scholarly journals Visual aesthetic of Petta Puang theater group performance in South Sulawesi

2017 ◽  
Vol 17 (1) ◽  
pp. 96
Author(s):  
Andi Baetal Mukadas ◽  
Totok Sumaryanto Florentinus
Keyword(s):  
Cultural Values ◽  
Group Performance ◽  
Symbolic Meaning ◽  
Human Relationships ◽  
Black And White ◽  
Visual Aesthetics ◽  
South Sulawesi ◽  
The People ◽  
The Social ◽  
Puppet Theater

<p class="IsiAbstrakIndo">This study aims to provide a description of the visual aesthetics contained in the show Puppet Theater <em>Petta Puang </em>in South Sulawesi in connection with the network of symbolic meaning inherent in it. The method used is descriptive-interpretivime method symbolic, with data collection techniques through direct observation, interviews, and documentation. The result of the research shows that in the performance of <em>Petta Puang </em>Puppet Theater there is a visual aesthetic that characterizes the main character «Petta Puang» in every appearance that is <em>jas tutup</em>, <em>songkok guru (songkok to Bone)</em>, and <em>lipa ‘sabbe’</em>. Some visual aesthetics have symbolic meaning directly related to the socio-cultural values of the people of South Sulawesi. <em>Lipa ‘sabbe (silk sarong)</em> is a Bugis sarong which has a fine texture as a representation of the tenderness and social politeness of Bugis tribe, while vertical and horizontal lines are markers of human relationship with God and human relationships in the social system. <em>Jas Tutup</em> originally consists of two colors, namely black and white. Two elements of color is a neutral color that confirms the impression of depth and sanctity that became the patron of Bugis tribe values.</p>

scholarly journals Reaksi Sultan dan Masyarakatnya terhadap Pendudukan Militer Jepang di Bima

2020 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Yusuf Yusuf
Keyword(s):  
Social Order ◽  
Agricultural Land ◽  
Control Area ◽  
Historical Science ◽  
Japanese Occupation ◽  
South Sulawesi ◽  
The People ◽  
The Social ◽  
Local Residents ◽  
The Impact

Penelitian ini bertujuan untuk mendeskripsikan latar belakang Jepang di Bima dan reaksi Sultan dan masyarakat Bima terhadap kedatangan Jepang serta dampaknya terhadap masyarakat. Penelitian ini menggunakan pendekatan ilmu sejarah, sehingga tahap penelitian yang dilakukan adalah (1) Heuristik atau pengumpulan data, (2) Kritik (3) Interprtasi dan (4) Historiografi. Hasil penelitian menunjukkan bahwa bahwa Berdasarkan  pada pembagian wilayah kontrol pendudukan Jepang di Bima bahwa kawasan Indonesia bagian timur berada di bawah kontrol Armada (Angkatan) Laut yang berpusat di Makassar. Setelah menduduki Sulawesi Selatan pada tanggal 9 Februari 1942, Jepang terus melakukan gerak invasinya ke Nusa Tenggara, antara lain Kupang di Nusa Tenggara Timur (NTT) serta Bima di Kepulauan Sumbawa. Armada Laut Jepang dibawah pimpinan Kolonel Saito mendarat di Pelabuhan Bima pada tanggal 17 Juli 1942. Kedatangannya di sambut baik oleh penduduk setempat, sekalipun mereka (masyarakat Bima) di selimuti rasa khawatir atas rencana Asisten Residen Belanda, H.E. Haak untuk kembali berkuasa di Bima, karena itu dengan mudah Jepang menduduki Bima. Dampak keberadaan Jepang di Bima dibidang sosial diantaranya terjadi keresahan sosial dan porak-porandanya tata kehidupan sosial masyarakat. Agama dan adat yang selama ini dijunjung tinggi oleh masyarakat “terpaksa” harus dilanggar. Sementara dampak dibidang Ekonomi, berupa keterpurukkan Ekomomi, sebab masyarakat tidak lagi mencurahkan perhatian sepenuhnya untuk mengolah lahan pertaniannya. Penderitaan masyarakat berakhir setelah Jepang kalah dan menyerah tanpa syarat kepada sekutu pada bulan Agustus 1945. Sejak itu, pemerintahan pendudukan Jepang berakhir di Bima khususnya dan Indonesia pada umumnya. Kata Kunci: Pendudukan, Japang di BimaAbstractThis study aims to describe the background of Japan in Bima and the reaction of the Sultan and the people of Bima to the arrival of Japan and its impact on society. This study uses a historical science approach, so the stages of research carried out are (1) Heuristics or data collection, (2) Criticism (3) Interpretation and (4) Historiography. The results showed that based on the division of the Japanese occupation control area in Bima that the eastern part of Indonesia was under the control of the Naval Fleet (Force) based in Makassar. After occupying South Sulawesi on February 9, 1942, Japan continued to make its invasion moves to Nusa Tenggara, including Kupang in East Nusa Tenggara (NTT) and Bima in the Sumbawa Islands. The Japanese Sea Fleet under the leadership of Colonel Saito landed at the Port of Bima on July 17, 1942. His arrival was welcomed by local residents, even though they (the Bima people) were shrouded in worry over the plan of the Assistant Resident of the Netherlands, H.E. Haak to return to power in Bima, because it easily Japan occupied Bima. The impact of the existence of Japan in Bima in the social field included social unrest and ruins of the social order of the community. Religion and customs that have been upheld by the community are "forced" to be violated. While the impact on the economy, in the form of deterioration in the economy, is because the community no longer pays full attention to cultivate its agricultural land. The suffering of the people ended after Japan's defeat and surrender unconditionally to the allies in August 1945. Since then, the Japanese occupation government ended in Bima in particular and Indonesia in general. Keywords: Occupation, Japanese in Bima

scholarly journals Health Behavior of Abuan Village Community: Social Dimension Review

2019 ◽  
Vol 3 (1) ◽  
pp. 17
Author(s):  
Asthadi Mahendra Bhandesa ◽  
Putu Indrayoni ◽  
Ni Luh Putu Kartiningsih
Keyword(s):  
Data Analysis ◽  
Health Behavior ◽  
Social Dimension ◽  
Social Dimensions ◽  
Healthy Life ◽  
Human Relationships ◽  
Village Community ◽  
The People ◽  
The Social ◽  
Field Notes

The development of health is basically an effort to increase awareness, willingness, and the ability of every person to commit a healthy life to achieve the highest level of public health. Health behavior is influenced by several factors including physical, mental, spiritual, and social. This study aims to gain clarity about the social dimensions of the health behavior of the people of Abuan Village, Kecut, Bangli. Data collection in this research using observation, interview, and document study technique. Furthermore, the technique of data analysis is through data reduction or chosen according to research purpose. In the process of data analysis carried out throughout the study or carried out continuously from the beginning to the end of the study. Through the process of systematically tracking and arranging interview transcripts, field notes, and other materials, showed that the social dimension of health behavior in the form of a) human relationship with God; b) human relationships with humans; and c) human relationships with the environment.

scholarly journals Social reproduction of generations in the face of digital challenges

2021 ◽  
Vol 273 ◽  
pp. 10022
Author(s):  
Oleg Sirotkin ◽  
Raisa Chumicheva ◽  
Irina Kulikovskaya ◽  
Liudmila Kudinova
Keyword(s):  
Cultural Values ◽  
Inclusive Education ◽  
Social Reproduction ◽  
Social Space ◽  
Historical Memory ◽  
Modern Society ◽  
Virtual Space ◽  
The People ◽  
The Social ◽  
Intergenerational Ties

The article describes the global processes that are transforming the world (migration and integration processes, inclusive education, digitalization of education, socio-psychological gap between generations, etc.). Global tendencies have changed the social space of people's life - “cultural gaps”, “social bottom”, “spiritual crisis of parent-child relations and intergenerational ties”, etc. have appeared, as modern challenges of society, affecting the social reproduction of generations. The problem of social reproduction, the significance of which is associated with the need for the development of sociality, the construction of the social world in the event chronotope, has been actualized; preservation of the social and historical memory of the people, the self-identity of the national community, the “core” of the spiritual image of the nation, etc. A powerful challenge in modern society is digitalization, which has changed the forms of communication and social roles, created a new virtual space for self-presentation, self-expression, while the risk is the loss of cultural identity, blurring the lines between generations, etc. The article presents the mechanisms of integration of traditional and digital technologies of social reproduction of generations, the difference of which lies in the actualization of children's interest in the historical and cultural values of the people, in the organization of joint activities to create virtual historical museums, etc. Social reproduction of generations is a complex and long-term process, the success of which depends on the unity of activities in the professional, parenting and children's community.

scholarly journals Patriotic Education of the Youth in Conditions of Information Warfare: Experience of Organization of Social and Pedagogical Work in the Displaced University

2021 ◽  
Vol 2 (1 (339)) ◽  
pp. 148-158
Author(s):  
Serhii Savchenko ◽  
Keyword(s):  
Cultural Values ◽  
Personal Identification ◽  
Information Warfare ◽  
The People ◽  
The Social ◽  
National University ◽  
Patriotic Education ◽  
Priority Direction ◽  
Higher Educational ◽  
The One

The article deals with the analysis of the experience of the organization of social and pedagogical work on patriotic education of the youth in the displaced higher educational establishment – Luhansk Taras Shevchenko National University. It has been stated that the role of patriotism in the process of socialization of young people is greatly preconditioned by its versatility as a social phenomenon, by the polysemanticism of its manifestation, by its integrated interrelations with other personal formations significant for an individual. It has been stressed that patriotic education must be aimed at the formation and development of an individual who possesses the qualities of a citizen and a patriot, the one who is ready and eager to fulfill his civil obligations in peacetime and wartime. The authors arrive at the conclusion that the priority direction in the organization of the social and pedagogical work of displaced higher educational establishments is the patriotic education of an individual aimed at the formation of his national and patriotic awareness, personal identification with his nation, belief in his moral strengths and confidence in the future of his country, striving for work for the benefit of the people, understanding the moral and cultural values of Ukraine.

scholarly journals The Value of Gotong-royong in the Mountainous Settlement of Kepuharjo Village at Pagerjurang Permanent Shelter in Yogyakarta, Indonesia

2021 ◽  
Vol 8 (3) ◽  
pp. 93-106
Author(s):  
Freddy Marihot Rotua Nainggolan ◽  
Tarcicius Yoyok Wahyu Subroto ◽  
Agam Marsoyo
Keyword(s):  
Qualitative Research ◽  
Cultural Values ◽  
Daily Life ◽  
Value System ◽  
Mutual Cooperation ◽  
The People ◽  
The Social ◽  
Space Expansion ◽  
Residential Space ◽  
The Village

Providing housing for refugees due to disasters is a common problem in countries prone to natural disasters. The eruption of Mount Merapi in Yogyakarta in 2010 has displaced the people of Kepuharjo Village to a new settlement in Pagerjurang permanent shelter. However, the process of settling in a new settlement requires adjustments because the people of Kepuharjo Village have been living on the slopes of Mount Merapi for generations. This research is a qualitative research which aims to find a reflection of the space-occupancy value system that occurs in the village of Kepuharjo at the Pagerjurang permanent shelter. The results of observations and interviews with 29 units show that the description of the activities and arrangement of the residential space in the Pagerjurang permanent shelter. The results showed that the motivation for the development of residential spaces is closely related to kinship and socio-cultural values in the daily life of the occupants. The socio-cultural reflection on the residential space of the Kepuharjo community in the Pagerjurang permanent shelter is in line with the social principles of mutual-cooperation (gotong-royong). Gotong-royong is expressed in the strengthening of space, expansion of space, and agreement of space.

scholarly journals SEMIOTICS OF BORDER (ANALYSIS OF BATAS, A FILM OF RUDI SOEDJARWO)

INFORMASI ◽  
2019 ◽  
Vol 49 (1) ◽  
pp. 37-49
Author(s):  
Sumekar Tanjung ◽  
Indra Ramanda
Keyword(s):  
Cultural Values ◽  
Qualitative Approach ◽  
Social Conditions ◽  
Roland Barthes ◽  
Front Face ◽  
Infrastructure Development ◽  
Message Delivery ◽  
The People ◽  
The Social ◽  
Delivery Medium

 This research was conducted to explain the presentation of the boundary meanings presented by Batas film through their character. The border becomes the front face of a country. The social conditions of people who are still lagging behind and far from infrastructure development make the people living in the border vulnerable to various problems. As a message delivery medium, meanings are represented by character in film. The author analyzed five scenes on each character in Batas film. These are, Ubuh’s character is threatened by the bad people who chase her in the middle of the forest, Arif’s character as a police officer who looking for the information in the community, Jaleswari’s character who cares about education problems at the border, Adeus’s character who has great desire for the advancement of the people at the border but get threats from individuals who do not want the people on the border to get a high education, the character of the Panglima who has power in the Dayak tribe community. This study uses a critical paradigm with a qualitative approach. The process describes the meaning of signs into denotations, connotations, and myths. The results of this study indicate that meanings are defined as areas that have complex problems. Access to transnational crime is still very easy as security is needed in the area. Despite the increase in technology and technology, the region must have the slightest education, strive to advance the regions, without prioritizing their own interests without ignoring the cultural values of their ancestors. Penelitian ini dilakukan untuk menjelaskan reperesentasi makna batas yang dihadirkan oleh pembuat film Batas melalui karakter tokohnya. Perbatasan menjadi wajah terdepan dari suatu negara. Keadaaan sosial masyarakat yang masih tertinggal dan jauh dari pembangunan infrastruktur, membuat masyarakat suku Dayak yang tinggal di pedalaman rentan terhadap berbagai permasalahan. Sebagai medium penyampai pesan, film ini penting dikaji untuk menjelaskan bagaimana makna batas direpresentasikan melalui masing-masing karakter. Peneliti melakukan analisis terhadap lima scene pada masing-masing karakter dalam film Batas. Kelima scene tersebut adalah, karakter Ubuh yang terancam dengan adanya orang-orang jahat yang mengejar di tengah hutan, karakter Arif sebagai aparat penegak hukum yang mencari informasi di tengah masyarakat, karakter Jaleswari yang peduli terhadap masalah pendidikan yang terjadi di perbatasan, karakter Adeus yang memiliki keinginan besar demi kemajuan masyarakat di perbatasan namun mendapatkan ancaman dari oknum yang tidak ingin masyarakat di perbatasan mendapatkan pendidikan yang tinggi, karakter Panglima yang memiliki kuasa di masyarakat suku Dayak. Penelitian ini menggunakan paradigma kritis dengan pendekatan kualitatif. Proses analisis yang dilakukan adalah semiotika model Roland Barthes yang menjabarkan makna tanda menjadi denotasi, konotasi, dan mitos. Hasil penelitian ini menunjukkan bahwa makna batas dimaknai adalah daerah-daerah yang memiliki masalah kompleks. Akses kejahatan transnasional masih sangat mudah, sangat diperlukan pengamanan di daerah tersebut. Meskipun terjadi peningkatan teknologi dan teknologi, wilayah harus tetap memiliki pendidikan sekecil apapun, berjuang memajukan daerah, tanpa mementingkan kepentingan sendiri tanpa mengabaikan nilai budaya leluhurnya.

scholarly journals PASANG RI KAJANG: THE NOBLE VALUES OF KAJANG TRADITIONAL COMMUNITY IN BULUKUMBA REGENCY

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Raodah Raodah
Keyword(s):  
Data Collection ◽  
Cultural Values ◽  
Qualitative Method ◽  
Literature Study ◽  
South Sulawesi ◽  
Traditional Leader ◽  
The People ◽  
The Relationship ◽  
Descriptive Qualitative

This study aimed to describe the noble values of Pasang in the beliefs of Kajang traditional community in South Sulawesi. Pasang ri Kajang is an oral message containing guidance, customary rules, guidelines, and institutionalized norms by Turie Arakna (God Almighty) to the first Ammatoa (the first people) for the all members of Kajang traditiobal community. These oral messages inherited from generation to generation, from the first Ammatoa into the present Ammatoa according to the faith teachings of Patuntung. Ammatoa as a traditional leader is mandated to carry out all the rules containing in Pasang, supervised the teaching violations of Pasang, and practiced the all teachings of Pasang as cultural values growth in Kajang traditional community. The glory of a person depended on his/her obedience to Pasang called Tu Salama (saved people). The people who throughout their lives adhere to the values of Pasang will feel an enjoy life. The essence of Pasang is to surrender to Turie Arakna, which means surrender to the God willing, do all teachings and avoid all prohibitions of Pasang. This study used descriptive qualitative method. Data collection techniques were interview, observation, and literature study, then be analyzed inductively. From the result study, it is known that there were three noble values of Pasang ri Kajang, namely the relationship between humans with their God, humans with humans, and human with nature. The relationship between humans with their God as the embodiment of values of Pasang ri Kajang is the essence of Manuntungi truth based on the Patuntung belief by Kajang traditional community.

scholarly journals VISUALISASI TIGA DIMENSIONAL MOTIF BATIK PADA MEDIA KAYU

2020 ◽  
Vol 12 (1) ◽  
pp. 80-87
Author(s):  
Rahayu Adi Prabowo ◽  
Sri Marwati
Keyword(s):  
Visual Culture ◽  
Social Relationship ◽  
Social Norm ◽  
Three Dimensional ◽  
Symbolic Meaning ◽  
Human Relationships ◽  
The Social ◽  
Diverse Application ◽  
History Of ◽  
Wood Carving

ABSTRACT The beauty of batik as one form of visual culture in Indonesia is one of the priceless inheritance which has a philosophical symbolic meaning that regulates the social relationship between human and the human relationships with the God. The history of batik never revealed when batik began to exist and who created it. Batik in Indonesia has been known since the era of the Majapahit Kingdom and continues to grow until the emergence of the next kingdoms. Exploration of visual culture in Indonesia becomes a challenge in its learning and its realization. The reason is that every culture has its own social norm / custom that is very strong and influences the people's lives.The diverse application of batik motifs on various products greatly influences the strength of the existence of batik as one form of art in Indonesia which, of course, can also move the economic side of the creation of creativity that always emerges and develops in society. This artistic research of batik motifs richness that is applied into a wood carving motif is proposed to support the development of batik. This research uses a method of motifs exploration by bringing up traditional batik motifs that are packaged in a semi relief wood carving by applying a new motif patterned in accordance to the wood carving techniques. This method conveys traditional batik motifs with a three-dimensional style and in different  size in order to bring up the three-dimensional style. Keywords: Exploration, Batik Motifs, Wood Carving. ABSTRAK Keindahan batik sebagai salah satu wujud budaya rupa di Indonesia adalah merupakan salah satu warisan tak ternilai harganya, yang mempunyai kandungan makna simbolis filsafati yang mengatur hubungan sosial antar manusia serta hubungan manusia dengan Dzat Yang Maha Agung. Dalam kesejarahan tentang keberadaan batik tidak pernah diungkap kapan kali pertama muncul dan siapa yang menciptakannya. Namun batik di Indonesia telah dikenal sejak zaman Kerajaan Majapahit dan terus berkembang hingga munculnya kerajaan-kerajaan berikutnya. Ekplorasi sebuah kekayaan budaya rupa di Indonesia merupakan sebuah tantangan dalam hal pembelajaran dan perwujudannya. Hal tersebut dikarenakan setiap kekayaan budaya diiringi sebuah norma/adat sosial yang sangat kuat dan berpengaruh dalam sendi kehidupan masyarakat. Aplikasi motif batik yang beragam pada berbagai produk ini sangat mempengaruhi kekuatan keberadaan batik sebagai salah satu wujud seni rupa di Indonesia, yang tentunya juga dapat mengerakkan sisi ekonomi dari terciptanya kreativitas yang selalu muncul dan berkembang di masyarakat. Sebagai salah satu dukungan dalam perkembangan wujud seni batik ini, maka diusulkan sebuah penelitian kekaryaan (artistik) tentang kekayaan motif batik yang mengaplikasikan ke dalam sebuah motif ukir kayu yang selama ini belum pernah dilakukan. Sajian penelitian ini menggunakan metode eksplorasi motif, yaitu memunculkan motif-motif batik tradisi yang dikemas dalam tampilan ukir kayu semi relief dengan mengaplikasikan pola motif garapan baru sesuai dengan ranah teknik ukir kayu. Metode ini menuangkan motif batik tradisi namun dengan gaya tiga dimensi yang terdapat sedikit gubahan ukuran sebagai upaya memunculkan kekuatan tiga dimensionalnya. Kata Kunci : Ekplorasi, Motif Batik, Ukir Kayu.

scholarly journals SEJARAH MASYARAKAT NELAYAN SUKU BUGIS DI DESA POLEWALI, KECAMATAN LAINEA KABUPATEN KONAWE SELATAN (1950-2017)

2020 ◽  
Vol 4 (3) ◽  
Author(s):  
Ibrahim Ibrahim ◽  
Dade Prat Untarti ◽  
Dade Prat Untarti
Keyword(s):  
Historical Research ◽  
Economic Conditions ◽  
Fishing Community ◽  
Cultural Conditions ◽  
South Sulawesi ◽  
The People ◽  
The Social ◽  
History Of ◽  
To Come ◽  
Relationship Of

ABSTRAK: Permasalahan utama dalam penelitian ini adalah: (1) Bagaimana sejarah kedatangan orang Bugis di Desa Polewali Kecamatan Lainea Kabupaten Konawe Selatan? (2) Bagaimana kondisi sosial ekonomi dan budaya masyarakat nelayan suku Bugis di Desa Polewali Kecamatan Lainea Kabupaten Konawe Selatan (1950-2017)? Metode yang digunakan dalam penelitian ini adalah metode penelitian sejarah yang dikemukakan oleh Helius Syamsuddin bahwa tata kerja penelitian sejarah terdiri dari tiga tahapan yaitu: (1) Pengumpulan Data (Heuristik) (2) Kritik Sumber (Verifikasi) (3) Penulisan Sejarah (Historiografi). Hasil penelitian ini menunjukkan bahwa: (1) Awal kedatangan orang Bugis di Desa Polewali untuk mengamankan diri  karena pada saat itu mereka dikira mata-mata dari tentara Jepang jadi mereka meninggalkan daerah asal mereka yaitu Bone Sulawesi Selatan dan kemudian mereka menuju di Desa Polewali. Hal yang mendorong mereka tinggal di Polewali karena kondisi laut yang bagus. Pada tahun 1950 pertama sekali orang Bugis berlabuh di Desa Polewali  Nama Desa Polewali berasal dari bahasa Bugis yang terdiri dari kata “pole” dan “wali”, pole artinya datang dan wali artinya empat penjuru, polewali berarti datang dari empat penjuru. Orang  Bugis  banyak yang menjadi nelayan di Desa Polewali karena Desa Polewali berada di pinggir laut dan mempunyai potensi laut yang bisa menunjang pendapatan nelayan. (2)  Kondisi kehidupan masyarakat Desa Polewali sejak tahun 1950-2017 dapat dilihat dari; (a) Kondisi  sosial dalam masyarakat yang dapat dilihat dari interaksi sosialnya. Interaksi sosial yang dimaksud dalam penelitian ini adalah hubungan sosial antara sesama masyarakat nelayan suku Bugis dengan orang lain, baik menyangkut hubungan kerjasama dan persaingan. Dalam menangkap ikan dan memasarkan hasil tangkapan. (b) Kondisi ekonomi masyarakat nelayan suku Bugis di Desa Polewali (c) Kondisi budaya merupakan salah satu bagian  terpenting  dalam kehidupan masyarakat nelayan yang digunakan sebagai tata aturan yang mengatur pola perilaku setiap anggota-anggota dalam kehidupan masyarakat Desa PolewaliKata Kunci: Sejarah, Kondisi Sosial EkonomiABSTRACT: The main problems in this study are: (1) What is the history of the arrival of the Bugis in the Polewali Village of Lainea Subdistrict, Konawe Selatan District? (2) What are the socio-economic and cultural conditions of the Bugis fishing community in Polewali Village, Lainea Subdistrict, Konawe Selatan Regency (1950-2017)? The method used in this study is the historical research method proposed by Helius Syamsuddin that the work of historical research consists of three stages, namely: (1) Data Collection (Heuristics) (2) Source Criticism (Verification) (3) Historical Writing (Historiography) . The results of this study indicate that: (1) The initial arrival of the Bugis in the Polewali Village to secure themselves because at that time they were thought to be spies from the Japanese army so they left their home region of Bone South Sulawesi and then they headed to Polewali Village. The thing that pushed them to stay in Polewali was because of the good sea conditions. In 1950 the Bugis first anchored in the Polewali Village The name Polewali Village came from the Bugis language which consisted of the words "pole" and "guardian", pole meant to come and guardian meant four directions, polewali meant to come from four directions. Many Bugis people become fishermen in Polewali Village because Polewali Village is located on the seafront and has sea potential that can support the income of fishermen. (2) The living conditions of the people of Polewali Village since 1950-2017 can be seen from; (a) Social conditions in society which can be seen from social interactions. The social interaction referred to in this study is the social relationship between fellow Bugis fishing communities with other people, both concerning the relationship of cooperation and competition. In catching fish and marketing the catch. (b) Economic conditions of the Bugis fishing community in Polewali Village (c) Cultural conditions are one of the most important parts of the fishing community's life which are used as rules governing the behavior patterns of each member in the Polewali Village community life. Keywords: History, Socio-Economic Conditions

scholarly journals KAJIAN MAKNA RAGAM HIAS RUMAH ADAT BANTAYO PO’ BOIDE KABUPATEN GORONTALO

Jurnal Patra ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 121-126
Author(s):  
Almer Hassan Ali
Keyword(s):  
Data Collection ◽  
Cultural Values ◽  
Quantitative Data ◽  
Symbolic Meaning ◽  
Living Room ◽  
Traditional Values ◽  
Literature Study ◽  
Qualitative And Quantitative ◽  
The People ◽  
Descriptive Method

This research generally aims to gain knowledge about the traditional values of the Bantayo Po 'Boide Traditional House by trying to express the cultural values of the people of Gorontalo Regency. This research Specifically a variety of decorative meanings in the Bantayo Po' Boide traditional house. This research uses descriptive method by collecting various qualitative and quantitative data relating to the form and symbolic meaning of the Bantayo Po' Boide Traditional House of Gorontalo Regency, while the data collection uses the method of Observation, Documentation, Interview and Literature Study. The results of this study, the writer found a variety of decorative meanings in the Bantayo Po' Boide traditional house. 1) The front of the house there is a stylized ornament of lotus and breadfruit plants and grouse. 2) Ornaments on the edge of the banyan and triangular tree ceiling. 3) Ornaments in the ventilation of doors and windows are stylized in the form of spears and shields. 4) The living room ceiling ornament is a combination of lotus flowers and chains. 5) Ornaments on lyst plank are stylized from jasmine plants.

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