scholarly journals Tradisi Tuturan Na’u Nena Ata Nika Etnik Roworeke Kabupaten Ende Flores: Kajian Linguistik Kebudayaan

2021 ◽  
Vol 7 (2) ◽  
pp. 494-506
Author(s):  
Veronika Genua ◽  
Dominika Dhapa ◽  
Nilda Fatmala

The purpose of this paper is to describe the nau nena or nika utterances of the Roworeke Ende Flores ethnic tradition which is still inherited today. The nau nena ata nika speech is a speech in the form of a message or blessing for a young couple who will form a new household. The formulation of the problem raised is, what is the form, meaning, and function of the speech of nanu nena or nika adat in the Roworeke ethnicity. The aim is to find and describe the form, meaning, and function of nau nena or nika speech. The theory used in this study is the theory of cultural linguistics which examines the covariative relationship between language and culture. The method used is descriptive qualitative to describe the form, meaning, and function of nau nena or nika speech. The results obtained are examining the micro and macro linguistic levels. Micro linguistics includes phonological forms related to sound play and sound equations. Morphological studies include, verbs, promomina, numeralia, adjectives, adverbs and also language style. There are also meanings contained in it, namely, the meaning of prohibition, command, hope, togetherness and advice. Next there are aesthetic functions, informative functions and regulatory functions.

Author(s):  
La Ode Sidu ◽  
La Ino ◽  
Nirmalasari

The article titled “Demonstrative Nouns of ini and aini in Muna Language.” The purpose of this article is to analyze the form, meaning, and function of ini and aini in Muna language. The method used is descriptive qualitative with distributional technique. This method is used to describe and analyze the form, meaning, and function of ini and aini. The results of the analysis found that the form of ini is a base or monomorpheme, while the form of aini is a derivative or polymorpheme which consists of morpheme a- and morpheme aini. In construction of phrase, clause, or sentence generally have the same meaning, namely ‘this’. For instance, O lambu ini damasoe and lambu aini damasoe the meaning is ‘The house will be sold.’ However, when it’s examined more closely, both forms of demonstrative ini and aini in distributional are not interchangeable. For instance, *O lambu aini damasoe dan *Lambu ini damasoe. Both of constructions are ungrammatical caused by form ini has a meaning ‘this’, while form aini means ‘which this’. The bound morpheme a- in aini has a function as a noun marker which pointed in article ini called relative noun marker. Thus, demonstrative aini can stand alone as a minor sentence in the answer sentence, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: Aini! ‘This’ < (Here is it!). Demonstrative aini when substituted with ini, the construction became ungrammatical, e.g., Question: Hamai bokuku kabasa? ‘Where is my reading book?’ Answer: *ini. Hereafter, the form ini cannot be formed in more complexes, whereas the form aini can be formed again with another bound morpheme, such as: ainihakanau ‘This is me’, ainihako ‘This is you’, ainihakoomu ‘These are you’, ainihae ‘This is he’, ainihada ‘These are they’, and ainihakasami ‘These are we’.


Author(s):  
Rozanna Mulyani ◽  
Zurni Zahara Samosir ◽  
Dedy Rahmad Sitinjak

Penelitian ini bertujuan untuk mendeskripsikan makna dan fungsi pantun dalam acara perkawnan adat pada masyarakat Melayu di Kabupaten Batu Bara. Penelitian ini menggunakan metode deskriftif kualitatif yaitu memaparkan hasil analisis dengan kata-kata. Adapun sumber data dalam penelitian ini yaitu berasal dari informan yang direkam langsung  direkam atau didokumentasikan saat upacara pernikahan berlangsung untuk kemudian data yang didapatkan dari hasil dokumentasi di analisa untuk diketahui makna dan fungsi pantun. Temuan penelitian ini adalah bahwa pantun memang tidak dapat dilepaksan dari masyarakat melayu khususnya masyarakat Melayu di Kabupaten Batu bara karena pantun memiliki makna serta fungsi yang sangat penting bagi masyarakat Melayu oleh sebab itu tradisi berpantun pada masyarakat Melayu pada upacara perkawinan adat sering dijumpai dan ditemukan di kabupaten Batu Bara.   This research aims to describe the meaning and function of the particular “Pantun” on Malay society traditional marriage espescially in Batubara. This research uses a descriptive qualitative method that is describing the results of the analysis with words. The source of the data in this research, which came from recorded or documented informants during the wedding ceremony. The data obtained from the documentation were analyzed to determine the meaning and function of the Pantun using an anthropolinguistic theory. The results of this study are that Pantun cannot be separated from Malay society, especially in Batubara because pantun has very important meanings and functions for Malay society. Therefore, the expected implications of this research for Malay people to understand the truth, meaning, and function of traditional marriage Pantun in Batubara Malay society.


2019 ◽  
Vol 10 (2) ◽  
pp. 105
Author(s):  
Kadek Hermayani ◽  
Ni Ketut Widiartini ◽  
Made Diah Angendari

Abstrak Penelitian ini bertujuan untuk mendeskripsikan tata rias pengantin Agung Jembrana, fungsi dan makna tata rias pengantin Agung Jembrana. Jenis penelitian ini adalah deskriptif kualitatif. Lokasi penelitian di LKP W & W Asri. Metode yang digunakan adalah metode observasi dan wawancara. Instrument penelitian berupa lembar observasi dan pedoman wawancara. Hasil penelitian tata rias pengantin agung Jembrana yang berbeda pada umumnya terdiri dari (a) tata rias wajah meliputi: serinata dan alis-alis (b) tatanan rambut pengantin wanita meliputi: bunga menori putih, bunga menori kuncup putih dan sanggul gelung tanduk. Pada pengantin pria meliputi: udeng. (c) busana pengantin wanita meliputi: tapih wali, kamen songket, selendang bersulam benang emas, selendang cerari dan baju bludru hitam. Pengantin pria meliputi: kamen mastuli penuh, saput songket, umpal cerari dan baju bludru hitam. (d) aksesoris pengantin wanita meliputi: subeng, sabuk pending, gelang nagasatru dan kalung binar. Pengantin pria meliputi: rumbing, gelang nagasatru dan gelang kaki, keris dan pucuk emas. Kata Kunci: Fungsi, Makna, Tata Rias, Pengantin Agung, Kabupaten Jembrana Abstract This study aimed at describing the bridal makeup of Agung Jembrana, the meaning and function of the bridal makeup of Agung Jembrana. This study employed descriptive qualitative research. The research location of this study was at LKP W & W Asri. This study used observation and interview method for collecting the data. The research instruments were observation sheet and interview guidelines. The results indicated that, the bridal makeup of Agung Jembrana consisted of (a) makeup, included: serinata, eyebrows. (b) the bride’s hairdo, included: white menori flower, bud-white menori flower, and sanggul gelung tanduk. Meanwhile, the groom, included: udeng. (c) bridal gowns, included: tapih wali, kamen songket, scarves embroidered by gold thread, cerari scraves, black velvet shirt. The groom, included: full of kamen mastuli, saput songket, umpal cerari, and black velvet shirt. (d) bridal accessories, included: subeng, pending belt, naga satru bracelets, and binar necklace. The groom, included: rumbing, naga satru bracelets and anklets, keris, and the flower put on the udeng. Key Word: Function, Mean, Great Bridal Makeup Agung. Regency, Jembrana


2020 ◽  
Vol 10 (1) ◽  
pp. 89-106
Author(s):  
Karina Sofiananda Armaza-Faraba ◽  
Sumarlam Sumarlam ◽  
Dwi Purnanto

This article discusses the form and function of pro-selytizing phatic communication on the Instagram account vi-deo @caknunquotes. By using descriptive qualitative methods through the techniques of listening and note taking, the study found that most of the categories in da’wa on the Instagram video @caknunquotes carried a lot of regional elements or re-gional dialects in the form of particle fat, fatic words, and fatic phrases. With regard to phatic communication function, it expresses courtesy to the congregation, convinces the congre-gation, confirms the contents of the da'wah, asks for approval, greetings to familiarize themselves, as a form of proof of the intent or contents of the preaching, Javanese expression, as emphasis on the sentence sentence, and as a form of clarifying the contents again propaganda. In addition, flabby communi-cation with dialect or local language style makes the speech partner more deeply the contents of his da'wah.


JALABAHASA ◽  
2021 ◽  
Vol 17 (2) ◽  
pp. 161-178
Author(s):  
Kalpika Cahya Buana ◽  
Elita Ulfiana

Penelitian ini dilatarbelakangi oleh penelitian mengenai penggunaan jargon dalam komunitas sepeda. Tujuannya adalah mendeskripsikan penggunaan jargon dalam hal bentuk, makna, dan fungsi yang digunakan oleh komunitas Sepeda Solo Raya. Penelitian ini berjenis deskriptif kualitatif. Sumber data berupa percakapan dalam grup Facebook dan WhatsApp komunitas Sepeda Solo Raya. Data dalam penelitian ini diperoleh dengan teknik dokumentasi dan teknik catat. Penganalisisan data menggunakan metode padan dan agih. Hasil dari penelitian ini adalah ditemukan bentuk penggunaan jargon yang didasarkan pada proses pembentukan istilah beserta asal istilahnya, yakni bentuk tunggal, afiksasi, reduplikasi, pemajemukan, abreviasi, dan frasa, yang berasal dari bahasa Indonesia, bahasa Inggris, dan bahasa Jawa. Makna jargon dapat dikategorikan menjadi tiga jenis, yakni makna denotatif, konotatif, dan istilah. Berdasarkan fungsinya, jargon memiliki 13 fungsi, yakni memberikan perintah, menyampaikan imbauan, memberikan perhatian atau menyanjung, menyampaikan permintaan, memberikan persetujuan, menyampaikan penolakan, menyampaikan larangan, memberikan informasi, menyampaikan fakta, membuat pernyataan, menyampaikan pemberitahuan, menyingkap perasaan, dan memberikan pertanyaan. This research is motivated by research on the use of jargon in the bicycle community. The aim is to describe the use of jargon in terms of form, meaning, and function used by the Solo Raya bicycle community. This article was a descriptive qualitative study. The data sources are conversations in the Facebook and WhatsApp groups of the Solo Raya Bike community. The data in this study were obtained by documentation and note-taking techniques. Analysis of the data using the matching and agih method. The results of this study are found forms of jargon usage based on the process of forming the term and the origin of the term, namely singular form, affixation, reduplication, compounding, abbreviation, and phrases, which come from Indonesian, English, and Javanese. The meaning of jargon can be categorized into three types, namely denotative, connotative, and term meanings. Based on its function, jargon has 13 functions, namely giving orders, conveying appeals, paying attention/flattering, asking for requests, giving approval, conveying rejections, conveying prohibitions, providing information, conveying facts, making statements, conveying notifications, expressing feelings, and asking questions.


2018 ◽  
Vol 1 (1) ◽  
pp. 212-218
Author(s):  
Asrah Raihana ◽  
Asmaul Husna ◽  
Fadhila Hayani ◽  
Putri Permata Sari Samosir

Language is very important in society. It is used to communicate with other people in everyday life. The understanding of language in communication becomes very important according to the main purpose of the use of the language itself which can be associated as a medium for delivering a message or information. As a tool of communication, language is not only conveyed orally, but also in silence. Every word has a meaning, silence also delivers a message and it has interpretations in meaning and purpose. The use of silence can also be found among Acehnese while having communication. Silence is a complex phenomenon and embodies diverse concepts. In most usages of the word, silence has some degrees of relativity and often refers to states, which may not be silent at all. While some situations require the use of silence in some contexts, the other researches were found that using of silence for unnecessary situation. The objective of this study is to analyze how silence used in Acehnese. What the meaning and function of silence used by Acehnese are. The method was Acehnese’s conversations.  From the data analysis, it showed that the respondents showed that silence found in conversation between Acehnese mostly used as a variety of politeness, to hide feeling ashamed, guilty, and angry. Besides that, it also showed a respect to elders, express agreement and disagreement. The silence used is also an influence of a custom in each culture descriptive qualitative. The source of the data was taken by recording of. In Acehnese culture, silence mostly used for showing polite behavior and respect toward people based on the context of the communication in social interaction.


PRASI ◽  
2020 ◽  
Vol 15 (02) ◽  
pp. 71
Author(s):  
I Made Adi Widarta Kusuma ◽  
I Gede Budasi ◽  
I Wayan Suarnajaya

This study investigated the lexicons used in Tabuh Rah ceremony in Menyali village. This research was designed in the form of descriptive qualitative study. The focus of this study was to find out lexicons that exist in Tabuh Rah ceremony in Menyali village. The data of this study were obtained by conducting observation and interview with three informants who were from from Menyali village. The object of this study was Tabuh Rah lexicons that exist in Menyali village. The result of this study shows that there were seventy-one lexicons existing in Tabuh Rah ceremony in Menyali village. Those seventy-one lexicons were grouped based on their categories, including twelve lexicons which were concerned with series of events, fifteen lexicons dealt with Tabuh Rah facilities, six lexicons were found in roles in Tabuh Rah, three lexicons concerned with Tabuh Rah arena, four lexicons had something to do with kinds of offerings, twelve lexicons related to types of cocks, six lexicons dealt with types of taji pairings and thirteen lexicons were concerned with betting codes. All of the lexicons had their own meaning and function in the ceremony. The villagers kept using Tabuh Rah lexicons during the ceremony in order to maintain the language, especially maintaining Tabuh Rah lexicons in Menyali village.Keywords: Language maintenance, Tabuh Rah ceremony, Tabuh 


2021 ◽  
Vol 8 (2) ◽  
pp. 132-141
Author(s):  
Vamelia Aurina Pramandhani

Japanese has a different form of conversational skills from other languages ​​in the world, namely the Danseigo language variety and the Joseigo language variety. Danseigo is a language variety that is often used by men in Japan when communicating. Danseigo is a male language that tends to be rude and informal. Danseigo is rarely found during formal events. Usually men use standard Japanese or use keigo if the other person is a respectable person. The formulation of the problem in this study is what is the meaning and function of shuujoshi in danseigo found in the Doraemon comic volume 3? The purpose of this research is to find out the meaning and function of shuujoshi in danseigo found in Doraemon comic volume 3. The research method used is descriptive qualitative. The source of data used in the analysis of this research is a written source, namely the comic "Doraemon volume 3". In this comic, a form of conversation is found that uses a variety of languages ​​and seigo. In addition, the use of shuujoshi (sound at the end of sentences) (~sa, ~kana/na, ~yo, ~ze, ~zo) and the use of ninshou daimeishi (boku, kimi, omae, aitsu, soitsu) were also found. This is because the comic characters are dominated by boys. Therefore, the use of danseigo is found in the Doraemon comic Volume 3.


2019 ◽  
Vol 8 (2) ◽  
pp. 93
Author(s):  
Ummi Afifah ◽  
Harris Effendi Thahar ◽  
Emidar Emidar

ABSTRACTThe purpose of this research is to describe the type of language style based on sentence structure and based on whether or not the meaning and function of the language style contained in the anthology of the “Cermin Waktu” short story by Indonesian Language and Literature Education Students 2011 Faculty of Language and Art, State University of Padang. The method used is descriptive. The approach in this research is the stylistic. Based on the research conducted the type of language style based on sentence structure found 4 types of language style, namely climax, anticlimax, repetition, and antithesis. The type of language style is based on whether or not direct meaning is of two kinds, namely rhetorical  and the style of figurative language. The rhetorical style of the language is found in 7 types of language styles, namely apostrophes, asindenton, polisindenton, euphemism, pleonasm, rhetorical questions, and hyperbole. The figurative language style is found in 4 types of language styles, namely equality, metaphor, personification, and cynicism and sarcasm. The language style function contained in the anthology of the “Cermin Waktu” short story is found in 5 types of language style function, namely concreting 25 speeches, asserting 88 utterances, beautifying 24 speeches, smoothing 2 speeches, and insinuating 4 speeches.  Kata Kunci: Gaya bahasa, Fungsi, Jenis


2019 ◽  
Vol 3 (1) ◽  
pp. 17
Author(s):  
Yadnya I N. N ◽  
Ramendra D. P. ◽  
Utami I.A.M.I

This study aimed at analyzing forms, meaning, and function of jargons used by male Balinese dancer at Sanggar Seni Manik Uttara Singaraja. This study was conducted in descriptive qualitative method. the subject of this study were 2 dancers of Traditional Balinese Dance especially male dancer in Sanggar Seni Manik Uttara Singaraja. In this study, the methods of data collection were observation and interview. The result of this study represents there are 22 jargons used by male Balinese dancer at Sanggar Seni Manik Uttara Singaraja in which jargons were classified and investigated based on word formation processes and word class. There are 5 affixations, 5 nouns, 2 verbs, 7 compounding, 3 reduplications. The meaning of jargons was analyzed based on the context of male Balinese dancers’ conversation, picture, and interview. Additionally, this study denotes there are three function of jargons used by male Balinese dancer, to make communication effectively, to show the identity of the dancer and the last is to build the solidarity among Balinese dancer.


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