yang memabukkan, (15) cinta adalah kekuatan, dan (16) cinta sebagai objek yang diburu.


Author(s):  
Doris Yolanda Saragih

The aims of this research are to classify Metaphors in Batak Toba Song Lyrics (Mother's Love Theme).This research used Kovecse’s theory (2010) said that there are three types of Metaphor: Structural Metaphors, Ontological Metaphors, and Orientational Metaphors. The method in this research applied qualitative method. The data were collected by downloading eight collection of Batak Toba Song Lyrics (Mother's Love Theme), listening them, transcribing them in English Language, identifying and putting them into table.The data were also analyzed by analyzing the data, classifying the data, deciding the research findings, and drawing the conclusion. The result in this research, there are 21 the data found in eight collection of Batak Toba Song Lyrics (Mother's Love Theme), namely 5 structural (23, 80%), 10 ontological (47,61%), and 6 orientational (28,57%). Therefore, a number of selected Bataknese songs were dominated by ontological metaphor


2021 ◽  
Vol 1 (2) ◽  
pp. 86-101
Author(s):  
Sri Ayu Kusumaningsih ◽  
Ahmad Bahtiar

This study is to find out the relationship of characters to illustrations in a collection of 9short stories from NadiraKarya Leila S. Chudori. In the collection, there are four short stories that contain illustrations of the main characters namely "Melukis Langit”, "Tasbih", "Sebilah Pisau", and "At Pedder Bay". The method used in this research is descriptive qualitative method by using Charles Sanders Pierce's Semiotic Theory which includes sign and object. The study of characterization or characterization is done in two methods namely direct (telling) and indirect (showing). The results of  this study indicate that out of the 4 short stories analyzed only 3 short stories that have character relationships with illustrations, namely the short story "Melukis Langit", "Tasbih" and "Sebilah Pisau". Short story of "Melukis Langit" depicts Nadira's character who is strong against her father's behavior since the death of his mother. The short story illustration shows Nadira crying in the bathroom to vent her sadness. Short story "Tasbih" describes Mr. X with a mysterious character illustrated by showing Mr. X's face full of mystery while the short story "Sebilah Pisau" tells Kris who is Nadira's secret admirer. Kris's character is displayed with illustrations illustrating the event when Nadira was surprised to see Kris's table filled with Nadira's picture. Short story "At Pedder Bay" tells Nadira's old friend Marc who is also an admirer of Nadira for a long time. The main character, Marc in this short story is not illustrated in the illustration. The short story shows a background, namely the lake and the figure of the woman sitting pensively. 


2021 ◽  
Vol 4 (2) ◽  
pp. 178
Author(s):  
Siti Nurjamilah ◽  
Efransyah Efransyah

The title of this research is deixis in the Song Lyrics “Level of Concern” by Twenty One Pilots. The objectives of this research are to identify the type of deixis and to find out the dominant types of deixis that are mostly used in the song lyrics entitled Level of Concern. This research used descriptive qualitative method. The researchers took the data from (Joseph, 2020) of the song lyric entitled “Level of Concern” by Twenty One Pilots, for it describes the current world situation, and the lyrics of the song contains a wide range of deixis that have attracted the researchers to examine this song. After conducting this research, the researchers concluded that three types of deixis namely personal, spatial, and temporal deixis. Personal deixis divided into three parts: the first person as speaker, the second person as hearer and the third person as others, with 77 words in that song. Temporal deixis showed a certain period of time which consist of 3 words, and the spatial deixis describes the location in a conversation which consist of  2 words. The major type from the whole data are personal deixis, because they represent the singer and the message which wanted to be delivered to the listeners. Keywords:  Pragmatic, Deixis, Song Lyric


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