scholarly journals Balagah sebagai Teori Kritik Sastra Arab Formalis: Obyek Bahasan, Praktik, dan Plus- Minusnya

2018 ◽  
Vol 17 (1) ◽  
pp. 1-24
Author(s):  
Sukron Kamil
Keyword(s):  
Social Sciences ◽  
Literary Work ◽  
Close Reading ◽  
The West ◽  
Literary Works ◽  
Psychology History ◽  
Foundation Stone

The theory of modern litery criticism in the West begins with the birth of the theory of formalism in Russia between 1915-1930 developed by Jacobson, shklovsky, Eichenbaum and others. This theory is the foundation stone of modern literary science that formally consider literary work as art of language and sparate the literary works from other social sciences such as psychology, history, and culture. From this formalism theory then was born the theory of structuralism and its various manifold (post-structuralism), such as semiotics, geneticstructuralism, and others. Based on the formalism theory, literary works as autonomous works must be researched in terms of the work itself (intrinsic elemennts), not from outside ( extrinsic elements), because theory more emphasizes on the beauty of literary works. Therefore, what, is needed in criticizing a literary works is close reading, a microscopic reading of literary works as art of language.

scholarly journals ON THE BEGINNING OF MODERN INDONESIAN LITERATURE

2019 ◽  
Vol 7 (6) ◽  
pp. 604-616
Author(s):  
Dipa Nugraha ◽  
Suyitno
Keyword(s):  
Twentieth Century ◽  
Literary Work ◽  
Close Reading ◽  
Political Movement ◽  
Literary Works ◽  
East Indies ◽  
Dutch East Indies

Purpose of the study: This study aims to bridge the gap in the dispute over the beginning of modern Indonesian literature and determine which literary work marked the beginning of modern Indonesian literature. Methodology: This uses close reading over selected texts on the usage of specific words in Malay used in anti-colonialism political movement and the existence of the words Indonesia, bangsa, negeri, tanah air, and tumpah darah as the central themes for the development of the analysis from the selected texts. The selected texts are four novels published in the Dutch East Indies in the early of twentieth century: Student Hidjo (1919), Hikajat Kadiroen (1920), Azab dan Sengsara (1920), and Sitti Nurbaja (1922). Main Finding: We find that Azab dan Sengsara and Sitti Nurbaja have the word Indonesia and help conceptualize the new idea of the homeland. Whilst Student Hidjo and Hikajat Kadiroen do not see beyond the land of Java and they only relate the Dutch East Indies to the land of Java. We argue that Sitti Nurbaja marked the beginning of modern Indonesian literature. Implications: The debate over the beginning of modern Indonesian literature should stop with the finding of this study that Azab dan Sengsara and Sitti Nurbaja mark the beginning of modern Indonesian literature. While Student Hidjo and Hikajat Kadiroen must be named as the modern pre-Indonesian literary works.

scholarly journals Genre Problematik Cinta Tak Pernah Tua Karya Benny Arnas

ATAVISME ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 17-32
Author(s):  
Eggy Fajar Andalas
Keyword(s):  
Short Stories ◽  
Mass Media ◽  
Narrative Structure ◽  
Literary Work ◽  
Close Reading ◽  
Literary Works ◽  
The Public ◽  
The Creation ◽  
Gerard Genette

Pada September 2014, Gramedia memperkenalkan karya Benny Arnas yang berjudul Cinta Tak Pernah Tua ke publik sebagai kumpulan cerita pendek. Meskipun kedua belas judul cerita yang ada di dalam karya ini ditulis dan telah dimuat sebelumnya dalam berbagai media massa nasional pada rentang tahun 2010-2014, pembaca akan menemukan keterjalinan kisah antarjudul cerita di dalamnya. Hal ini menyiratkan adanya problematik naratif sekaligus genre yang menyertai kelahiran karya ini. Penelitian ini bertujuan menjawab pertanyaan apakah Cinta Tak Pernah Tua merupakan sebuah karya sastra bergenre kumpulan cerita pendek, seperti yang dilabelkan oleh penerbitnya, atau sebuah novel? Mengapa karya ini menjadi problematik jika dilihat berdasarkan genrenya? Dengan melakukan pembacaan dekat dengan perspektif naratologi Gerard Genette, penelitian ini menghasilkan temuan bahwa Cinta Tak Pernah Tua bukanlah kumpulan cerita pendek, tetapi novel meskipun secara genealogis kelahiran kedua belas kisah sebagai satuan cerita yang terpisah. Pemahaman terhadap dimensi genre sebuah karya sastra tidak dapat disandarkan pada faktor-faktor yang berasal dari luar dimensi naratif karya.[Poblematic Genre of Benny Arnas Cinta Tak Pernah Tua] In September 2014, Gramedia introduced Cinta Tak Pernah Tua written by Benny Arnas to the public as a collection of short stories. Although the twelve story-titles in this work have been written and previously published in various national mass media in the range of 2010-2014, readers will find that the stories intertwine. This implies "problematic" narrative as well as a genre that accompanied the creation of this work. This article aims to answer the question of whether Cinta Tak Pernah Tua is a literary work collection of short stories, as labeled by the publisher, or a novel? Moreover, considering its genre, why is this work so problematic? By doing a close reading with Gerard Genette's narratology perspective, this research argues that Cinta Tak Pernah Tua is not a collection of short stories, but was actually a novel although genealogically the twelve stories were produced asseparate storiess. The understanding of a literary works genre dimension cannot rely on factors external to the narrative dimension of the work.Keywords: Cinta Tak Pernah Tua; genre problems; narratology; narrative structure

Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries

2017 ◽  
Vol 5 (1) ◽  
pp. 78
Author(s):  
Aysel KAMAL ◽  
Sinem ATIS
Keyword(s):  
Social History ◽  
Young Lady ◽  
The Other ◽  
European Countries ◽  
Cultural Relations ◽  
The West ◽  
Literary Works ◽  
European Culture ◽  
Turkish Literature ◽  
Art And Architecture

Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first period aesthetics due to the contributions from western (French) writers. The influence of the western writers on him has also inspired his interest in the materialist culture of the West. In 1953 and 1959 he organized two tours to Europe in order to see places where Western thought and culture were produced. He shared his impressions that he gained in European countries in his literary works. In the literary works of Tanpinar, Europe comes out as an aesthetic object. The most dominant facts of this aesthetic are music, painting, etc. In this work, in the writings of Tanpinar about the countries that he travelled in Europe, some factors were detected like European culture, lifestyle, socio-cultural relations, art and architecture, political and social history and so on. And the effects of European countries were compared with Tanpinar’s thought and aesthetics. Keywords: Ahmet Hamdi Tanpinar, Europe, poetry, music, painting, culture, life

The Using of Film Media to Analyze Intrinsic Element in Literature in High School

2019 ◽  
Vol 1 (2) ◽  
pp. 60
Author(s):  
Hendrick L ◽  
Martono Martono ◽  
Indri Astuti
Keyword(s):  
Data Analysis ◽  
Student Learning ◽  
Learning Outcomes ◽  
Literary Work ◽  
Student Learning Outcomes ◽  
T Test ◽  
Control Group ◽  
Homogeneity Test ◽  
Learning Material ◽  
Literary Works

This study examined the use of film media on Indonesian Language. The problem revealed was how is student learning outcomes, and what is the outcomes difference between learning to analyze the intrinsic elements of literary works using film media and using conventional learning approaches in class XI students of SMA N 1 Tumbang Titi. This type of research is experimental research. The design used was Post-test Only Control Group Design. Data analysis was done by normality test, homogeneity test, and t-test (Paired Simple t-Test). Data collection techniques in the form of tests. Based on the results of data analysis, it can be concluded that student learning outcomes analysis the intrinsic elements of literary works after being given conventional learning is 54.38 while student learning outcomes analyze the intrinsic elements of literary works after using film media is 71, 67. Besides, after analyzing the data statistically, the results show that there are significant differences between the learning outcomes of the material analyzing the intrinsic elements of literary work between those who use film media and conventional learning. Indonesian language learning material becomes the intrinsic elements of literature in class XI students of SMA N 1 Tumbang Titi using film media can also improve student learning outcomes and contribute to the scale of effectiveness of 32,64. Thus, learning with film media can be used by teachers in the field of learning Indonesian in analyzing intrinsic elements of literary works.Keywords: Utilization of Film Media, Intrinsic Elements of Literary Work

Objectivity of Scientific Research as an Ethical and Political Position (Book Review: P.P. Tolochko. Ukraine between Russia and the West: Historical and Nonfiction Essays. Saint Petersburg: Saint Petersburg University of Humanities and Social Sciences, 2018)

2019 ◽  
Vol 62 (11) ◽  
pp. 144-153
Author(s):  
Alexander S. Zapesotsky
Keyword(s):  
Social Sciences ◽  
Scientific Research ◽  
The West ◽  
Full Member ◽  
Saint Petersburg ◽  
Political Position ◽  
Humanities And Social Sciences ◽  
Nonfiction Essays ◽  
The Impact

Book Review: P.P. Tolochko. Ukraine between Russia and the West: Historical and Nonfiction Essays. Saint Petersburg: Saint Petersburg University of Humanities and Social Sciences, 2018. - 592 pp. ISBN 978-5-7621-0973-4This author discusses the problem of scientific objectivity and reviews a book written by the medievalist-historian P.P. Tolochko, full member of the National Academy of Sciences of Ukraine (NASU), honorable director of the NASU Institute of Archaeology. The book was published by the Saint Petersburg University of Humanities and Social Sciences in the autumn of 2018. The book presents a collection of articles and reports devoted to processes in Ukraine and, first of all, in Ukrainian historical science, which, at the moment, is experiencing an era of serious reformation of its interpretative models. The author of the book shows that these models are being reformed to suit the requirements of the new ideology, with an obvious disregard for the conduct of objective scientific research. In this regard, the problem of objectivity of scientific research becomes the subject of this review because the requirement of objectivity can be viewed not only as a methodological requirement but also as a moral and political position, opposing the rigor of scientific research to the impact of ideological, political and moral systems and judgments. It is concluded that in this sense the position of P.P. Tolochko can be considered as the act of profound ethical choice.

Women break down the barriers to the Vietnamese social sciences and humanities

2019 ◽  
Author(s):  
Quan-Hoang Vuong
Keyword(s):  
Social Sciences ◽  
Gender Inequality ◽  
Middle Income Country ◽  
Women In Science ◽  
Income Country ◽  
The West ◽  
Middle Income ◽  
Social Sciences And Humanities ◽  
The Social ◽  
Low And Middle Income

Valian rightly made a case for better recognition of women in science during the Nobel week in October 2018 (Valian, 2018). However, it seems most published views about gender inequality in Nature focused on the West. This correspondence shifts the focus to women in the social sciences and humanities (SSH) in a low- and middle-income country (LMIC).

Inscriptional Intermediality in Livy

2019 ◽  
Vol 11 (1) ◽  
pp. 74-95
Author(s):  
Morgan E. Palmer
Keyword(s):  
Real World ◽  
Literary Work ◽  
Latin Literature ◽  
Literary Works ◽  
Narrative Technique ◽  
Ab Urbe Condita

Abstract The term monumentum is used in Latin literature to describe a range of monuments across media, including temples, literary works, statues, and inscriptions. This article surveys the variety of monumenta in Livy’s Ab urbe condita, which range from the text itself to victory inscriptions and bronze sculptures meant to commemorate military as well as political achievements. The borders between historiography and physical artefacts are often blurred by Livy through inscriptional intermediality, a phenomenon defined as the mixing of visual and textual media. By outlining how Livy achieves this combination, and demonstrating how the specific ratio of literary, linguistic, and topographical features in his ekphrases generate unique impressions of real-world monuments, this chapter re-reads Livy’s history from the perspective of intermedial theory. This process not only advances our understanding of the Ab urbe condita as a literary work, but also thrusts individual aspects of Livy’s narrative technique – including visuality and unique formulae such as the introductory formula tabula … cum indice hoc posita est (Livy 41.28.8) – into the spotlight.

The Religiosity of Javanese Society in Modern Indonesian Literature

2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari
Keyword(s):  
Short Stories ◽  
Literary Work ◽  
Community Life ◽  
The Novel ◽  
Literary Works ◽  
Islamic Values

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.

Islamic International Relations Towards a Theoretical Framework

2015 ◽  
Vol 1 ◽  
Author(s):  
Gubara Hassan
Keyword(s):  
Social Sciences ◽  
International Relations ◽  
Modern Society ◽  
Theoretical Framework ◽  
World Politics ◽  
Muslim World ◽  
The West ◽  
The Past ◽  
Alternative Approach ◽  
The World

The Western originators of the multi-disciplinary social sciences and their successors, including most major Western social intellectuals, excluded religion as an explanation for the world and its affairs. They held that religion had no role to play in modern society or in rational elucidations for the way world politics or/and relations work. Expectedly, they also focused most of their studies on the West, where religion’s effect was least apparent and argued that its influence in the non-West was a primitive residue that would vanish with its modernization, the Muslim world in particular. Paradoxically, modernity has caused a resurgence or a revival of religion, including Islam. As an alternative approach to this Western-centric stance and while focusing on Islam, the paper argues that religion is not a thing of the past and that Islam has its visions of international relations between Muslim and non-Muslim states or abodes: peace, war, truce or treaty, and preaching (da’wah).

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