scholarly journals CONTRASTIVE ANALYSIS OF EXPRESSIONS ON JAPANESE AND INDONESIAN LOVE LYRICS -BASED ON COGNITIVE LINGUISTIC POINT OF VIEW-

2018 ◽  
Vol 3 (2) ◽  
pp. 85
Author(s):  
Siti Faridah ◽  
Mutia Kusumawati
Keyword(s):  
Cognitive Linguistics ◽  
Japanese Society ◽  
Point Of View ◽  
Common Source ◽  
Analysis Method ◽  
Contrastive Analysis ◽  
Source Domain ◽  
Song Lyrics ◽  
The Common ◽  
Language Styles

Song is an expression which has a strong connection with someone's feeling, which can also be a hint to understand how Japanese society thinks and feels in general (Kanemoto 2006). Expression on song lyrics is quite different from the usual expression used in daily conversation. To convey emotions and feelings of the songwriter, the style of language is important to touch the listener's feelings. This research analyzed the style of language in the lyrics of Japanese and Indonesian love song, by using contrastive analysis method and review it from cognitive linguistics. 13 Common Source Domains that Kovecses exposes is used to identify the style of love expression in the song lyrics. The purpose of this study is to explain what language styles and expression are used in the lyrics of Indonesian and Japanese songs, accordance with theory of the seven metaphors of love in cognitive linguistics, contrasting the love phrases contained in both languages, and the corresponding theory of the seven metaphors of love in cognitive linguistics with the Common Source Domain by Kovecses. As the results, there are 8 types of 13 types of Common Source Domain used in the lyrics of both languages in the 1970s. Besides the 13 Common Source Domains, is also found domain that are used both languages called Colour. Meanwhile the song lyrics in 2000 year, there are 10 types of 13 types of Common Source Domain used in both languages lyrics. Another domain that is used in both language lyrics is Music.

scholarly journals Metaphorical Conceptualization of ANGER, FEAR and SHAME in Lithuanian: In Search of Cultural Content

2021 ◽  
pp. 76-96
Author(s):  
Monika Bogdzevič
Keyword(s):  
Common Source ◽  
Closed Space ◽  
Cultural Layer ◽  
Linguistic Expression ◽  
Conceptual Metaphors ◽  
Source Domain ◽  
The Common ◽  
And Behaviors ◽  
Cultural Content ◽  
Linguistic Units

The article discusses the conceptual images of ANGER, FEAR and SHAME in Lithuanian. The aim of the paper is to show the cognitive and cultural basis for the perception, valuation and linguistic expression of feelings of anger, fear and shame in Lithuanian. Conceptual metaphors and, in some cases, conceptual metonymies are used to reveal tendencies in thinking about these feelings. To this end, linguistic constructs are used to express various aspects of anger, fear and shame as well as the norms and behaviors associated with them. The research inventory consists of lexemes belonging to the categories of anger, fear and shame, composite linguistic units, which contain these lexemes or which are regularly associated semantically with the said lexemes, as well as derivatives derived from metonymic and metaphorical transfers and phraseological compounds. The structure of the article is measured by the source domains of the conceptual metaphors of ANGER, FEAR and SHAME. On this basis, first of all, the conceptual metaphors of the common source domain, which reveal the common patterns of perception of anger, fear and shame, are discussed (CONTAINER / CLOSED SPACE / UP and DOWN MOVEMENT / BALANCE; HUMAN / COMPANION / ENEMY; ANIMAL / BEAST; ARTEFACT; HEAT (FIRE) / COLD; DISEASE), the following are the directions of linguistic conceptualization specific to individual feelings only (PAIN / SUFFERING; BITTER / POISON; NATURAL FORCES / AIR / DARKNESS; PLANT (TREE / CEREALS); WATER (SEA / RIVER); DEVIL) First one reveal the common cognitive basis of the perception and evaluation of the feelings of ANGER, FEAR and SHAME, the second allows us to see the cultural layer of latter.

ANALISIS DIKSI DAN GAYA BAHASA DALAM ALBUM PERDANA ANDMESH KAMALENG

2021 ◽  
Vol 2 (01) ◽  
pp. 41
Author(s):  
Moh. Syamsul Ma�arif ◽  
Lana Saadatul Abadiah
Keyword(s):  
Data Analysis ◽  
Flow Analysis ◽  
Analysis Method ◽  
Language Style ◽  
Content Analysis Method ◽  
Analysis Technique ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Song Lyrics ◽  
Language Styles

This study aims to describe: (1) the use of diction in Andmesh Kamaleng's first album; (2) the use of language styles contained in the songs of Andmesh Kamaleng's debut album. Researchers are interested in analyzing the diction and language style on Andmesh Kamaleng's first album because it has its own way or its own characteristics in conveying or composing a song. The object of this research is the first album from Andmesh Kamaleng which consists of 8 songs. The lyrics of the song by Andmesh Kamaleng contain 3 types of diction and 13 kinds of language styles. Diction is a choice of words that can distinguish precisely based on the nuances of meaning that arise from the idea to be conveyed. Language style is the use of words in speaking and writing in order to convince or influence a listener and reader. This research is a qualitative descriptive using content analysis method. The data source is a document in the form of song lyrics from Andmesh Kamaleng's debut album. The data collection techniques used in this study were the listening and note taking technique. Validating the data in this study using theoretical triangulation. The data analysis technique used in this research is flow analysis which includes three processes, namely: (1) data reduction; (2) Presentation of data; (3) Drawing conclusions. In the song lyrics of Andmesh Kamaleng's debut album, it contains three kinds of diction, namely diction which means denotative, connotative, and synonymy. For the language style used by the author, there are 3 kinds of language styles included in the lyrics of this song, namely: comparative language style, contradiction style, and repetition language style. The results of this study can be concluded as follows: (1) the use of word choices or diction in Andmesh Kamaleng's song lyrics, namely: 38 data denotative diction, 11 connotative diction, 11 synonymy diction, and 3 synonymy diction. The purpose of using denotative diction in a work is especially in Andmesh Kamaleng's songs so that the message conveyed by the writer can be understood by the audience; (2) the use of this language style consists of 13 types, namely: asonance as much as 46 data, alliteration of 26 data, anaphore of 18 data, personification of 10 data, tautotes with 2 data, apostrophe 5 data, epizeukis 9 data, hyperbolic 8 data, mesodilopsis 2 data, epanalepsis 1 data, metaphor 2 data, and zeugma with 2 data. Keywords: diction, language style

scholarly journals Animal Elements on Japanese Kotowaza and the Implementation of Japanese Socio-Cultural Values: A Cognitive Linguistics Point of View

2021 ◽  
Vol 3 (2) ◽  
pp. 141-156
Author(s):  
Siti Mafrukha ◽  
Dian Bayu Firmansyah ◽  
Anggita Stovia
Keyword(s):  
Cultural Values ◽  
Cognitive Linguistics ◽  
Japanese Society ◽  
Point Of View ◽  
Lexical Meaning ◽  
Descriptive Research ◽  
Qualitative Descriptive ◽  
Data Source ◽  
The Relationship ◽  
The City

This study aims to describe the relationship between the lexical meaning and the idiomatic meaning contained in the Japanese kotowaza and to analyze the level of relevance of each kotowaza to the application of socio-cultural values in Japanese society. This type of research is qualitative descriptive research to describe the meaning of kotowaza through cognitive linguistic studies and conceptual metaphor theory. The data source is a Japanese novel contained in Aozora Bunka. This study found that the animal elements contained in the kotowaza are a conceptualization of attitudes, actions, judgments, circumstances, and feelings. In addition, the city also reflects socio-cultural values that are very relevant to the culture of Japanese society, such as the culture of working hard, being responsible, and being focused and conscientious.

scholarly journals Transparency and Translatability of the Terminological Metaphor in the Domain of Computer Science (A Contrastive Analysis)

2014 ◽  
Vol 6 (3) ◽  
pp. 381-389
Author(s):  
Doina Butiurca
Keyword(s):  
English Language ◽  
Point Of View ◽  
Target Language ◽  
The Internet ◽  
Common Denominator ◽  
Contrastive Analysis ◽  
Source Language ◽  
The Common ◽  
The One ◽  
The Relationship

AbstractOur research, Transparency and translatability of the terminological metaphor in the domain of the internet, is a contrastive analysis in the topic of the metaphor, especially. The relationship between the common and the special lexicon in the domain of the Internet in the English language as source language, the relationship between the common denominator between the source language and the semantic basis, of equivalence in the target language represent the aims of the research. The languages in which the analysis is carried out are different from the genealogical and typological point of view (the English language on the one hand, the Romance language and Hungarian on the other). The perspective is a descriptive-semasiological one, and the methods applied - the paradigmatic and syntagmatic analysis, the contrastive analysis - are adapted to this perspective. The transparency in the meaning, the degree of translatability, the motivated character of the terminological metaphor, the role of linguistics / of semantics in the terminology of the Internet are only some of the conclusions of the research.

scholarly journals Majaz Al-Qur'an dalam Perspektif Sejarah (Studi Perbandingan antara Abi Ubaidah, al-Jahizh dan Qadhi ‘Abdul Jabbar)

2020 ◽  
Vol 15 (2) ◽  
pp. 158
Author(s):  
Ekawati Ekawati
Keyword(s):  
Comprehensive Analysis ◽  
Point Of View ◽  
Analysis Method ◽  
Next Generation ◽  
Historical Approach ◽  
Library Research ◽  
Similarities And Differences ◽  
Language Styles

The aims of this paper are: (1) to analyze the paradigm of Abi Ubaidah, al-jahizh and Qadhi ‘Abdul Jabbar about the metaphors of The Koran from the historical point of view. (2) to interpret and describe metaphors analytically as one of the aesthetics of language styles in The Koran. This paper applies qualitative approach to discuss the problems as well as library research with comparative and comprehensive analysis method. It means that to know the paradigm of “mufassir” and metaphors in The Koran, the writer should know the similarities and differences among “mufassir' opinions, especially in the interpretation of controversial verses. To obtain the data of those three “mufassir” the writer uses historical approach. Abi Ubaidah and al-Farra’ have a great distribution in revealing the secret of the verses in The Koran, especially the meaning of metaphors. Both “mufassir” are the pioneers and inspirators of the next followers such as Al- Jahizh, Ubnu Qutaibah and Al-Qodhi, ‘Abdul Jabbar. The result of their thoughts will be inherited to the next generation as the medium of streng their belifs . Keywords: Majāz, Sejarah, al-Qur’an Tulisan ini bertujuan untuk (1) mengkaji cara pandang Abi Ubaidah, al-Jahizh dan al-Qadhi ‘Abdul Jabbar tentang majāz al-Qur’an ditinjau dari perspektif sejarah. (2) menginterpretasi atau mendeskripsikan secara analitis tentang Majāz sebagai salah satu bentuk keindahan gaya bahasa al-Qur’an. Tulisan ini menggunakan pendekatan kualitatif. Dan untuk membahas persoalan yang ada dalam penelitian ini, penulis menggunakan penelitian kepustakaan (library research), dengan pendekatan metode analisis komprehensif dan komparatif. Artinya, untuk mengetahui cara bergulirnya pandangan para mufassir tentang majāz dalam al-Qur’an, terlebih dahulu harus dilihat segi persamaan dan perbedaan antara dua atau lebih pendapat mereka pada lafazh atau ayat yang diperselisihkan penafsirannya. Untuk mendapatkan data mengenai ketiga tokoh tersebut, digunakan pendekatan sejarah. Abi Ubaidah dan al-Farra’ memiliki andil yang cukup besar dalam menguak rahasia kandungan susunan kalimat baik al-Qur’an maupun bahasa Arab dalam pengertian majāzī-nya. Keduanya merupakan pioner dan pembawa obor bagi generasi selanjutnya seperti al-Jahizh, Ibnu Qutaibah, dan Qadhi ‘Abdul jabbar. Hasil dari kedua pemikir tersebut, generasi selanjutnya dapat menjadikan ta’wīl al-Qur’an sebagai media memperteguh iman mereka. Kata Kunci: Majāz, Sejarah, al-Qur’an

scholarly journals The Semantics Analysis of the Effective Factors on Safety Development in the Point of view of Qur’an

2021 ◽  
Vol 8 (9) ◽  
pp. 197
Author(s):  
Mohammad-Mahdi Shahmoradi Fereidouni ◽  
Kothar Ranjbari
Keyword(s):  
Thematic Analysis ◽  
Social Factors ◽  
Scattered Data ◽  
Point Of View ◽  
Institutional Factors ◽  
Human Beings ◽  
Personal Factors ◽  
Analysis Method ◽  
Safety Factors ◽  
The Common

The present article tries to answer this question: From the point of view Qur’an, what are the factors that develop safety? The Qur’an is a book that guides and expresses all the things that have been revealed from God for the benefit and inquest of human beings. This research has used the Qur’an and thematic analysis method has been used to analyze the data. Thematic analysis is one of the common and efficient methods in qualitative research, converting diverse and scattered data into strong and formal data. After the inquiry, 21 safety factors were identified, which are divided into two parts: personal and institutional. The findings of this study show that the most important personal factors found are ritual and moral-psychological factors, and the most important institutional factors are political and social factors.

scholarly journals Analysis of Solidarity to Human Rights as Reflected in the Song Lyrics titled "Hear Your Call" by Sami Yusuf

2020 ◽  
Vol 3 (1) ◽  
pp. 1-12
Author(s):  
Aa Qonaatun
Keyword(s):  
Human Rights ◽  
Content Analysis ◽  
English Literature ◽  
Point Of View ◽  
Learning Material ◽  
Analysis Method ◽  
Sociological Approach ◽  
Content Analysis Method ◽  
The Social ◽  
Song Lyrics

This study try to analyze solidarity to human rights as reflected in the lyrics of the song entitled "Hear Your Call" by Sami Yusuf by using a sociological approach of literature. This study is a qualitative using content analysis method. The technique of study and data analysis is content analysis by identifying and interpreting the lyrics in the song, and then recognizes it as the data of study. Based on the analysis and discussion of song lyrics, it is concluded that there are 6 lines of song lyrics that contain of solidarity to human rights in the social, economic and cultural fields. Based on the sociology of the reader, it is concluded that the song is aimed to the reader or listener of the song, the lyrics contain the meaning and messages that want to influence their point of view and response after reading or listening to the song, and also expected to provide influence on the social conditions of victims in the flood disaster in Pakistan. The result of this study can be used as learning material in providing model of communicative English teaching through songs and also to support teaching materials in English Literature subject.

KOMIK DI LINGKARAN INDUSTRI MUSIK

DeKaVe ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Terra Bajraghosa
Keyword(s):  
Comic Books ◽  
Music Industry ◽  
Comic Book ◽  
Narrative Approach ◽  
Visual Narrative ◽  
Common Practices ◽  
Visual Style ◽  
Song Lyrics ◽  
The Common

Comic ges. Based on comprehention as a narrative media, comics in Indonesia are oftenly compared to bas-reliefs on Borobudur temple and Wayang Beber.. From many kind of stories Indonesian comic books recently offered, with the developed visual wrapping, some comics steal attentions by its unique themes. These comic books are created because of the inspiration and relation to music industry. These comic books couldn't be seen from the visual style alone, as they were created in many visual genres, but they could be seen from their relations to music industry, whether the mainstream or indie ones. These comic books are published together with the music CDs, telling fictional stories from factual bands or musicians, telling a band's factual stories, or created by one of the band members. To understand modes of creation of these music industry-related-comic books, visual narrative approach will be applied. Through visual narrative approach, the band members' or musician's necessity for telling stories via comics, beside the common practices via music and song lyrics, will be observed.Keywords : Comic book, music industry, visual narrative

Gaya Bahasa dalam Pepatah Adat Masyarakat Petalangan Riau

2019 ◽  
Vol 10 (2) ◽  
pp. 285
Author(s):  
Yeni Maulina ◽  
Khairul Azmi
Keyword(s):  
Cultural Heritage ◽  
Descriptive Analysis ◽  
Qualitative Approach ◽  
Community Life ◽  
Sentence Structure ◽  
Analysis Method ◽  
Philosophy Of Life ◽  
The People ◽  
Data Source ◽  
Language Styles

Pengkalan Kuras, Langgam, Kuala Kampar, and Bunut Subdistrict, Pelalawan Regency. Petalangan tribe has various cultures in the traditions of life. A good introduction to cultural heritage by the next generation can strengthen the nation's tradition in responding to the increasingly severe challenges of the future in this era of globalization. Cultural heritage in the form of moral-spiritual inheritance, one of which is obtained and known through the tradition of belief in the traditional proverb that exists in the community. The traditional adage in the Petalangan community, among others, explains the perspective on community life. This study aims to describe the style of language in the customary proverb that is related to the perspective of life in society. This research uses a qualitative approach with descriptive analysis method. The data source used was the book entitled Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. There are 16 traditional proverbs used as data in this study, which then obtained 3 language styles based on sentence structure and 2 language styles based on meaning. By knowing and learning the style of language in this traditional proverb, the philosophy of life and aesthetic tastes of the people of Riau can be understood. Petalangan merupakan salah satu puak asli di Provinsi Riau yang bermukim di Kecamatan Pengkalan Kuras, Langgam, Kuala Kampar, dan Bunut, Kabupaten Pelalawan. Suku Petalangan ini memiliki beraneka kebudayaan dalam kehidupan. Pengenalan yang baik terhadap warisan kebudayaan oleh generasi penerus dapat memperteguh tradisi bangsa dalam menjawab tantangan masa depan yang semakin berat dalam era globalisasi ini. Warisan kebudayaan yang berupa warisan moral-spiritual, satu di antaranya didapatkan dan diketahui keyakinan terhadap pepatah adat yang ada pada masyarakat. Pepatah adat dalam masyarakat Petalangan antara lain menjelaskan cara pandang mengenai hidup bermasyarakat. Penelitian ini bertujuan mendeskripsikan gaya bahasa di dalam pepatah adat yang berhubungan dengan cara pandang dalam hidup bermasyarakat. Penelitian ini menggunakanpendekatan kualitatif dengan metode analisis deskriptif. Sumber data yang digunakan adalah buku Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. Terdapat 16 pepatah adat yang dijadikan data dalam penelitian ini, yang kemudian diperoleh 3 gaya bahasa berdasarkan struktur kalimat dan 2 gaya bahasa berdasarkan makna. Dengan mengetahui dan mempelajari gaya bahasa dalam pepatah adat ini dapat dipahami filsafat hidup dan cita rasa estetika masyarakat Riau.

Funerary Ritual

2019 ◽  
pp. 292-309
Author(s):  
Mireia López-Bertran
Keyword(s):  
Point Of View ◽  
Good Death ◽  
Social Implications ◽  
Archaeological Remains ◽  
Deceased Person ◽  
Funerary Rituals ◽  
The Social ◽  
The Common ◽  
Funerary Rites ◽  
Written Sources

This chapter explores the funerary rites in the Phoenician-Punic world from a comprehensive point of view, and it focuses on the common points arising from a large amount of data. The concern for burying their deceased and the belief in the soul’s afterlife show that the Phoenicians considered death as a transformation rather than as the end of a person’s life. Through our access to archaeological remains and written sources, we can reconstruct the existence of a meaningful burial program that was destined to provide a “good death” and afterlife. Funerary rituals, thus, are the actions or gestures to achieve this goal. The aim of this chapter is to explain the rites that family members undertook once someone died, in order to transform correctly the deceased person into an otherworldly being, the ancestor. The social implications of the data arising from burials are also briefly considered.

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