SIGNS OF GHOST APPEARANCE IN SHORT STORIES IN BATAVIAASCH NIEUWSBLAD (1936-1939): SEMIOTIC ANALISYS

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Rufaida Rufaida ◽  
Fajar Muhammad Nugraha

In 2018-2019 the production of the Indonesian ghost story is much in demand and favored, even in 2020 the ghost content on YouTube is still lively and salable in the Indonesian market. The existence of ghosts cannot be separated from the daily lives of Indonesians.The author is interested in exploring further how the signs of the emergence of a ghostly figure believed by the people in the colonial era. This study uses a descriptive qualitative method with an approach using the analysis of language semiotics from the perspective of Charles Sanders Peirce's semiotics theory. 5 ghost stories published by the Bataviaasch Nieuwsblad newspaper in 1936-1939 were used as corpus. You can see ghost signs that appear using the senses of sight, hearing, touch and smell. No sign was found that uses the sense of taste as a receptor. However, it does not rule out the sense of taste as a receptor to appear in other short stories. There is only one short story that shows that something that is seen by a character is really a ghost that is "’ n griezelige nacht "Bataviaasch Nieuwsblad Wednesday edition, October 14, 1936.

2019 ◽  
Vol 14 (2) ◽  
pp. 136
Author(s):  
Fajrul Falah

This study aims to express the trust and hegemony in the "Broker" short story by Sri Lima R.N. This research is motivated by the idea that language in fiction or short stories is meaningful and indicated not to be neutral.  The language in the short story, became the media for sending message content to the author as a reflection of the social community referred to. The approach used in this study is the sociology of literature, specific to the study of Gramsci hegemony. The research method used is descriptive qualitative.  Research data obtained from text, words, phrases, sentences, contained in short stories related to trust and hegemony. The research data is then described and expressed based on the approach used. The results of the study show that there was a change in the characteristics of Handoko's character as a broker who was initially good, become opportunist. Brokerage profession is used as a tool to hegemony the public to get profits. Community trust in brokers and people who are considered smart also grow. However, Handoko's figure was eventually protested by people who had used their services and failed. Handoko or brokers run away from the protests and demands of the people.


2021 ◽  
Vol 1 (2) ◽  
pp. 86-101
Author(s):  
Sri Ayu Kusumaningsih ◽  
Ahmad Bahtiar

This study is to find out the relationship of characters to illustrations in a collection of 9short stories from NadiraKarya Leila S. Chudori. In the collection, there are four short stories that contain illustrations of the main characters namely "Melukis Langit”, "Tasbih", "Sebilah Pisau", and "At Pedder Bay". The method used in this research is descriptive qualitative method by using Charles Sanders Pierce's Semiotic Theory which includes sign and object. The study of characterization or characterization is done in two methods namely direct (telling) and indirect (showing). The results of  this study indicate that out of the 4 short stories analyzed only 3 short stories that have character relationships with illustrations, namely the short story "Melukis Langit", "Tasbih" and "Sebilah Pisau". Short story of "Melukis Langit" depicts Nadira's character who is strong against her father's behavior since the death of his mother. The short story illustration shows Nadira crying in the bathroom to vent her sadness. Short story "Tasbih" describes Mr. X with a mysterious character illustrated by showing Mr. X's face full of mystery while the short story "Sebilah Pisau" tells Kris who is Nadira's secret admirer. Kris's character is displayed with illustrations illustrating the event when Nadira was surprised to see Kris's table filled with Nadira's picture. Short story "At Pedder Bay" tells Nadira's old friend Marc who is also an admirer of Nadira for a long time. The main character, Marc in this short story is not illustrated in the illustration. The short story shows a background, namely the lake and the figure of the woman sitting pensively. 


Author(s):  
Nani Solihati ◽  
Ade Hikmat ◽  
Yoma Elmikasri

NILAI MORAL DALAM ANTOLOGI CERPEN FILOSOFI KOPIDAN IMPLIKASINYA DALAM PEMBELAJARAN SASTRAAbstrakPenelitian ini bertujuan untuk mengidentifikasi dan menemukan nilai-nilai moral yang terkandung dalam antologi cerpen Filosofi Kopi melalui kajian hermeneutik serta implikasinya dalam pembelajaran sastra di SMA. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik analisis isi. Nilai moral yang diteliti dibatasi pada nilai positif dalam antologi cerpen Filosofi Kopi. Sumber data yang digunakan dalam penelitian ini yakni antologi cerpen Filosofi Kopi karya Dewi Lestari yang berisi 18 cerita yang terdiri 8 cerita pendek dan 10 prosa liris, tetapi yang diteliti hanya 8 cerita pendek. Berdasarkan hasil analisis yang telah dilakukan terhadap delapan cerpen, dapat disimpulkan bahwa cerpen-cerpen karya Dewi Lestari mengandung nilai-nilai moral positif yang meliputi kejujuran, bertanggung jawab, kesetiaan, sopan santun, hati nurani, rendah hati, dan konsekuen. Implikasi hasil penelitian ini adalah pembelajaran sastra di sekolah dengan menggunakan beberapa judul cerpen dalam antologi cerpen Filosofi Kopi karya Dewi Lestari sebagai sumber pembelajaran berpotensi menghasilkan siswa yang mempunyai nilai-nilai moral yang baik. Kata kunci: nilai moral, cerpen, pembelajaran sastraAbstractThis study was aimed at identifying the moral values contained in Filosofi Kopi short story anthology through hermeneutic studies and its implications in the study of literature in thesenior high school. The study used a descriptive qualitative method with a content-analysis technique. The moral values under study were limited to positive values. The data source used in this study was written by Dewi Lestari. This short story contained 18 stories consisting of 8 short stories and 10 lyrical proses. The samples of this study were 8 short stories. Results show that the short stories of Dewi Lestari's work contain positive moral values that include honesty, responsibility, loyalty, courtesy, conscience, humility, and consequence. The implications of the study include the fact that literature learning using this anthology is able to improve the students’ moral values.Keywords: moral value, short-story, literature education


2021 ◽  
Vol 11 (4) ◽  
pp. 32
Author(s):  
Ruijing Qin ◽  
Chengfa Yu

Soon after the founding of the People’s Republic of China in 1949, foreign translation of Chinese culture was put on the agenda. Lu Xun’s short stories were selected as representative works and translated into English by Yang Xianyi and Gladys Yang (hereinafter referred to as “the Yangs”) in the 1950s and 1960s under the special international and domestic environment, and they have played an important role in spreading Chinese culture to the world. Based on André Lefevere’s Manipulation Theory, especially its three elements, namely, poetics, ideology and patronage, this paper examines the translation methods adopted by the Yangs in their translation of Lu Xun’s short story “Master Gao”. Through example analysis, the article concludes that the Yangs mainly adopted literal translation under the influence of poetics, ideology and patronage in the then special social background. It is hoped that the research aims to provide a theoretical and practical reference for future translation and dissemination of Chinese literary works to the world.


Widyaparwa ◽  
2016 ◽  
Vol 44 (2) ◽  
pp. 110-121
Author(s):  
Sumadi Sumadi

Penelitian ini membahas satuan lingual penanda tokoh sentral dalam peranannya sebagai pembentuk kekohesifan wacana cerita pendek Indonesia. Teori yang digunakan di dalam penelitian ini ialah teori struktural, khususnya yang berkaitan dengan unsur dan struktur wacana narasi. Metode yang digunakan ialah metode deskriptif kualitatif. Tokoh sentral dalam cerita pendek pada umumnya ditampilkan pertama kali oleh narator sebagai subjek-pelaku atau subjek-pengalam. Tokoh sentral itu dipertahankan cara menyebutnya dengan pengulangan atau penggantian dalam rangka pembentukan kekohesifan wacana cerita pendek. Dalam peranannya sebagai pembentuk kekohesifan wacana cerita pendek Indonesia, tokoh sentral dapat berupa pronomina persona, nama diri, dan nama jabatan atau frasa nominal yang memiliki unsur nama jabatan.This study discusses the lingual unit marker central figure in his role as a shaper of short stories discourse cohesiveness Indonesia. The theory used in this research is the structural theory, especially with regard to the elements and structure of narrative discourse. The method used is descriptive qualitative method. The central character in the short story in general displayed the first time by the narrator as subject-actor or subject-experiencer. The central figure was sustained manner by repetition or replacement call for the creation of short stories discourse cohesiveness. In its role as a shaper of short stories discourse cohesiveness Indonesia, the central figure can be a personal pronoun, proper name, and the name of the nominal position or phrases that have an element of function name.


2022 ◽  
Vol 16 (2) ◽  
pp. 271-282
Author(s):  
Nur Rosyidah Syahbaniyah ◽  
Totok Suhardijanto

This study discusses class and semantic shifts of adverbs of modality in the Korean short story and its Bahasa Indonesia translation in the short story anthology of ‘Langit dan Kupu-Kupu. This study aims to identify how the adverbs of modality original text change into a different word class in the target text. The sources of data in this study were six Korean short stories entitled ‘Dua Generasi yang Teraniaya’, ‘Seoul Musim Dingin 1964’, ‘Jalan ke Sampho’, ‘Bung Kim di Kampung Kami’, ‘Dinihari ke Garis Depan’, dan ‘Betulkah? Saya Jerapah’ and its Indonesian translation. This study was conducted using a descriptive qualitative method, and the design of a linguistic corpus was used to collect analytical data. The analysis results found that from 46 adverbs of modality, four translated adverbs remained classified as adverbs. At the same time, the other ten words change their class into pronouns, nouns, particles, adjectives, and verbs. Additionally, the other 32 words have a combination of adverbs and other word classes. Furthermore, of the 290 adverb words in the source text, 143 words were accurately translated, 100 were deleted, and 47 changed their meaning in the TT. In the translation of Korean-Indonesian short stories, the shifting technique is used to adjust differences between Korean and Indonesian grammar systems. Translators also make a shift in the word's meaning of short stories as long as they do not deviate from the context and message in the ST to produce a natural translation that TL readers can easily understand.


2019 ◽  
Author(s):  
Ikhsania Hapsari Putri

Anime is known by the people of Indonesia as an animation made in Japan. Whereas in Japan itself, the word “anime” is used to refer to any animated film, regardless of where the origin of the anime is. Anime is liked by many Indonesians because the visual characters of anime are considered to be very interesting such as big eyes, colorful hair, etc. Anime lovers, also called otaku, usually spend their time watching anime. Anime can be used as an informal learning media that uses the senses of sight and hearing or it is called audio visual. This research uses a descriptive qualitative method and data collection through quotation of words from the anime Barakamon, an adaptation of the manga that was composed and illustrated by Satsuki Yoshino. This anime’s genre is comedy, slice of life. This study aims to provide more knowledge about anime as a media for learning Japanese, especially about common expressions such as pronouns, greetings, apologies, and expressions of thanks.


2018 ◽  
Vol 2 (2) ◽  
pp. 165-189
Author(s):  
Juanda Juanda

Environmental damage on earth is at a critical level. Climate change, disaster, pollution, and animal hunting continue to occur without realizing that humans are part of their lives. The purpose of this research, first, is to explore the form of imagination of Indonesian story writer with the theme of environment. Second, to analyze the ecocritical element that is reflected by the author through short story weekly newspaper in Indonesia. This study used descriptive qualitative method. The approach  this research used is Garrard's ecocritical approach. The data source consists of three short stories, namely, "In the Seine Lamenting of Citarum Rivers", Go to the Hill, and Leaves, Trees and Petrichor. Data analysis begins by marking words, phrases, clauses, and sentences that have the focus of environmental exploitation. The results showed in short story weekly newspaper,  Indonesia the author reflects the environmental phenomenon that includes water pollution, forest destruction, natural disaster in the form of landscapes  in the hills of gold mines. Exploitation of nature that brings casualties. Environmental phenomena contained in the short story focuses on pollution, wilderness, natural disasters, settlements, animals, and the earth.    Keywords: ecocritism, short story, environmental exploitation       Abstrak Kerusakan lingkungan di bumi  berada pada tingkat yang kritis. Perubahan iklim, bencana, polusi, dan perburuan hewan  terus terjadi tanpa disadari bahwa manusia sebagai bagian daripada kehidupan mereka. Tujuan dalam penelitian ini,  pertama, mengeksplorasi bentuk pengimajian pengarang cerpen Indonesia yang bertemakan lingkungan. Kedua, menganalisis unsur ekokritik yang direfleksikan  pengarang melalui cerpen Koran Minggu Indonesia. Penelitian ini menggunakan metode deskriptif kualitatif.pendekatanyang digunakan adalah pendekatan ekokritik Garrard. Sumber data terdiri atas tiga cerpen, yakni, “Di Seine Meratapi Citarum”,  Pergi ke Bukit, dan Daun, Pohon dan Petrichor. Analisis data dimulai dengan menandai kata, frasa, klausa, dan kalimat yang memiliki fokus eksploitasilingkungan. Hasilpenelitian menunjukkan dalam  cerpen Koran Mingguan Indonesia, pengarang merefleksikan fenomena lingkungan yang meliputi pencemaran air, perusakan hutan, bencana alam berupa longsor di bukit tambang emas. Eksploitasi alam yang membawa korban jiwa. Fenomena lingkungan yang terdapat dalam cerpen tersebut berfokus padapolusi, hutan belantara, bencana alam, pemukiman, hewan, dan  bumi.   Kata kunci: ekokritik, cerpen,eksploitasi lingkungan.  


Dialog ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 99-108
Author(s):  
Rinto Hasiholan Hutapea ◽  
Iswanto Iswanto

Abstrak – Penelitian ini bertujuan untuk menemukan potret pluralisme agama dalam masyarakat Kota Kupang, Nusa Tenggara Timur. Hasil penelitian menunjukkan bahwa masyarakat Kota Kupang memiliki pemahaman yang baik akan pluralisme agama. Hal ini tercermin dalam kehidupan sehari-hari masyarakat yang menghargai perbedaan dan kemajemukan agama, suku, dan ras. Kerukunan umat bergama juga terjalin dengan baik. Hal ini dapat terjadi oleh karena peran pemerintah, tokoh agama, dan masyarakat yang membangun dialog dalam menyelesaikan konflik yang terjadi antar umat beragama. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan studi pustakan dan observasi lapangan.   Abstract – This study aims to find a portrait of religious pluralism in the people of Kupang City, East Nusa Tenggara. The results showed that the people of Kupang City had a good understanding of religious pluralism. This is reflected in the daily lives of people who respect the diversity and diversity of religious, ethnicities, and races. Religious harmony is also well established. This can happen because of the role of government, religious leaders, and the community that builds dialogue in resolving conflicts that occur between religious communities. The method used in this study is a qualitative method with a library study and field observation approach.


2020 ◽  
Vol 8 (3) ◽  
pp. 11
Author(s):  
Deepali Kapur

Regional short stories in translation have always been a pasture of research in the field of English literature. It opens a vista of information, debate and discussion on the cultural and social crisis faced by the people lying hidden in the smaller pockets of our country. Jammu region is embedded with a rich heritage of Dogri language with an idiosyncratic regional flavour of its folk-tales and short-stories. Translation of Dogri works into other languages has helped the readers in the country and across borders, to peruse the social and cultural milieu of Jammu region. This paper critically examines the Dogri short story “Caretaker” by Padma Sachdev which reveals the agony, insecurities and position of Dogra women in the male-dominated society. In the earlier Dogra society, women suffered at the hands of complex social‑cultural norms, rituals and patriarchal models of suppression. They were often forced into ill‑matched marriages and dohri (reciprocal marriages). Further, they were expected to become obedient wives to their husbands while their own identity got submerged under the burden of family responsibilities, catering to husband needs and rearing children. They often longed for a “home” of their own blessed with love and respect. However, the marital home failed to provide them this blessed home and the parental home became alien to them after marriage. The relationship between husband and wife seems like that of an orient and the occident as man becomes the agent of power, domination and male-centric prejudices against woman. On the other hand, woman acts as an orient who suffers from the societal prejudices for misinterpreted identity and enslavement for her social-cultural representation. As Simone de Beauvoir in her book, The Second Sex analyzes that man fundamentally tries to oppress women by characterizing them as the ‘Other’. Men impose his will on the other and women are cursed with the feelings of inwardness and suppressed voices. “[Man] attaches himself to woman –not to enjoy her, but to enjoy himself.” Hence, Padma Sachdev tries to echo a critical view of the patriarchal social institutions, which subjugate women’s identity for the gains of male supremacy. She also focuses on an unsaid bonding between women as they can sense the misery of each other. They may get corrupted by the feeling of insecurity at some point of time but soon they reconcile as they realise the pain of the other.


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