THE DIAGNOSTICS OF JUNIOR STUDENTS’ INTELLECTUAL AND CREATIVE POTENTIAL

2021 ◽  
Vol 2 (101) ◽  
pp. 183-192
Author(s):  
ANASTASIIA Y. MIKHAILOVA

The paper deals with the problem of developing and diagnosing intellectual and creative potential of junior students. The intellectual and creative potential is defined as an integral characteristic of a person. It is the prerequisite for the development and is prognostic and systematic in nature. It is usually manifested in some activities in different spheres and is related to personality transformation. The intellectual and creative potential contributes to self-development of a junior student. Three criteria of intellectual and creative potential have been defined as the result of the diagnostics: cognitive, motivational and creative. The author has also identified five levels of junior students’ intellectual and creative potential

2021 ◽  
Vol 53 (5) ◽  
pp. 139-153
Author(s):  
Tatiana I. Zabrodina ◽  
◽  
Vera A. Kurina ◽  
Lira F. Muryasova ◽  
Svetlana Yu. Shirokova ◽  
...  

Introduction. Achieving a qualitatively new state of society largely depends on the formation of the creative potential of young specialists capable of transforming, developing and implementing original solutions to professional and personal tasks, in connection with which the development of mechanisms for the formation of a professional capable of transforming the world and oneself seems to be very relevant. The authors propose to organize joint activities to solve creative problems in the form of a system of training sessions for the development of the creative potential of the personality of students. Materials and methods. The study involved 200 junior students of Volgograd universities, boys and girls aged 18-20 years, humanitarian and natural science areas of training. The main statistical calculations were performed using the analysis of nonparametric data using the chi-square test for the analysis of frequency differences, as well as using the statistical Mann-Whitney U test. The results of the study. Statistically significant significant differences were revealed according to the Mann-Whitney U-test (at p <0.05) between the values of the scales of the experimental and control groups of students according to the following indicators: the index of verbal originality (p = 0.033); the index of verbal uniqueness (p = 0.026); the number of responses produced (p = 0.008); striving for creativity and creativity (p = 0.026), expert assessment of creative potential (p = 0.041). The diagnostic indicators allowed us to conclude that students in the humanitarian areas of training more often demonstrate a high level of originality and productivity of verbal constructions, they are characterized by the spontaneity inherent in a self-actualizing personality. Students of natural science areas of training are more often looking for new ways of thinking, they have a more pronounced desire for self-development. Conclusions. Purposeful, organized joint activities in the form of training aimed at the formation of knowledge, skills and abilities of collective solution of creative problems, has shown effectiveness in solving the problem of developing the creative potential of future specialists.


Author(s):  
O. K. Rakhmanova

The methodological concept of “pedagogical conditions” is analysed and its essence is disclosed. Special attention is given to the modern interpretation of this concept and its meaning in modern science is examined in details. The article is dedicated to the revealing the pedagogical conditions that influence the process of development of junior students’ artistic and creative synesthesia. Careful attention is paid to the author’s point of view on the definition of the concept of “pedagogical conditions” as well as to the additions which should be included to the definition taking into account the modern tendency to technology and science development. These pedagogical conditions disclose specifics of the artistic and creative synesthesia and creative potential of junior pupils at the integrated music lessons, which contributes to their deliberate orientation in the system of art values. The author defines a complex of the pedagogical conditions that symbolically can be divided into three groups: 1) creating emotionally-creative environment that stimulates development of junior students’ artistic and creative synesthesia during the process of listening to musical composition; 2) dialogical interaction between the teacher and student in the process of junior students’ artistic activity; 3) implementation of the individual differentiation in the development of junior students’ artistic and creative synesthesia at the integrated music lessons, which considers individual characteristics of creative potential and creative abilities of junior students and setting the differentiated creative tasks in this way.


2021 ◽  
Vol 1 (118) ◽  
pp. 210-216
Author(s):  
Anna Y. Tikhonova ◽  
◽  
Aleksey A. Beshanov ◽  

The article considers the issues of studying and forming creative abilities as a scientific problem. Based on the analysis of scientific developments devoted to students’ creative abilities, it was determined that for the most part the professional and creative formation of a bachelor's personality is studied on the basis of a specific direction of training, quite often – on the basis of the analysis of the work of universities of culture and art, and pedagogical creativity in most cases – on the material of the pedagogical university. It was revealed that insufficient attention is paid by scientists to the analysis of the problems of educating creatively enthusiastic specialists in different areas of training, united by common projects, not always subordinate to future professional activities, but revealing internal individual resources, the creative potential of each and aimed at personal self-development. It was confirmed that the formation of creative abilities should be built on the desire for high achievements, and not on the motivation for the development of the student, while it is important to form such creative abilities that can be implemented in different fields of activity. The article provides a characteristic of general creative abilities and a hypothesis is put forward: the formation of general creative abilities of students is possible on the basis of non-core activities – choreography, in order later to show students the possibility of transferring the mastered skills of mastering general creative abilities to pedagogical activity. The article discusses the problem of using choreography as a means of forming general creative abilities, the multilevel and multicomponent nature of which has not been sufficiently studied. Researchers for the most part associate general creativity in choreographic activity with the development of creative thinking. The student choreographic collective isdefined as an open self-organizing system aimed at creative self-actualization and creative self-development of all its participants, regardless of the profile of training.


2020 ◽  
pp. 142-146
Author(s):  
Pidvarko T.O.

Мета – розкрити роль та значення інноваційних технологій у формуванні артистичних умінь май-бутнього вчителя музичного мистецтва. Методи. Для досягнення поставленої мети використані такі методи, як: обґрунтування, узагальнен-ня, систематизацiя теоретичного та практичного матерiалу. Результати. У статті розкрито специфіку діяльності майбутнього вчителя музичного мистецтва. Висвітлено сукупність загальних артистичних умінь вчителя; визначено складники артистизму май-бутнього вчителя музичного мистецтва – це культура, емоційність, уява, оригінальність мислення, здатність до імпровізації, здатність до образного, емоційного перевтілення. Окреслено інноваційні тех-нології, які сприятимуть формуванню артистичних умінь майбутнього вчителя музичного мистецтва. Охарактеризовано музичну бесіду як форму музично-виконавської підготовки студента. Показано, що для формування особистісного духовно-ціннісного світу учнів, розкриття їх творчого потенціалу вчите-лю музичного мистецтва необхідні артистичні уміння, які під час комунікації та музично-виконавської діяльності будуть йому необхідні. Також у статті дається визначення поняття «інноваційні технології» як технології, що особистісно зорієнтовані, тобто спрямовані на особистісний, індивідуальний розви-ток, орієнтовані на особистість кожного студента; поняття «мультимедіа» – це технологія, що описує порядок розробки, функціонування і застосування засобів обробки інформації різних типів. Висновки. З’ясовано, що використання інноваційних технологій сприятиме підвищенню ефектив-ності формування артистичних умінь майбутнього вчителя музичного мистецтва; сприятиме набага-то продуктивнішій організації різних форм музично-виконавської, музично-педагогічної діяльності студентів завдяки використанню різних прийомів подачі навчального матеріалу, використанню різних інноваційних форм і методів під час проведення занять. Вони позитивно впливають на самоосвіту, саморозвиток, самовдосконалення студентів, що своєю чергою сприяє ефективному формуванню артистичних умінь. Purpose – to expose a role and value of innovative technologies in forming of artistic abilities of future teacher of musical art. Methods. For the achievement of the put aim we used next methods: ground, generalization, systematization of theoretical and practical material.Results. The specific of activity of future teacher of musical art is exposed in the article. Totality of general artistic abilities of teacher is reflected; certainly, constituents of artistry of future teacher of musical art are a culture, emotionality, imagination, thinking originality, capacity for improvisation, capacity for a vivid, emotional reincarnation. Innovative technologies that will assist forming of artistic abilities of future teacher of musical art are outlined. Musical conversation as form of musically-carrying out preparation of student is described. It is shown that for forming of the personality spiritually-valued world of students, opening of them creative potential to the teacher of musical art artistic abilities that during communication and musically-carrying out activity will need him are needed. Also determination of concept “innovative technologies” is given in the article, as technologies that is personality orientated, sent to personality, individual development, oriented to personality of every student; a concept “multimedia” is technology, that describes the order of development, functioning and application of facilities of treatment of information of different types.Conclusions. It is found out, that the use of innovative technologies will assist the increase of efficiency of forming of artistic abilities of future teacher of musical art; will assist far more productive organization of different forms of musically-carrying out, musically pedagogic activity of students due to the use of different receptions of serve of educational material, use of different innovative forms and methods during realization of employments. They positively influence on a self-education, self-development, self-perfection of students, that assists the effective forming of artistic qualities in turn.


Author(s):  
Syvash S. V.

The development of teacher's creative potential is a continuous pedagogical process, constant movement and self-development, in which the system of postgraduate pedagogical education plays the most important role.The article highlights special role that teachers of Ukrainian language and literature play in shaping culture of speech, linguistic flair, and literary tastes of young Ukrainian citizens. The importance of developing creative potential of teachers in the system of postgraduate pedagogical education is revealed. On the basis of the analysis of philosophical, psychological and pedagogical literature, we have determined organizational and pedagogical conditions, suggested an experimental structural and functional model for the development of creative potential of teachers of Ukrainian language and literature in the system of postgraduate pedagogical education. The conclusion is drawn about the integrity, sustainability and dynamics of the experimental model. It is pointed out that the development of spiritual and creative potential, training pedagogical skills require awareness of oneself as a subject of self- development in the created educational environment, which is oriented on positive emotional background, innovative and traditional methods and forms of work, actualization of self-educational potential and success.


2020 ◽  
Vol 210 ◽  
pp. 22014
Author(s):  
Natalia Zakharova ◽  
Irina Vlasova ◽  
Olga Kartavtseva

The article discusses the innovative approaches in the distance form of training the bachelors-designers, the direction of the tutorial assistance vector and the ways of realizing the creative potential of students in visual activity. Emphasis is placed on the innovative approaches and technologies in distant training the bachelors-designers, on the extracurricular activities of the students using telecommunications and information technologies, the tutoring technology as the most acceptable technology and a humane form of pedagogical interaction, creating the conditions for self-development and self-realization of students. The assessment criteria are defined as the products of visual activity in the process of distant training, and the products of art as a result of this activity. The conditions for successful self-realization and harmonization of the students in the visual activity distant training process.


Author(s):  
Mark Vaintraub

The article deals with the problem of the integrated self-development of the personality, the need for the development of methodological foundations for the personal and professional self-development of higher education teachers. An attempt to create a model (tree) of the personality’s integrated self-development was made on the example of a higher education teacher. The «tree’s root», depicted below the crown, is a necessary basic condition for a self-development, its base area of an actual self-development; among its indicators should be noted here the teacher’s spirituality and moral maturity, without which a successful self-development may not be carried out. The «tree’s body», depicted in the middle of the model, is a system of interconnected structural elements of the higher education teacher’s integrated self-development. The «tree's top» is the continuation of creative self-realization of abilities according to other goals and tasks after the completion of the previous ones. The emphasis is on the introduced concepts of «integrated self-development of a personality», «integrated self-development of a higher education teacher»; the directions that contribute to the continuation of self-development of the formed personalities (higher education teachers), and encourage them to creativity. The researches of the most well-known scientists concerning the personality’s self-development, that does not give an opportunity to extinguish creativity, improves physical, intellectual and moral values, promote interest in life and self-perfection, are analyzed. The article presents the examples of modern prominent Ukrainian and foreign scholars-teachers who, thanks to their integrated self-development, continue their creative search and improve their abilities in various spheres of life. The author notes that it is the absence of the extinction of active social and personal activities, the integrated self-development of a personality, that result in its no fading, so that a person retains a creative potential throughout its life, the realization of all its abilities, maintains a high quality of life. The author of the article gives an example of the considered integrated development of a personality, which is the outstanding Ukrainian scientist, scholar Ivan Andriiovych Ziaziun. The article has a conclusion that, regardless of the sphere of activity, such people continue to be developed, although they have had enormous achievements and regalia; they have had an integrated self-development of various manifestations of their abilities and qualities, an internal need, which required an every day building of their vital reality and transfer their experience to others.


2019 ◽  
Vol 7 (1) ◽  
pp. 60-77
Author(s):  
Irina Ye. Molostvova

The article describes the requirements for a man of the new time, expressed in the need for his personal self-development, the full disclosure of creative potential. The specificity of the professional activity of a teacher-musician as a subject of culture capable of establishing a spiritual level interaction with students is determined, which is based on the actualization of the creative self-consciousness of all subjects of the educational process. The author considers the possibility of the technologization of the process of mastering the teacher-musician artistic and interpretative activities as a necessary component of his professional training, starting with the development of diagnostics of the success of mastering it. For this purpose, the concept of “artistic and interpretational competence of a teacher-musician” is introduced, and the stages of mastering it are defined: motivational-indicative, procedural-activity-related, and effective-corrective. The article proposes a detailed description of these stages in terms of content and diagnosis of the achievement of the appropriate level. In accordance with this, to diagnose the process of forming artistic and interpretative competence, the author proposes a level principle of diagnosis and an exemplary system of tasks that reveal knowledge and skills that are characterized as standard, key or leading.


2021 ◽  
Vol 3 (102) ◽  
pp. 186-198
Author(s):  
ANASTASIIA Y. MIKHAILOVA

This paper describes theoretical model of intellectual and creative potential development of junior students using extracurricular activities. The model contains four components. The first component comprises the main aim and tasks, values, pedagogical principles and approaches. The conceptual component presents the topical subject matter. The organizational component demonstrates the stages of intellectual and creative potential development, the conditions of successful functioning of the model, methods and forms of work. Finally, the reflexive and evaluative component shows the criteria, indices and possible levels of the intellectual and creative development.


Author(s):  
L. Nizhina ◽  
A. Zykova

Intellectual skills contribute to self-development and form the basis of professional competence of a specialist needed for adaptation to the conditions of life in the era of modern rapid renewal of knowledge. In this connection, the authors analyze non-linguistic factors and language mechanisms, which, in turn, in the age of "information explosion" are the main causes of errors in structuring information. The article offers some guidelines for the use of certain didactic technologies and cognitive strategies on the development of intellectual skills of students in higher education in the study of various aspects of the French language. The presented methods were successfully integrated into the process of teaching junior students at the Military University of the Ministry of Defense of the Russian Federation. Special attention is paid to the role of the teacher as a facilitator of language teaching and the guarantor of the latter’s success.


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