THE CONCEPT OF ENEMY: REPRESENTATION IN THE UKRAINIAN MILITARY DOCUMENTARIES

Author(s):  
Alina Chervinchuk

Research methodology. The following methods were used in this research: general scientific methods (descriptive, analysis, synthesis, comparison) and special (structural, hermeneutic, narrative, method of content analysis). We identified words related to the concept of the enemy and determined the context in which they are used by the authors of the collections Results. The formats of reflection of military reality in collections of military documentaries are investigated. It is emphasized that the authors-observers of events as professional communicators form a vision of events based on categories understandable to the audience – «own» and «others». Instead, the authors-participants go events have more creative space and pay more attention to their own emotional state and reflections. It is defined how the enemy is depicted and what place he occupies in the military reality represented by the authors. It is emphasized that the authors reflect the enemy in different ways. In particular, the authors-observers of the events tried to form a comprehensive vision of the events, and therefore paid much attention to the opposite side of the military conflict. Authors-participants of the events tend to show the enemy as a mass to be opposed. In such collections, the enemy is specified only in the presence of evidence confirming the presence of Russians or militants. Novelty. The research for the first time investigates the methods of representation of mi­litary activity in the collections of Ukrainian military documentaries. The article is devoted to the analysis of how the authors represent the enemy. Practical importance. The analysis of collections of military documentaries will allow to study the phenomenon of war and to trace the peculiarities of the authors’ representation of military reality.

Author(s):  
Yulia Rusnak

The purpose of the article is to analyze the structural and semantic features of metaphor in the Olga Kobylyanska’s artistic discourse. The relevance of the article is determined by the need of further in-depth study of Olga Kobylyanskaya idiostyle in order to form a cognitive-pragmatic conception of the writer's artistic discourse.  The novelty of scientific work is due to the fact that the cognitive nature of metaphor in the language of the O. Kobylyanska’s works is studied for the first time. Research methods. In the article as the main general scientific methods of analysis and synthesis are used, as well as linguistic – descriptive, structural and comparative and historical methods. Conclusions. Olga Kobylyanska's artistic discourse is characterized by the convergence of linguistic means, in particular, her works are full of metaphors of different nature. We recorded one-word and multi-words metaphors. One-word metaphors are dominated by addresses. In multi-words metaphors the semantic load falls on one of the components of the syntactic construction. Many metaphors describe the mental state of human. Often the metaphor is complemented by comparison, inversion, oxymoron etc. In creating of metaphorical constructions the writer uses the following images: soul, heart (to convey the psycho-emotional state of the characters), bread (to denote the property status), lilies (means pure girl’s love), dirty spot (to denote difficult memories), the sun in souls (to depict joyful events). Metaphors contain a number of verbs used figuratively. We distinguish metaphors formed on the basis of interparadigmatic transferred meanings, which come from the artistic (sculpture), musical, theatrical, sacred, financial spheres.


Author(s):  
J. Chernykh ◽  
O. Chernykh

Analysis of the foreign experience of the organisation and reformation of the armed forces in other countries, with the respective systems of military education being an integral part, reveals the specific national aspect of such activities in each country. In the meantime, there are some general methodological approaches used in military pedagogic practice across different countries of the world to be practicably considered and applied. The article examines the experience of officers’ training for the armed forces of the Republic of Hungary. The article provides information on the existing network of military educational institutions for the officer training of tactical, operational and strategic level of military command. Requirements for admission to military educational institutions for the officer training of different levels of training has been given. The terms of military specialists’ training on tactical, operational and strategic level have been defined. The analysis of the content of officer training for different armed services of the armed forces and different levels of military administration has been conducted. We used the system of the general scientific methods of theoretical and empirical research, in particular, the theoretical-methodological analysis of the problem and the relevant scholarly resources, systematization and generalization of the scientific information pertaining to the essence and content of the set objectives, monitoring of the existing system of military specialists training in the Armed Forces of the republic of Hungary, scientific generalisation, the general scientific methods of logical and comparative analysis, systems approach, peer review, analysis and interpretation of the obtained theoretical and empirical data. The general structure of the National University of Public Administration, the Faculty of Military Sciences and the training of officers is shown, as well as the main tasks that are solved by the institutes and training centers that are part of it are identified. An analysis of the concept, structure, goals, content and technologies of officers’ training in the armed forces of the Republic of Hungary shows that the military education system reflects the current stage of development of the armed forces, as well as the national cultural specificity of the country. Education and training of officers is carried out on the basis of national cultural and military tradition. The main direction of officers’ training is their fundamental military and professional training in both the military and civilian fields. The content of the officers’ training is based on two military education levels. Each level of military education ends with a certain level of qualification. It is possible to distinguish the general tendencies of development of the higher Hungarian military school: improvement of the quality of applicants’ selection, individualization of training of cadets and trainees, stabilization of their number at the present level; further informatization of the educational process, introduction of multimedia learning tools. Certainly, the positive elements of the experience of the Hungarian army can be used in the training of officers in the Ukrainian Armed Forces under the conditions of gradual transition to the recruitment on a contract basis.


Kavkazologiya ◽  
2021 ◽  
pp. 154-165
Author(s):  
L.B. KHAVZHOKOVA ◽  

The article is devoted to the study of the life and literary heritage of one of the significant creative figures in the Kabardian literature of the 60s – 80s. Of the twentieth century, which determined the features of the formation and development trends of national prose of the specified period. The relevance of the stated topic is due to the fact that until now in the Adygeyan literary criticism there are no generalizing works on the study of milestones in the biography and a comprehensive analysis of the literary work of A. Naloev. The scientific novelty of the research lies in the fact that for the first time a comprehensive substantive and structural-compositional analysis of the writer's works is carried out, starting from the first sketches in the form of miniatures and satirical and humorous stories, ending with larger genres – a story and a novel. The aim of the study is to recreate a complete biographical and creative picture of the life of a talented writer, philologist, educator, educator who raised a whole generation of artists and workers of culture and education. To achieve the goal, a number of tasks are solved, among the main ones – the study of the milestones of the biography of A. Naloev, the analysis of works, the consideration of the ideological and thematic orientation and the genre-style paradigm of the writer's work, determination of the role and place of his creative heritage in national literature and in general in cultural development Adyghe ethnos. The study used general scientific methods with an emphasis on the method of analysis, description and generalization. The results obtained have theoretical significance for further study of national literatures. They can become a significant practical help in writing various kinds of research papers, as well as in the preparation of special courses in universities and colleges.


2021 ◽  
Vol 108 ◽  
pp. 02006
Author(s):  
Aleksandr Nikolayevich Varygin ◽  
Irina Alekseevna Efremova ◽  
Aleksandr Borisovich Smushkin ◽  
Yana Vadimovna Malinina ◽  
Anna Eduardovna Titovets

The article is devoted to a comprehensive study of the criminal law, criminological and criminalistic aspects of combating crimes motivated by hatred, jealousy, or enmity. The background of the study is high statistical indicators that reflect the wide prevalence of the considered motives for committing crimes. At the same time, the article, for the first time, conducts a comprehensive study that examines these crimes and countering them from various sides. The objective of the study is to analyze the current state and develop current recommendations for considering factors of jealousy, hatred, or enmity in the qualification of acts, the development of criminological and criminalistic measures to counteract these crimes, as well as criminalistic programs and algorithms for the investigation of a group of crimes committed on the grounds of hatred, jealousy, or enmity. The methodology is based on the universal dialectical cognitive method. Besides, the authors used specific scientific methods: comparative-legal, hermeneutical, and logical methods, which ensure compliance with the general principles of scientific knowledge. The study is based on a systematic approach. The research novelty is due to the authors’ non-trivial approach, which combines the achievements of criminal law, criminology, and criminalistics and develops a single set of issues based on this symbiosis of knowledge. As a conclusion, it is noted that the specifics of the qualification of crimes motivated by jealousy, hatred, and enmity depend not only on the internal emotional state of the person committing them but also on the external conditions in which the subjective attitude of the perpetrator towards the committed act is formed. It is necessary to develop recommendations for practitioners containing rules for the qualification of crimes in the competition of criminal law norms, in which to provide answers to questions related to typical errors in the qualification of crimes and to offer an interpretation of the evaluation categories, the application of which causes the most significant difficulty in practice. The paper presents the algorithms of the two main investigation programs developed based on the selected investigative situations.


Author(s):  
Lyudmyla Pinchuk ◽  

The purpose of the article is to investigate the armed and ideological struggle of the OUN and UPA against the Soviet administration in the Kamin-Kashyrskyi district in the period from 1944 to 1945. The research methodology is based on the use of general scientific methods (analysis, synthesis and generalization) in combination with the principles of historicism, objectivity and systematics. The work uses source analysis, methods of classification and critique of sources and their identification. The scientific novelty of the work is that for the first time in historiography the question of generalization and systematization of scientific facts on the confrontation between the OUN and the UPA in the Kamin-Kashyrskyi district is raised. Eyewitness accounts and scientific materials that shed light on the confrontation between the nationalist underground and the local Soviet administration during this period are being introduced into scientific circulation for the first time. Conclusions. Based on the available scientific information, the author concludes that the confrontation between the OUN and the UPA and the Soviet administration in the Kamin-Kashyrskyi district was an important stage in the underground struggle in the future. The confrontation in 1944–1945 had important military results for the nationalist underground. However, during the research the author concluded that the aspect of the ideological struggle of the OUN and UPA against the Soviet administration needs more detailed analysis and research.


Author(s):  
Olena Zalevska

The purpose of the article is to analyze the creative personality of Mykola Hobdych, to consider the directions of his multifaceted activity for 30 years, to confirm the significant contribution of the artist to the revival of the national choral art of Ukraine, to draw the attention of musicologists to the study of the creative work of the master of choral performance. Methodology. Historical and general scientific methods were used in the analysis of the choral movement in Ukrainian society during the period of state independence, the comparative method revealed a significant contribution of the Kyiv Chamber Choir to the revival of national traditions of spiritual singing, the systematic method was used to assess the activity of the choir leader Gobdich. The scientific novelty is that for the first time M. Hobdych's creative interaction with such modern composers as Lesya Dychko, Viktor Stepurko, Myroslav Skoryk, Romuald Tvardovsky, Valentyn Silvestrov was noted, the importance of his organizational, publishing, and scientific activity was emphasized. Conclusions. At the turn of the XX and XXI centuries, the flourishing of spiritual choral creativity is strongly connected with the creative activity of M. Hobdych and the Kyiv Chamber Choir, as the founders of the International Festival "Golden-Domed Kyiv", which was able to revive the links between past and present. M. Hobdych's creative activity as a choirmaster. arranger, editor, and cultural figure deserves the more meticulous attention of musicologists.


Author(s):  
Olena Khlystun

The purpose of the article is to analyze the main milestones of life, stages of cultural and artistic activities and reveal the personality of Samuel Franklin Cody - a representative of show business and professional art showman of the late nineteenth - early twentieth century. Methodology. A number of scientific search methods have been used. The biographical method became optimal for revealing the main stages of the showman's life. The study is also based on methodological tools integrated with culturology, history, art history. General scientific methods are used - analysis, synthesis, and principles of scientific analysis - reliability, impartiality, etc. Scientific novelty. For the first time in Ukrainian science, in particular art history, an attempt was made to analyze the life, artistic activity, and significance of showman Samuel Franklin Cody. Conclusions. Samuel Francis Cody is the most famous showman, creator of the show "Wild West" and author of large kites Cody War-Kites, which could lift people. In S.-F. Cody, no doubt, was an innate talent of the showman, which was supported by certain traits - courage, openness to the new, impartiality, activity, generosity, adventurism, etc. The first role is played by the brightness of the image, the diversity of talents, the desire to create, entertain the audience, and be in the center of its attention. Without exaggeration, as a pioneer in today's popular show business S.-F. Cody can be considered the most talented person of his time, who saw far ahead and played a significant role in the formation of world show business, the profession of the showman, and the whole socio-cultural reality.


Author(s):  
Iryna Gutnyk

The purpose of the article is to trace and find out the peculiarities of the creative path of the Honored Artist of Ukraine, winner of international contests, Professor Oleksandr Petrovich Kolosok, highlighting his activities as an artist of the dance group of G. Veryovka Honored Ukrainian Folk Choir. Research methodology. To achieve this goal, general scientific methods of theoretical and empirical levels were used: analysis and generalization of scientific and theoretical bases of research, logical method, interview method. Scientific novelty. The article covers for the first time the creative activity of O. Kolosok as a soloist of the dance group of G. Veryovka Honored Ukrainian Folk Choir, as well as materials of interviews with O. Kolosok, which have not been published so far, have been put into scientific circulation. Conclusions. An important milestone in the artist's professional career was his work in the Ukrainian Folk Choir. As a performer, Oleksandr Kolosok impressed with his technical skill, virtuosity, and ability to create vivid stage images. For decades, he danced selflessly, gaining extensive experience, and later began to teach it to others, focusing on theoretical and practical aspects of the development of Ukrainian folk stage dance. It was the intense performing activity that became the basis on which Kolosok 's talent was formed as a teacher and scientist, an outstanding theorist of Ukrainian dance art.


Kavkazologiya ◽  
2021 ◽  
pp. 194-207
Author(s):  
L.B. KHAVZHOKOVA ◽  

The article presents an overview study of the process of the origin and formation of the Adyghe (Kabardian, Circassian, Adygheyan) literatures, covering the period of the 19th – first half of the 20th century. The relevance of the topic is due to the need to clarify some points in the history of national literary literature, concerning the specifics of its formation, differentiation, periodization, etc. Here, for the first time, a comprehensive study of the common Adyghe literary process is carried out with an emphasis on the peculiarities of the development of the literatures of the Adyghe sub-ethnic groups. The purpose of the study is to recreate a holistic objective picture of the formation and primary development of the literature of an ethnic group. It is achieved by solving a set of tasks, including: defining the ideological and thematic orientation, studying the genre and style paradigm, identifying the specifics of the poetics of the Adygeyan literature of the period under consideration. A number of general scientific methods were involved in the study (generalization, analysis, synthesis, description). The results obtained can become a theoretical aid in the further study of the Kabardian, Circassian, Adygheyan literature. They can find practical application in the preparation of special courses, writing various kinds of research papers.


Lex Russica ◽  
2020 ◽  
Vol 73 (6) ◽  
pp. 77-96
Author(s):  
A. S. Gulasaryan

The world energy industry today faces new challenges. They include regulating energy markets, protecting the environment and sustainable development. An appropriate response to these challenges could be to employ the potential of multilateral interaction within the framework of international energy associations with a view to establishing effective mechanisms for the provision of international energy security. The importance of an intra-organizational (institutional) mechanism is due to the fact that it ensures the cooperation of States within the framework of international energy associations. Accumulated during more than half a century of the existence of international energy associations, the normative framework requires processing, scientific systematization, as well as theoretical generalizations and proposals of obvious practical importance. This paper, for the first time in the Russian science of international law, makes a comprehensive scientific and legal analysis of issues of membership, institutional structure, working order and interrelations among different bodies, personnel formation, privileges and immunities of international energy associations. The scientific and legal analysis is aimed at exploring the constituent acts, headquarters agreements, agreements on privileges and immunities of international organizations, international treaties, as well as modern doctrine of international law.The conclusions and proposals made in the paper can be used by States to improve the institutional (intraorganizational) mechanism of effective international energy associations, as well as for planning new associations. They can also be used by the Russian Federation in developing strategies to interact with such associations. The paper uses general and private scientific methods of research: formal-legal, historical-legal, system analysis, comparative-legal approaches.


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